Response to “Authority and Power in Russia”

Slavic Review ◽  
2021 ◽  
Vol 80 (3) ◽  
pp. 489-491
Author(s):  
Anthony Kaldellis

An argument can perhaps be made that all monarchies, no matter how absolute or authoritarian, cannot function without the consent of their subjects, whether tacit or active; proclaim that they act for the welfare (however defined) of their subjects; agree to abide by rules or laws that reflect social norms (whether they actually do abide by them or not); and are vulnerable to popular dissatisfaction. I was aware of the potential for such a general argument when I wrote Byzantine Republic and so deliberately set a specific threshold for “republican monarchies” in the Roman tradition, a threshold defined by the following four criteria: (a) a robust conception of the public interest and public property to which the monarch is subordinated in normative texts issued both by the monarchy itself and its elites; (b) a conception of a legally- or ethnically-defined populace whose material wellbeing forms the sole legitimating factor for the operation of government, even if that populace lacks formal institutions by which to take direct political action itself; (c) historical instances of popular intervention in the sphere of politics that were accepted by elites as legitimate, indeed often as constitutive of their own power and positions; and (d) documented continuity between that polity and the ancient Roman res publica, coupled with awareness of that continuity.

2020 ◽  
Vol 37 (1) ◽  
pp. 123-144
Author(s):  
Nandini B. Pandey

Abstract How did Romans perceive the changing relationships among leaders, the people, and the public sphere as their commonwealth (res publica) fell under the control of an emperor? This paper examines Ovid’s uses of the Latin adjective publicus, ‘public, common, open’, to explore strands of implicitly ‘republican’ political thought behind his poetic corpus. Ovid first celebrates Augustus’ material benefactions as common goods for private consumption; then dramatises the tragic consequences of arbitrary domination; and finally, from exile, treats the emperor himself as a public property, subject to his people’s spectatorship and sovereignty of judgment. A final section draws on Ovid’s thinking on privacy, publicity, and information access to explore themes related to America’s ‘imperial presidency’, from the Founders’ emphasis on a free press to the recent interplay of secrecy, celebrity, and ‘sunshine’ laws.


Author(s):  
Jeannette Papadopoulos ◽  
Rosario Maria Anzalone

Public archaeology is a flexible notion with several meanings: public engagement in protecting archaeological heritage, public interest in the results of research, and archaeology as a public service offered by qualified staff. Such a broad range of purposes and approaches involves various professionals and includes new disciplines supporting archaeology and advertising its achievements. Archaeology in Italy has always been public, since 1909 laws establish that underground and underwater finds are State property. The Italian Constitution also includes protection of landscape and cultural heritage among its fundamental principles. Nevertheless, public property of archaeological heritage seems no longer sufficient to make the communities feel as legitimate owner and involve them in archaeological enhancement projects. The increase of protection and promotion activities, the rise of mass tourism, and the evolution of communication strategies are forcing archaeology to face new challenges. In order to be roundly public, archaeology should not lose of sight its present-day public.


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