ECMI Minorites Blog. On Hyphenated Identities

In the spring of 2021, the Danish Borderland Association published the book Danskerne findes i mange modeller – portrætter af 15 unge med bindestregsidentitet by Marlene Fenger-Grøndahl. The book consists of fifteen interviews with young so-called cultural ambassadors of the Borderland Association, as well as essays on the history of the Danish-German borderland and the concept of a hyphenated identity that the young respondents refer to. In minority research, the concept of a hyphenated identity is both used and contested. However, the interviews underline that the concept can serve as an important backdrop for the empowerment of young people with minority identities. This ECMI Minorites Blog entry is written by Garbi Schmidt, professor of Cultural Encounters at Roskilde University.

Spaces of cross-cultural encounter

<p>The landscape of cultural relations in Aotearoa is complex and entangled. While academics and policy makers imagine Aotearoa as a multicultural society, there is a lack of understanding of how cultural diversity is lived every day in Aotearoa. There is an emerging literature on the geographies of encounter. This encourages us to address the historical predicament of how we are to live together in increasingly super diverse communities by considering the existing everyday negotiations of difference. This thesis contributes to that literature by undertaking a case study of Newtown, Wellington, in order to: 1) understand where Newtown residents and employees experience cross-cultural social interactions; and 2) what type of places help encourage positive cross-cultural interactions. Through this I explore how cross-cultural encounters and exchanges might be encouraged. Q-methodology was used to investigate locations of cross-cultural social interactions, I conducted and analysed 23 Q-sorts with Newtown, Wellington residents and local employees. I argue that places of cross-cultural encounter take many forms. The identification of these places is closely linked to participants’ characteristics, such as socioeconomic position, and age. The participants in this study represent diverse Newtown. They have diverse socialising practices and identify a wide range of positive places for cross-cultural interactions. In conjunction with this people understand and experience encounters with cultural diversity differently. I argue that an encounter across cultural difference is not limited to an explicit interaction but can also be through the sharing of space and engagement in similar activities. I also argue for the importance of space in cross-cultural encounters; certain spatial and material qualities of spaces appear to animate cross-cultural social interaction. This research argues that: engagement in cross-cultural interactions is often mediated by other identifiers, that everyday multiculturalism is demographically complex, and that the materiality and spatially of spaces is effectual in animating these interactions.</p>

Spaces of cross-cultural encounter

<p>The landscape of cultural relations in Aotearoa is complex and entangled. While academics and policy makers imagine Aotearoa as a multicultural society, there is a lack of understanding of how cultural diversity is lived every day in Aotearoa. There is an emerging literature on the geographies of encounter. This encourages us to address the historical predicament of how we are to live together in increasingly super diverse communities by considering the existing everyday negotiations of difference. This thesis contributes to that literature by undertaking a case study of Newtown, Wellington, in order to: 1) understand where Newtown residents and employees experience cross-cultural social interactions; and 2) what type of places help encourage positive cross-cultural interactions. Through this I explore how cross-cultural encounters and exchanges might be encouraged. Q-methodology was used to investigate locations of cross-cultural social interactions, I conducted and analysed 23 Q-sorts with Newtown, Wellington residents and local employees. I argue that places of cross-cultural encounter take many forms. The identification of these places is closely linked to participants’ characteristics, such as socioeconomic position, and age. The participants in this study represent diverse Newtown. They have diverse socialising practices and identify a wide range of positive places for cross-cultural interactions. In conjunction with this people understand and experience encounters with cultural diversity differently. I argue that an encounter across cultural difference is not limited to an explicit interaction but can also be through the sharing of space and engagement in similar activities. I also argue for the importance of space in cross-cultural encounters; certain spatial and material qualities of spaces appear to animate cross-cultural social interaction. This research argues that: engagement in cross-cultural interactions is often mediated by other identifiers, that everyday multiculturalism is demographically complex, and that the materiality and spatially of spaces is effectual in animating these interactions.</p>

Detecting the Diagnosis: Parasitology, Crime Fiction, and the British Medical Gaze

In this chapter, Taylor-Pirie traces the cultural encounters between the parasitologist and the scientific detective in the medico-popular imagination, revealing how such meetings helped to embed the figure of the doctor-detective in public understandings of science. Parasitologists like Ronald Ross and David Bruce were routinely reported in newspapers using detective fiction’s most famous archetype: Sherlock Holmes, a frame of reference that blurred the boundaries between romance and reality. Recognising the continued cultural currency of Holmesian detection in clinical and diagnostic medicine, she re-immerses the ‘great detective’ and his creator, Arthur Conan Doyle, in the literary-historical contexts of the fin de siècle, demonstrating how material and rhetorical entanglements between criminality, tropical medicine, and empire constructed the microscopic world as new kind of colonial encounter.

