Sameena Nazir and Leigh Tomppert. Women’s Rights in the Middle East and North Africa—Citizenship andjustice. New York: Rowman and Littlefield, 2005. 352 pages. Paper US$34.95 ISBN 978-0-7425-4992-0.

2009 ◽  
Vol 43 (1) ◽  
pp. 118-119
Author(s):  
Doris H. Gray
Author(s):  
Allison Hailey Hahn

Throughout the Middle East and North Africa, Bedouin herders continue to practice their oral tradition of Nabati poetry. This chapter examines the ways that Nabati poetry is produced and shared across social media platforms. The chapter focuses on a Nabati poet, Hissa Hilal, who performed her work on the Million’s Poet reality TV competition show. Her work sparked new debates about the work of women Nabati poets as well as Bedouin women’s rights throughout the region.


1970 ◽  
pp. 66-73
Author(s):  
Valentine M. Moghadam ◽  
Farzaneh Roudi-Fahimi

The issue of women's rights is gaining prominence in policy debates, as pressure for democracy in the Middle East and North Africa region (MENA) continues to grow.Area experts contend that a larger role for women in the economy and society is vital to the region's progress. But women in MENA still face gender discrimination that prevents them from reaching their potential, despite their impressive gains in education and health.


Author(s):  
Julie Miller

This book shows how a woman's desperate attempt at murder came to momentarily embody the anger and anxiety felt by many people at a time of economic and social upheaval and expanding expectations for equal rights. On the evening of November 1, 1843, a young household servant named Amelia Norman attacked Henry Ballard, a prosperous merchant, on the steps of the Astor House Hotel. Agitated and distraught, Norman had followed Ballard down Broadway before confronting him at the door to the hotel. Taking out a folding knife, she stabbed him. Ballard survived the attack, and the trial that followed created a sensation. Newspapers in New York and beyond followed the case eagerly, and crowds filled the courtroom every day. The prominent author and abolitionist Lydia Maria Child championed Norman and later included her story in her fiction and her writing on women's rights. Norman also attracted the support of politicians, journalists, and legal and moral reformers who saw her story as a vehicle to change the law as it related to “seduction” and to advocate for the rights of workers. This book describes how New Yorkers followed the trial for entertainment. Throughout all this, Norman gained sympathys, in particular the jury, which acquitted her in less than ten minutes. The book weaves together Norman's story to show how, in one violent moment, she expressed all the anger that the women of the emerging movement for women's rights would soon express in words.


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