scholarly journals Research on Quanzhou Arts and Crafts Resource Library Based on 3D Printing Platform

2020 ◽  
Vol 179 ◽  
pp. 02017
Author(s):  
Wang Xinghe
Keyword(s):  
3D Printing ◽  
Development Process ◽  
General Situation ◽  
Arts And Crafts ◽  
The Arts ◽  
The Cross ◽  
Resource Library ◽  
Traditional Arts

Objective:Under the background of attaching importance to the arts and crafts industry, this paper will explore the ideas and methods for the development of the Quanzhou City Arts and Crafts Resource library based on the 3D printing platform. Method: From the perspective of analyzing the general situation of the arts and crafts in Quanzhou and the advantages of the 3D printing-based development process, the three aspects of the construction content, the innovation and the cross-industry derivative nature of the resource library were described. Conclusion:For the development of traditional arts and crafts industrialization, digitization is the only way to go. Quanzhou’s arts and crafts resource library based on 3D printing platform not only realizes digitalization, but also provides a reference for the development of other regional arts and crafts resource libraries .

The Hot Development and Cold Thinking of Current Arts and Crafts Industry

2011 ◽  
Vol 250-253 ◽  
pp. 3656-3661
Author(s):  
Han Li ◽  
Xiao Guang Rui ◽  
Lei Hou
Keyword(s):  
Sustainable Development ◽  
Development Process ◽  
Social Economic ◽  
Spiritual Needs ◽  
Arts And Crafts ◽  
Technological Impact ◽  
Traditional Arts ◽  
Actual Depth

Traditional arts and crafts industry is formed base on the ancient craftsmen to meet all levels of society and spiritual needs of people’s living. Current arts and crafts industry takes this as a basis, in the development of constantly adapt to rapidly changing social, economic, scientific and technological impact people's lives. Therefore, it is inevitable that this development process would occur all kinds of problems. The author paid a long-term attention on the development of arts and crafts industry, through the representative of Suzhou arts and crafts of the base of the actual depth research, start from the specific questions that impact the new arts and crafts sustainable development, the author raised some constructive suggestions after the deep thinking and analysis.

On History of Cultural Traditions Transformation

2016 ◽  
Vol 96 (1) ◽  
pp. 3-24
Author(s):  
Risalat U. Karimova
Keyword(s):  
Arts And Crafts ◽  
Cultural Traditions ◽  
Traditional Art ◽  
The Arts ◽  
Historical Factors ◽  
Political Events ◽  
History Of ◽  
The Russian Empire ◽  
Traditional Arts ◽  
Modern Artists

The article examines the development of traditional arts and crafts among Kazakhstan’s Uyghurs under the influence of various historical factors. The Uyghurs of Kazakhstan and other Central Asian countries comprise ethnographic group which developed over the last centuries separated from the main Uyghur population in Xinjiang, China, which resulted in emergence of their particular features. The article argues that the transformation of traditional arts and crafts among the Uyghurs of Kazakhstan occurred under the influence of political events, which changed dramatically the life of the entire population of the Russian Empire. With the establishment of Soviet power, the country’s rapid industrialization meant that products produced by individuals in workshops could not compete with less expensive and more practical products manufactures at factories and plants. Thus, blacksmiths, and artisanal producers of leather and cloth declined. Nevertheless, certain types of traditional art crafts (jewellery art, production of musical instruments, working out calabash) survived albeit on a limited scale due to the development of national idea, which requires symbols of ethnic culture. Modern artists exploit fantasy and go beyond traditional frames of ethnicity. The article argues that the arts and crafts of the Uyghurs received a new impetus in the Soviet era, despite the threat of a certain loss of ethnic peculiarities.

The Folly of the Cross

2018 ◽  
Author(s):  
Richard Viladesau
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
Theology Of The Cross ◽  
The Enlightenment ◽  
Modern Period ◽  
The Arts ◽  
Modern Thought ◽  
Fourth Volume ◽  
The Cross ◽  
Satisfaction Model

This work surveys the ways in which theologians, artists, and composers of the early modern period dealt with the passion and death of Christ. The fourth volume in a series, it locates the theology of the cross in the context of modern thought, beginning with the Enlightenment, which challenged traditional Christian notions of salvation and of Christ himself. It shows how new models of salvation were proposed by liberal theology, replacing the older “satisfaction” model with theories of Christ as bringer of God’s spirit and as social revolutionary. It shows how the arts during this period both preserved the classical tradition and responded to innovations in theology and in style.

Women Artists of the Arts and Crafts Movement 1870-1914

Leonardo ◽  
1982 ◽  
Vol 15 (2) ◽  
pp. 164
Author(s):  
Naomi Boretz ◽  
Anthea Callen
Keyword(s):  
Women Artists ◽  
Arts And Crafts ◽  
Arts And Crafts Movement ◽  
The Arts

Time, Money, and the Weather: Ming China and the “Great Depression” of the Mid-Fifteenth Century

2002 ◽  
Vol 61 (1) ◽  
pp. 83-113 ◽  
Author(s):  
William S. Atwell
Keyword(s):  
Fifteenth Century ◽  
Western Hemisphere ◽  
Arts And Crafts ◽  
Absolute Level ◽  
The Great Depression ◽  
The Arts ◽  
The World ◽  
Handicraft Production ◽  
Almost All ◽  
Deep Recession

During the fifteenth century, especially during its middle decades, “almost all parts of the then-known world [i.e., Europe, the Middle East, and the economically advanced regions of Asia] experienced a deep recession. By then, the ‘state of the world’ was at a much lower level than it had reached in the early fourteenth century. During the depression of the fifteenth century, the absolute level of inter-societal trade dropped, currencies were universally debased (a sure sign of decreased wealth and overall productivity), and the arts and crafts were degraded” (Abu-Lughod 1993, 85; see also Lopez and Miskimin 1962; Lopez, Miskimin, and Udovitch 1970; Postan 1973, 41–48; Wallerstein 1974, 21–38; Munro 1998, 38–39). In much of Eurasia, the worst years of this “depression” probably ended sometime during the 1460s or 1470s. Over the next six or seven decades, economic conditions in many parts of the world improved significantly, reflected in dramatic increases in agricultural and handicraft production; in the volume of interregional and international trade; and, except for the western hemisphere where Afro-Eurasian diseases decimated native populations during the early sixteenth century, in demographic growth.

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