Epilogue: Pan Narrans

In this epilogue, Taylor-Pirie analyses the ‘heroic biography’ mode that still characterises popular histories of medicine as a legacy of the collision of science and empire at the fin de siècle. After considering the challenges inherent in writing contextual histories of science, and the human penchant for linear story-telling, she broadens her view to take into account political discourses surrounding the Covid-19 pandemic. Taylor-Pirie argues that stories of science and stories of empire shaped each other in ways that are contingent on this historical moment but that continue to inflect and occlude our self-knowledge. She contends that by paying attention to cultural encounters between medicine and the humanities in the past, we gain important insights into the relationship between science and society in the present.

Te Papa: A Forum for the World? A Narrative Exploration of a Global Public Sphere

<p>The reinvention of the museum as "forum" within the new museology and the notion of the "public sphere" are inextricably linked. Both concepts have been theoretically scrutinised in museum studies, critical theory, cultural studies and other academic disciplines, but there is a lack of empirical insights into their actual functioning. This thesis offers an empirical interrogation of the "museum forum" idea. It sheds ethnographic light on cross-cultural encounters in a "cosmopolitanised" world illuminating what it means to experience a museological space and how a public sphere is "lived". Drawing on a long-term narrative study of global visitors to the Museum of New Zealand Te Papa Tongarewa (Te Papa), this thesis humanises Te Papa as a particular global public sphere, or discursive space. The critical hermeneutic analysis facilitates an understanding of "cross-cultural dialogue" and the "public sphere" as interpretive actions, movements and performances made by cultural actors. By exploring individual experiences instead of totalised abstractions, this study dissects the complexity of cultural worldmaking and politics elucidating "interpretive contests" and their "enunciation". Due to the in-depth empirical insights and their multilayered contextualisation, the "museum forum" evolves from an abstract idea into a concrete discursive world of negotiations. This thesis examines Te Papa as a particular place, space and empirical reality. It interrogates seemingly universal concepts such as "culture" and "politics" producing empirically situated, contextualised and rich theoretical propositions of significance for the human sciences in general as well as critical museum studies in particular.</p>

Te Papa: A Forum for the World? A Narrative Exploration of a Global Public Sphere

<p>The reinvention of the museum as "forum" within the new museology and the notion of the "public sphere" are inextricably linked. Both concepts have been theoretically scrutinised in museum studies, critical theory, cultural studies and other academic disciplines, but there is a lack of empirical insights into their actual functioning. This thesis offers an empirical interrogation of the "museum forum" idea. It sheds ethnographic light on cross-cultural encounters in a "cosmopolitanised" world illuminating what it means to experience a museological space and how a public sphere is "lived". Drawing on a long-term narrative study of global visitors to the Museum of New Zealand Te Papa Tongarewa (Te Papa), this thesis humanises Te Papa as a particular global public sphere, or discursive space. The critical hermeneutic analysis facilitates an understanding of "cross-cultural dialogue" and the "public sphere" as interpretive actions, movements and performances made by cultural actors. By exploring individual experiences instead of totalised abstractions, this study dissects the complexity of cultural worldmaking and politics elucidating "interpretive contests" and their "enunciation". Due to the in-depth empirical insights and their multilayered contextualisation, the "museum forum" evolves from an abstract idea into a concrete discursive world of negotiations. This thesis examines Te Papa as a particular place, space and empirical reality. It interrogates seemingly universal concepts such as "culture" and "politics" producing empirically situated, contextualised and rich theoretical propositions of significance for the human sciences in general as well as critical museum studies in particular.</p>