Antipodal Effervescence: Robert Browning, Alfred Domett, and Ranolf and Amohia; A South-Sea Day-Dream (1872)

Author(s):  
Helen Lucy Blythe
Keyword(s):  
2015 ◽  
Vol 43 (2) ◽  
pp. 317-341
Author(s):  
Hugh Roberts

“I have read your poems – you can do anything” wrote Robert Browning to his close friend Alfred Domett on May 22, 1842, shortly after the latter had emigrated to New Zealand (Browning, Domett and Arnould 35). If this was in part friendly overpraise of Domett's verse, it was also a prognostication as to the effect of emigration. The idea (which also underlies Browning's poetic treatment of Domett's departure in the figure of Waring who “gave us all the slip”) was that “partial retirement and stopping the ears against the noise outside” would open up the possibility of something startlingly new: the little I, or anybody, can do as it is, comes of them going to New Zealand. . . . What I meant to say was – that only in your present condition of life, so far as I can see, is there any chance of your being able to find out . . . (sic) what is wanted, and how to supply the want when you precisely find it (35).


Author(s):  
Robert Louis Stevenson

The literary world was shocked when in 1889, at the height of his career, Robert Louis Stevenson announced his intention to settle permanently on the Pacific island of Samoa. His readers were equally shocked when he began to use the subject material offered by his new environment, not to promote a romance of empire, but to produce some of the most ironic and critical treatments of imperialism in nineteenth-century fiction. In these stories, as in his work generally, Stevenson shows himself to be a virtuoso of narrative styles: his Pacific fiction includes the domestic realism of ‘The Beach at Falesé, the folktale plots of ‘The Bottle Imp’ and ‘The Isle of Voices’, and the modernist blending of naturalism and symbolism in The Ebb-Tide. But beyond their generic diversity the stories are linked by their concern with representing the multiracial society of which their author had become a member. In this collection - the first to bring together all his shorter Pacific fiction in one volume - Stevenson emerges as a witness both to the cross- cultural encounters of nineteenth-century imperialism and to the creation of the global culture which characterizes the post-colonial world.


Author(s):  
Peter Temin ◽  
Hans-Joachim Voth
Keyword(s):  

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