Statius on parade: performing Argive identity inThebaid6.268–95

2007 ◽  
Vol 53 ◽  
pp. 72-95
Author(s):  
Helen Lovatt
Keyword(s):  

In book 6 of theThebaid, Statius puts on a funeral for a baby prince (Opheltes) accidentally crushed by the flick of a giant serpent's tail, while his nurse is busy telling her life story to the leaders of the Argive army on their way to Thebes. The Argives hold full-scale funeral games, which represent an opportunity to play with epic predecessors and create a new world between Greece and Rome, epic and reality. At 268–95, nine days after Opheltes' funeral pyre has burnt out, after the crowd have arrived for the games and before the chariot race, Statius stages a procession. I give the full passage:exin magnanimum series antiqua parentuminuehitur, miris in uultum animata figuris.primus anhelantem duro Tirynthius angenspectoris attritu sua frangit in ossa leonem.haud ilium impauidi quamuis et in aere suumqueInachidae uidere decus. pater ordine iunctolaeuus harundineae recubans super aggere ripaecernitur emissaeque indulgens Inachus urnae.Io post tergum, iam prona dolorque parentis,spectat inocciduis stellatum uisibus Argum.ast illam melior Phariis erexerat aruisIuppiter atque hospes iam tunc Aurora colebat.Tantalus inde parens, non qui fallentibus undisinminet aut refugae sterilem rapit aera siluae,sed pius et magni uehitur conuiua Tonantis.parte alia uictor curru Neptunia tenditlora Pelops, prensatque rotas auriga natantesMyrtilos et uolucri iam iamque relinquitur axe.et grauis Acrisius speciesque horrenda Coroebiet Danae culpata sinus et in amne repertotristis Amymone, paruoque Alcmena superbitHercule tergemina crinem circumdata luna.iungunt discordes inimica in foedera dextrasBelidae fratres, sed uultu mitior astatAegyptus; Danai manifestum agnoscere fictoore notas pacisque malae noctisque futurae.mille dehinc species, tandem satiata uoluptaspraestantesque uiros uocat ad sua praemia uirtus.(Thebaid6.268-95)

Author(s):  
Jessica Marie Falcone

This ethnography explores the controversial plans and practices of the Maitreya Project, as they worked to build the “world's tallest statue” as a multi-million dollar “gift” to India. This effort entailed a plan to forcibly acquire hundreds of acres of occupied land for the statue park in the Kushinagar area of Uttar Pradesh. The Buddhist statue planners ran into obstacle after obstacle, including a full-scale grassroots resistance movement of Indian farmers working to “Save the Land.” In telling the “life story” of the proposed statue, the book sheds light on the aspirations, values and practices of both the Buddhists who worked to construct the statue, as well as the Indian farmer-activists who tirelessly protested against it. Since the majority of the supporters of the Maitreya Project statue are “non-heritage” practitioners to Tibetan Buddhism, the book narrates the spectacular collision of cultural values between small agriculturalists in rural India and transnational Buddhists from around the world. The book endeavors to show the cultural logics at work on both sides of the controversy. Thus, this ethnography of a future statue of the Maitreya Buddha—himself the “future Buddha”—is a story about divergent, competing visions of Kushinagar’s potential futures.


2009 ◽  
Vol 79 (4) ◽  
pp. 594-601
Author(s):  
Mellie Torres

Situating herself on the cusp between life in her hometown of Newark, New Jersey, and her new world at Seton Hall University, Mellie Torres describes the painful awareness of a growing distance between herself, as the first to go to college, and her family. In so doing, she reveals the inherent losses of leaving home and the painful contrast between her own life story and that of her brother Isaac, who was denied the opportunity to thrive. In grieving the loss of her brother, Torres asks readers to honor his unrealized promise.


1970 ◽  
Vol 26 (4) ◽  
pp. 394-418 ◽  
Author(s):  
John E. Baur

No Revolution worthy of the name has stopped at its national borders. For good and for evil revolution is exportable. Numerous studies have been made of the international and even the global results of such modern upheavals as the English, American, French, Russian, and Chinese revolutions. Although several treatises have been published on the Haitian Revolution of 1791-1804, and its creation of the first Negro republic and second independent nation in the New World, there has appeared no full-scale survey of its foreign significance. Inescapably, many histories of the Dominican Republic indicate the pervasive postrevolutionary relations of Haiti and her eastern neighbor on Hispaniola. Dominican life has been moulded in every sense by reactions to Haitian events, particularly the Haitian attempt to assimilate that republic and several eastward migrations of Haitian people. Otherwise, studies of the Haitian uprising have been limited to internal changes or the extensive diplomatic relations of the Black Republic.


1969 ◽  
pp. 117-130
Author(s):  
Liliana Granja Pereira de Morais

This article intends to présent the life-story of Suzuki Shoko, a Japanese ceramic artist living in Brazil,following the precepts of the récits de vie as defined by Daniel Bertaux (2000). Based on Renato Ortiz’s concept of identity as a symbolic construction made in relation to a referent (2000), it is important to know the historical,social and cultural context of these céramistes trajectory. The role of the Japanese woman in the beginning of the Showa Era (1929-1945),the experience of the Second World War,the émigration of Japanese artists to the “New World” and the appropriation of the Japanese “tradition” in Brazil are elements that will permeate these ceramist’s discourse, whose story is marked by the transcultural experience and by the constant negotiation of her identity in the relation with the “other”.


2009 ◽  
Author(s):  
Kinahan Cornwallis
Keyword(s):  

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