Video Compression Systems: From first principles to concatenated codecs

2009 ◽  
Author(s):  
Alois M. Bock
Keyword(s):  
Video Compression ◽  
First Principles

Transferability of first principles derived torsional potentials for mesogenic molecules and fragments

1998 ◽  
Vol 93 (6) ◽  
pp. 947-954 ◽  
Author(s):  
C.J. ADAM ◽  
S.J. CLARK ◽  
M.R. WILSON ◽  
G.J. ACKLAND ◽  
J. CRAIN
Keyword(s):  
First Principles ◽  
Torsional Potentials

A first-principles Hartree-Fock description of MnO at high pressures

1998 ◽  
Vol 77 (4) ◽  
pp. 1063-1075
Author(s):  
W. C. Mackrodt, E.-A. Williamson, D. W
Keyword(s):  
First Principles ◽  
High Pressures ◽  
Hartree Fock

Review of From First Principles: An Experiment on Ageing.

1997 ◽  
Vol 42 (2) ◽  
pp. 173-174
Author(s):  
Terri Gullickson
Keyword(s):  
First Principles

FIRST PRINCIPLES CALCULATION OF THE PHONON SPECTRA OF SOLIDS

1981 ◽  
Vol 42 (C6) ◽  
pp. C6-625-C6-627 ◽  
Author(s):  
P. E. Van Camp ◽  
V. E. Van Doren ◽  
J. T. Devreese
Keyword(s):  
First Principles ◽  
First Principles Calculation ◽  
Phonon Spectra

Modern Technology for Image processing and Computer vision -A Review

2018 ◽  
Vol 1 (2) ◽  
pp. 17-23
Author(s):  
Takialddin Al Smadi
Keyword(s):  
Image Processing ◽  
Computer Vision ◽  
Augmented Reality ◽  
Video Compression ◽  
Video Processing ◽  
Vision System ◽  
Citrus Fruit ◽  
Modern Technology ◽  
Image And Video Processing ◽  
Depth Video

This survey outlines the use of computer vision in Image and video processing in multidisciplinary applications; either in academia or industry, which are active in this field.The scope of this paper covers the theoretical and practical aspects in image and video processing in addition of computer vision, from essential research to evolution of application.In this paper a various subjects of image processing and computer vision will be demonstrated ,these subjects are spanned from the evolution of mobile augmented reality (MAR) applications, to augmented reality under 3D modeling and real time depth imaging, video processing algorithms will be discussed to get higher depth video compression, beside that in the field of mobile platform an automatic computer vision system for citrus fruit has been implemented ,where the Bayesian classification with Boundary Growing to detect the text in the video scene. Also the paper illustrates the usability of the handed interactive method to the portable projector based on augmented reality.   © 2018 JASET, International Scholars and Researchers Association

Electronic Structure and X-ray Absorption Spectra of Rutile TiO2 Using First-Principles Calculations

2014 ◽  
Vol 52 (12) ◽  
pp. 1025-1029
Author(s):  
Min-Wook Oh ◽  
Tae-Gu Kang ◽  
Byungki Ryu ◽  
Ji Eun Lee ◽  
Sung-Jae Joo ◽  
...  
Keyword(s):  
Electronic Structure ◽  
Absorption Spectra ◽  
First Principles ◽  
First Principles Calculations ◽  
Rutile Tio2 ◽  
X Ray ◽  
X Ray Absorption

Wordly Corrasions: Philology and Narrative inWorstward Ho

2017 ◽  
Vol 26 (1) ◽  
pp. 53-68
Author(s):  
Mark Byron
Keyword(s):  
First Principles ◽  
Alexander Pope ◽  
Literary Texts ◽  
Water Ice ◽  
Primary Documents ◽  
Land Farming ◽  
King James Bible ◽  
A Site ◽  
Thomas Browne ◽  
Geological Formations

Scholarly research over the last twenty years has marked a profound shift in the understanding of Beckett's sources, his methods of composition, and his attitudes towards citation and allusion in manuscript documents and published texts. Such landmark studies as James Knowlson's biography, Damned to Fame (1996), and John Pilling's edition of the Dream Notebook (1999), and the availability of primary documents such as Beckett's reading notes at Reading and Trinity libraries, opened the way for a generation of work rethinking Beckett's textual habitus. Given this profound reappraisal of Beckett's material processes of composition, this paper seeks to show that Beckett's late prose work, Worstward Ho, represents a profound mediation on writing, self-citation, and habits of allusion to the literary canon. In its epic gestures, it reorients the heavenly aspiration of Dante's Commedia earthwards, invoking instead the language of agriculture, geology and masonry in the process of creating and decreating its imaginative space. Beckett's earthy epic invokes and erodes the first principles of narrative by way of philology as well as by means of deft reference to literary texts and images preoccupied with land, farming, and geological formations. This process is described in the word corrasion, a geological term referring to the erosion of rock by various forms of water, ice, snow and moraine. Textual excursions into philology in Worstward Ho also unearth the strata comprising Beckett's corpus (in particular Imagination Dead Imagine, The Lost Ones, and Ill Seen Ill Said), as well as the rock or canon upon which his own literary production is built. A close reading of Worstward Ho turns up a number of shrewd allusions to the King James Bible and Thomas Browne, as one might expect, but also perhaps surprisingly sustained affinities with the literary sensibilities of Alexander Pope and the poetry of S. T. Coleridge. The more one digs, the more Beckett's ‘little epic’ seems to become one of earthworks, bits of pipe, and masonry, a site and record of literary sedimentation.

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