scholarly journals Scaling behaviour in music and cortical dynamics interplay to mediate music listening pleasure

2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Ana Filipa Teixeira Borges ◽  
Mona Irrmischer ◽  
Thomas Brockmeier ◽  
Dirk J. A. Smit ◽  
Huibert D. Mansvelder ◽  
...  

AbstractThe pleasure of music listening regulates daily behaviour and promotes rehabilitation in healthcare. Human behaviour emerges from the modulation of spontaneous timely coordinated neuronal networks. Too little is known about the physical properties and neurophysiological underpinnings of music to understand its perception, its health benefit and to deploy personalized or standardized music-therapy. Prior studies revealed how macroscopic neuronal and music patterns scale with frequency according to a 1/fα relationship, where a is the scaling exponent. Here, we examine how this hallmark in music and neuronal dynamics relate to pleasure. Using electroencephalography, electrocardiography and behavioural data in healthy subjects, we show that music listening decreases the scaling exponent of neuronal activity and—in temporal areas—this change is linked to pleasure. Default-state scaling exponents of the most pleased individuals were higher and approached those found in music loudness fluctuations. Furthermore, the scaling in selective regions and timescales and the average heart rate were largely proportional to the scaling of the melody. The scaling behaviour of heartbeat and neuronal fluctuations were associated during music listening. Our results point to a 1/fresonance between brain and music and a temporal rescaling of neuronal activity in the temporal cortex as mechanisms underlying music appreciation.

1987 ◽  
Vol 4 (3) ◽  
pp. 283-297 ◽  
Author(s):  
Magne Espeland

The author invites us to re-examine the case for ‘music appreciation’ teaching. In a two-year project, ‘Music in Use,’ conducted in Norwegian primary schools, Magne Espeland and his colleagues developed new principles and methods for encouraging children to listen to music of many different styles – including modern instrumental and orchestral music, pop and jazz. Working from the belief that response on the part of the listener is crucial in musical understanding, the project group involved the children with a variety of activities which, while primarily related to the music itself, engaged also with experiences in verbal, visual and kinetic expression.


2014 ◽  
Vol 111 (12) ◽  
pp. 2589-2602 ◽  
Author(s):  
Hiroshi Tamura ◽  
Yoshiya Mori ◽  
Hidekazu Kaneko

Detailed knowledge of neuronal circuitry is necessary for understanding the mechanisms underlying information processing in the brain. We investigated the organization of horizontal functional interactions in the inferior temporal cortex of macaque monkeys, which plays important roles in visual object recognition. Neuronal activity was recorded from the inferior temporal cortex using an array of eight tetrodes, with spatial separation between paired neurons up to 1.4 mm. We evaluated functional interactions on a time scale of milliseconds using cross-correlation analysis of neuronal activity of the paired neurons. Visual response properties of neurons were evaluated using responses to a set of 100 visual stimuli. Adjacent neuron pairs tended to show strong functional interactions compared with more distant neuron pairs, and neurons with similar stimulus preferences tended to show stronger functional interactions than neurons with different stimulus preferences. Thus horizontal functional interactions in the inferior temporal cortex appear to be organized according to both cortical distances and similarity in stimulus preference between neurons. Furthermore, the relationship between strength of functional interactions and similarity in stimulus preference observed in distant neuron pairs was more prominent than in adjacent pairs. The results suggest that functional circuitry is specifically organized, depending on the horizontal distances between neurons. Such specificity endows each circuit with unique functions.


2019 ◽  
Vol 11 (3) ◽  
pp. 195
Author(s):  
Ami Yamasato ◽  
Mayu Kondo ◽  
Shunya Hoshino ◽  
Jun Kikuchi ◽  
Shigeki Okino ◽  
...  

Background: Several studies on the effects of music on sleep disorders have demonstrated that music listening can improve sleep quality in patients with sleep disorders. To our knowledge, nevertheless, none of them have elucidated the characteristics of such music itself.Objective: The purpose of the present study was to elucidate the characteristics of the types of music that improve sleep quality.Methods: In twenty five tracks used in the previous study, we calculated four analysis indicators: scaling exponent of the spectrum of melody's zero-crossings, redundancy of note values, density of notes and tempo.Results: The characteristics of music to improve sleep quality were slow tempo, small change of rhythm, and moderate pitch variation of melody. Based on the results derived from cluster analysis, the music pieces studied were largely categorized into 3 groups. A comparison of these 3 groups showed no significant differences with respect to the scaling exponent of the melody and the density of notes, whereas it showed significant differences with respect to the redundancy of note values and tempo.Conclusions: Our study revealed several characteristics of the types of music that improve sleep quality. The identification of these characteristics contributes to providing personalized music therapy to patients.


Brain ◽  
1992 ◽  
Vol 115 (1) ◽  
pp. 1-13 ◽  
Author(s):  
JEFFREY G. OJEMANN ◽  
GEORGE A. OJEMANN ◽  
ETTORE LETTICH

Brain ◽  
1988 ◽  
Vol 111 (6) ◽  
pp. 1383-1403 ◽  
Author(s):  
GEORGE A. OJEMANN ◽  
OTTO CREUTZFELDT ◽  
ETTORE LETTICH ◽  
MICHAEL M. HAGLUND

Author(s):  
Wolfgang Gratzer

This chapter discusses features of the extensively used attribution “art of listening” in contexts of therapy, partially New Age–like capacity building, sociology, and music. The second section comments on the relationship between music listening and music appreciation. The key assumption discussed is that understanding (described as a process of relating oneself to something or somebody) unfolds as activities that can be increased respectively between four poles: creating meaning, making music, generating emotion, and deepening reflection. Finally, the chapter returns to the question: Is listening to music an art—or not? Agreeing with Adam Heinrich Müller’s assumption that “the art of listening” stands for creating meaning autonomously, this question is answered in the affirmative.


2016 ◽  
Vol 2016 ◽  
pp. 1-12 ◽  
Author(s):  
Valerie Looi ◽  
Yuhan Wong ◽  
Jenny H. Y. Loo

The aim of this study was to compare the effectiveness of a music appreciation training program (MATP) to that of focused music listening (FML) for improving music and/or speech in noise perception for postlingually deafened cochlear implant (CI) recipients. It was hypothesized that the MATP would show greater improvements than FML. Ten CI recipients were randomly divided into two groups: one undertaking the MATP and the other undertaking FML. Participants completed four 30-minute sessions per week for 8 weeks, with tests of music and speech-in-noise perception being administered four times per participant: before and after a control period, immediately after the intervention, and 4–8 weeks after intervention. There was a significant pre- to posttraining difference for the MATP group on the instrument identification test, as well as for half of the quality rating assessments. Although no statistically significant improvements were obtained for the FML group, there was a trend of higher scores postintervention for the instrument and ensemble identification tests, and compliance was substantially better than for the MATP group. While the results showed that only the music training significantly improved music perception, the potential of FML to benefit some CI recipients for some tasks was also observed.


2006 ◽  
Vol 06 (04) ◽  
pp. L371-L378 ◽  
Author(s):  
LUCIANO TELESCA ◽  
MARIANNA BALASCO ◽  
VINCENZO LAPENNA ◽  
GERARDO ROMANO ◽  
AGATA SINISCALCHI

The multiple segmenting method (MSM) has been applied to investigate the scaling behaviour in the Earth's apparent resistivity time series, measured in a seismic area of southern Italy. The study of apparent resistivity represents one of the most important scientific challenges in the studies devoted to the geophysical monitoring. Our results show that apparent resistivity is characterized by a persistent scaling behaviour at all the periods considered, with the scaling exponent tending approximately to 0.5.


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