Recovery effect of a monogalactosy imonoacylglycerol from the brown alga Agarum clathratum subsp. yakishiriense on neomycin-induced hair cell damage in zebrafish

2019 ◽  
Author(s):  
Y Jeon ◽  
YH Nam ◽  
TH Kang ◽  
JH Kwak
1987 ◽  
Vol 103 (5) ◽  
pp. 204-211 ◽  
Author(s):  
B. Erlandsson ◽  
H. Hakanson ◽  
A. Ivarsson ◽  
P. Nilsson ◽  
J. Wersall

2021 ◽  
pp. 114513
Author(s):  
Dekun Gao ◽  
Hui Wu ◽  
Huiqun Jie ◽  
Min Liang ◽  
Dongzhen Yu ◽  
...  

2015 ◽  
Vol 166 (5) ◽  
pp. 440-450 ◽  
Author(s):  
Maki Niihori ◽  
Terry Platto ◽  
Suzu Igarashi ◽  
Audriana Hurbon ◽  
Allison M. Dunn ◽  
...  

Neuroscience ◽  
2003 ◽  
Vol 122 (4) ◽  
pp. 1025-1035 ◽  
Author(s):  
A Battaglia ◽  
K Pak ◽  
D Brors ◽  
D Bodmer ◽  
J.A Frangos ◽  
...  

2005 ◽  
Vol 20 (3) ◽  
pp. 135-139
Author(s):  
Jodee A Pride ◽  
David R Cunningham

Percussionists can be exposed to intermittent sound stimuli that exceed 145 dB SPL, although damage may occur to the outer hair cells at levels of 120 dB SPL. The present study measured distortion-product otoacoustic emissions (DPOAEs) in a group of 86 normal-hearing percussionists and 39 normal-hearing nonpercussionists. Results indicate that normal-hearing percussionists have lower DPOAE amplitudes than normal-hearing nonpercussionists. DPOAE amplitudes were significantly lower at 6000 Hz in both the left and right ears for percussionists. Percussionists also more frequently had absent DPOAEs, with the greatest differences occurring at 6000 Hz (absent DPOAEs in 25% of percussionists vs 10% of nonpercussionists). When all frequencies are considered as a group, 33% of the percussionists had an absent DPOAE in either ear at some frequency, compared to only 23% of the nonpercussionists. Otoacoustic emissions are more sensitive to outer hair cell damage than pure-tone threshold measurements and can serve as an important measurement of sensory loss (i.e., outer hair cell damage) in musicians before the person perceives the hearing loss. DPOAE monitoring for musicians, along with appropriate education and intervention, might help prevent or minimize music-induced hearing loss.


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