“When possible, make a U-turn”

2012 ◽  
Vol 22 (1) ◽  
pp. 186-193 ◽  
Author(s):  
Elli P. Schachter

This paper discusses the problematic consequences of labeling Bruner and MacIntyre’s work under the heading ‘narrative turn’. I argue that their focus on narrative was secondary to larger projects with more important implications for psychology which have unfortunately garnered less attention and have yet to be realized. Bruner’s intent was to establish meaning-making as the central concept of psychology. MacIntyre’s concern was with establishing grounds for moral living. Identity was conceived of as a crucial explanatory concept in the psychosocial construction of meaning and\or the good life. Understanding narrative however, although considered important, was not the primary goal of their efforts. I propose refocusing on these original goals and on identity processes, be they narrative or paradigmatic, as they are involved in the ongoing organization of interpretive and evaluative meaning systems that are the grounds for intentionality and agency.

2018 ◽  
Vol 67 (1) ◽  
pp. 191-206 ◽  
Author(s):  
Gabriella Slomp

Recent decades have witnessed a revival of interest in ancient friendship both as a normative and as an explanatory concept. The literature concurs in holding Hobbes responsible for the marginalisation of friendship in political science and suggests that Hobbes devalued friendship because of his understanding of man. This article argues that although Hobbes’ appraisal of friendship hinges on his assumption that man is self-interested, his critique of normative friendship does not rest on that notion. Hobbes’ challenge to us is this: without foundation in the ‘truth’ (i.e. the ‘Good Life’) that underpinned ancient friendship, modern friendship, whether self-interested or selfless, cannot be assumed to be a civic virtue, nor an index of the health of a political association, nor a facilitator of domestic or global peace. Hobbes’ critique is especially relevant for writers who maintain that a resurgence of friendship can nurture concord and foster reconciliation within contemporary liberal democracies.


2018 ◽  
Vol 24 (1-2) ◽  
pp. 103-136 ◽  
Author(s):  
Janet L Borgerson ◽  
Jonathan E Schroeder

Human skin, photography, and consumer culture combine to produce striking images designed to promote visions of the good life. Branding and marketing imagery mobilize skin to resonate and communicate with consumers, which influences the meaning-making possibilities of skin more broadly. Representations of skin in consumer culture, including marketing communications, are anything but ‘blank’ backgrounds or ‘neutral’ meaning spaces. We analyse how skin ‘appears’ to work, and how its appearance in consumer culture imagery reveals ideological and pedagogical aspects of skin. Building upon psychodynamic and interdisciplinary understandings of skin, we discuss dimensions of the body that feed marketing communications and branding. We highlight representational fetishization and the epidermal schema as conceptual tools to interrogate the commodification of skin and as constitutive elements in processes of skin commodification. We provide theoretical insights to address the ways in which skin is implicated in new and emerging concerns of digital representational practices.


2021 ◽  
pp. 100-132
Author(s):  
Jack Bauer

This chapter integrates theories of the good life and the life story, showing how the two phenomena scaffold each other into existence—and form a good life story. The chapter first examines concepts of time, narrative, change, development, and growth. Metaphors that suggest growthiness are listed, but growth proper emerges in narrative meaning-making. The chapter provides an overview of how the facets of value are shaped and conveyed via narrative tone, theme, and structure. Tone conveys whether an event turns out well subjectively (i.e., value fulfillment). Theme conveys why an event is subjectively important (i.e., value orientation). Structure conveys the objective degrees of value perspectivity by which events, tones, and themes are interpreted. Like the three facets of value, narrative tone, theme, and structure combine to convey the four superordinate categories of a good life story—happiness, love, wisdom, and growth—toward which a transformative self aims.


1998 ◽  
Vol 43 (10) ◽  
pp. 667-668
Author(s):  
Isaac Prilleltensky
Keyword(s):  

1999 ◽  
Author(s):  
Christie K. Napa ◽  
Laura A. King
Keyword(s):  

1990 ◽  
Vol 9 (2) ◽  
pp. 153-155
Author(s):  
Esmee Cromie Bellalta
Keyword(s):  

2020 ◽  
Vol 97 (2) ◽  
pp. 112-123
Author(s):  
John D. Fair

Uneasily situated between counterculture images projected by James Dean in Rebel Without a Cause (1955) and the dawning of the “Age of Aquarius” a decade later, there emerged a motion picture interlude of innocence on the beaches of Southern California. It was fostered by Gidget (1959) and then thirty “surf and sex” movies that focused on young, attractive bodies and beach escapades rather than serious social causes.The films, argues Kirse May, “created an ideal teenage existence, marked by consumption, leisure, and little else.” Stephen Tropiano explains how their popularity helped shape “the archetypal image of the American teenager” and, reinforced by the surfin' sounds of Jan and Dean, the Beach Boys, and other recording groups, “turned America's attention to the Southern California coastline,” where “those who never set foot on its sandy shores were led to believe that life on the West Coast was a twenty-four-hour beach party.” This study examines a notable film of this genre to determine how musclemen were exploited to exhibit this playful spirit and how their negative reception reinforced an existing disregard toward physical culture. Muscle Beach Party illustrates how physical culture served other agendas, namely the need to address American fears of juvenile delinquency and to revive sagging box-office receipts within the guise of the “good life” of California.


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