Chapter 20. A-prefixing in the ex-slave narratives

2021 ◽  
Author(s):  
Janie Rees-Miller
Keyword(s):  
Slave Narratives

Scottish Romanticism and Collective Memory in the British Atlantic

2020 ◽  
Author(s):  
Kenneth McNeil
Keyword(s):  
Collective Memory ◽  
Atlantic World ◽  
Slave Narratives ◽  
Black Atlantic ◽  
History Writing ◽  
Scottish Literature ◽  
Age Of Revolution ◽  
British Atlantic ◽  
Scottish History ◽  
Critical Site

Charting the transatlantic movements of Scottish literature in the Age of Revolution, this book provides an in-depth examination of Scottish Romantic literary ideas on memory and their influence among various cultures in the British Atlantic. The book brings into relief a distinct Scottish historiography, in which a temporality of modernity takes shape in the forms, tropes and categories of a mode of historical understanding we now would term collective or cultural memory. The study traces this emergent mode in Scottish history writing, both fictional and non-fictional, as it circulated throughout the Atlantic world. It offers a threefold engagement with Scottish Romantic, transatlantic and memory studies while drawing from the perspectives and insights of other critical frameworks – such as indigenous, Black Atlantic and francophone Canada. Examining a range of writing modes such as memoirs, slave narratives and emigrant fiction in various regional and national contexts, the book covers familiar Scottish writers, such as Walter Scott and John Galt, and less familiar ones, such as Anne Grant, Thomas Pringle, and John Gabriel Stedman. It follows other recent studies in making the case for the Atlantic world as a critical site in the making of a culture of modernity while bringing to light the fundamental contribution of Scottish Romantic writing to this culture.

Blackface Abolition and the New Slave Narrative

2014 ◽  
Vol 2 (1) ◽  
pp. 93-113 ◽  
Author(s):  
Laura T. Murphy
Keyword(s):  
Nineteenth Century ◽  
Slave Narratives ◽  
The Self ◽  
Forced Labor ◽  
Slave Narrative ◽  
First Person ◽  
White American ◽  
Political Turn

Since the 1990s, survivors of forced labor have been authoring first-person narratives that consciously and unconsciously reiterate the tropes and conventions of the nineteenth-century American slave narrative. These “new slave narratives” typically conform to the generic tendencies of the traditional slave narratives and serve similar activist purposes. Some of the most popular of the narratives have taken a particular political turn in the post-9/11 context, however, as neoliberal political agendas and anti-Muslim sentiments come to dominate the form and content of many of the African narratives that have been produced. This paper identifies a “blackface abolitionist” trend, in which the first-person testimonies of formerly enslaved Africans is co-opted by some politically motivated white American abolitionists to play a black masquerade, in which they adorn themselves with the suffering of enslaved Africans to thinly veil the self-exonerating and self-defensive crusade politics that motivate their engagement in anti-slavery work.

Slave Narratives

1978 ◽  
pp. 21-46
Author(s):  
Ruth Miller ◽  
Peter J. Katopes
Keyword(s):  
Slave Narratives

scholarly journals Power, Resistance, and Slavery in the United States

2020 ◽  
Author(s):  
Ryan Light ◽  
Vincent J. Roscigno
Keyword(s):  
United States ◽  
Sociological Theory ◽  
Large Body ◽  
Slave Narratives ◽  
The United States ◽  
Historical Research ◽  
Sociological Study ◽  
American Slavery ◽  
Resistance Strategies ◽  
Subordinate Resistance

In this article, we build on prior sociological theory pertaining to power as well as historical research on antebellum slavery to offer an integrated framework of subordinate resistance – a framework that incorporates a matrix of potential responses ranging from collective action, to symbolic resistance, to projective agency, and even quiescence. Using text networks as an index, we then analyze a rich collection of antebellum slave narratives (n=128) to investigate such response possibilities. These thematic networks, consistent with a large body of historical research on American slavery, demonstrate central domains of enslavement in the United States and the diverse resistance strategies that the enslaved employed. Moreover, our more qualitative immersion into these thematic patterns and the narratives themselves—narratives that have been largely overlooked by sociologists—uniquely highlight how particular resistance strategies are deployed in specific everyday contexts and sometimes resolve into what seem, at first glance, to be quiescence. We discuss these findings, and conclude more broadly by highlighting how the sociological study of inequality and power would benefit from attention to the variety of resistance strategies subordinate actors in their everyday lives and in the uneven and sometimes dangerous contexts they traverse.

Post-Black Satire

2019 ◽  
pp. 105-140
Author(s):  
Yogita Goyal
Keyword(s):  
African American ◽  
American Literature ◽  
African American Literature ◽  
Slave Narratives ◽  
Slave Narrative ◽  
Underground Railroad ◽  
Time And Space ◽  
History Of ◽  
Paul Beatty ◽  
Distinct Body

This chapter collides the idiom of post-blackness with the dominant genre of the neo-slave narrative in contemporary African American literature. This distinct body of work—post-black neo-slave narratives—mines the historical scene of slavery in the mode of satire. Through absurd juxtapositions, surreal analogies, and farcical adventures, post-black satirists expose the contradictions of the insistence on the unending history of slavery amid declarations of a break from previous racial regimes. Viewing satire as the lens through which debates about race and postracialism articulate, the chapter explores how fictions by Paul Beatty and Mat Johnson combat the sentimental template of abolition and neo-abolition by refusing to collapse past and present. The chapter concludes with a look at what might be termed a post-black post-satire, as Colson Whitehead’s The Underground Railroad (2016) stretches time and space to transform the slave narrative into a flexible portal to practices of exploitation worldwide.

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