scholarly journals Aging Like Struldbruggs, Dorian Gray or Peter Pan

Nature Aging ◽  
2021 ◽  
Author(s):  
S. Jay Olshansky
Keyword(s):  
2021 ◽  
pp. 11-27
Author(s):  
Nery Lamothe ◽  
Mara Lamothe ◽  
Daniel Lamothe ◽  
Pilar Bueno ◽  
Alejandro Alonso-Altamirano ◽  
...  

Everywhere a nonsmoker who is an alcohol consumer, complains of secondhand smoke, without being aware of second-hand risk health tragedies and human rights violations provoked by alcohol consumption. Here we analyze the concept, mainly unexplored, of dramatic adverse health effects and of human rights violations against third parties generated for alcohol consumption by others; and also, the harm due to the chemical transient prefrontal lobotomy generated by alcohol consumption. Alcohol consumption has been a part of the everyday human diet for centuries, especially because of the fact that alcoholic beverages are a safe means of hydration wherever clear water has not been available [1]. Old patients could, simultaneously be part of the alcohol consumers and/or secondhand victims. Before deciding to analyze the geriatric problems, we propose the allegorical model, based on Scott, Ellison, and Sinclair, as it was published in Nature Aging, in July 2021. We divide the theoretical analysis with four fundamental alternatives [2]: The extension of life (Struldbrug case). In Jonathan Swift's 1726 novel “Gulliver's Travels”, the struldbrugs were humans born apparently normal. The Struldbruggs, however immortal however they age normally, live in continuously deteriorating health. This takes us to the philosophical alternative of: “living or lasting” [2]. To lower morbidity (Dorian Gray case). Narratively, in “The Picture of Dorian Gray” a philosophical novel by Oscar Wilde, Dorian Gray owns a portrait of himself and while the picture ages, Dorian Gray does not change, maintaining his health and appearance until death [2]. Slowing aging (Peter Pan case), In this extreme case, where aging is not just slowed but canceled, the mortality and the health become independent of the age, and thus the individual is ‘forever young’. This constitutes the ‘Peter Pan’ case, after the play and novel about a boy who never grows old. This closely corresponds to the Hypocaloric diet claiming that it slows aging [2]. To reverse aging physical damage is repaired instead of slowed. This is a close analogy to the “Theseus Boat” as well as the regeneration of salamanders and lizards and transplants from donors. Desiderative, this is the future of organoids and the engineering of the pluripotent cell [2].


1987 ◽  
Vol 9 (1) ◽  
pp. 147-164 ◽  
Author(s):  
Rachel Bowlby
Keyword(s):  

Gragoatá ◽  
2020 ◽  
Vol 25 ◽  
pp. 455-472
Author(s):  
Angela Maria Dias

O presente ensaio busca apresentar, numa perspectiva comparatista e atualizadora, duas diferentes leituras de temas cruciais ao século XIX, como o dandismo e o decadentismo. Nesse sentido, aproxima, respectivamente, O retrato de Dorian Gray (1890), de Oscar Wilde, e Submissão (2015), de Michel Houellebecq, do romance emblemático À rebours (1884) de Joris-Karl Huysmans. Tanto a obra de Wilde, quanto a de Houellebecq, de maneiras distintas, interpretam tais questões em chaves inusitadas. O primeiro desloca seu refinamento, pelo apetite da crueldade melodramática ao explorar a margem monstruosa de sua época. O segundo desvia-se da melancolia desencantada do seu clima crepuscular, numa deriva satírica e cínica, por reconhecer a convergência entre o decadentismo novecentista e a nossa atualidade distópica e aviltada pelo avanço da desterritorialização do humano.


Author(s):  
Catherine Maxwell

This chapter examines the decadent olfactif as represented by Oscar Wilde and the poet and critic Arthur Symons, who understood how perfume helped shape their identities as dandies and sophisticated men about town, with both of them alluding to new synthetic scents. Wilde’s use of perfume as a sign of decadent sexual identity, explored in Dorian Gray, is rudely interrupted by his imprisonment in 1895, but the idea of perfume abides with him during his incarceration as an important ideal and consolation. In Symons’s poetry and prose strong or recognizable perfumes of the period are evoked for scrutiny or contemplation or permeate the memory, calling attention to themselves as markers of decadent modernity. For Symons, perfume identified with memory does not fade, an idea borne out by his critical appreciation of the perfume of particular literary texts, lyric poetry especially, and celebrated in his own verse.


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