scholarly journals Repositioning the State Library of South Australia through a Building Redevelopment and Promoting Libraries through a 2003@yourlibrary Campaign

2003 ◽  
Vol 34 (4) ◽  
pp. 270-277
Author(s):  
Carolyn Spooner
1992 ◽  
Vol 23 (2) ◽  
pp. 105-112
Author(s):  
Frances Awcock ◽  
Sophy Athan ◽  
Susan Ball ◽  
Elizabeth Ho ◽  
Kaj Linstrom

2016 ◽  
Vol 23 ◽  
pp. 56-73
Author(s):  
Jane Lydon

When the Transforming Tindale exhibition opened at the State Library of Queensland in September 2012, there was much excitement and goodwill. This landmark exhibition was curated by Michael Aird and featured Ah Kee’s drawings and enlarged prints of anthropologist Norman Tindale’s photographs of 1938-1940, as well as extensive archival information and stories from the subjects themselves and their relatives. The transformations of the exhibition’s title refer to the way Tindale’s ‘data’ was given both new physical form, as well as engendering and renewing social meanings. Scholars such as Elizabeth Edwards have argued that we should explore the materiality of images and the diverse forms they assume, attending to the ways their form and vitality shape us as much as we imbue them with meaning. Digitisation constitutes a major transformation of photographs’ historical accumulation of materiality. It also enables the return of historical archives from European museums to Indigenous relatives in Australia. In this article I explore the relations and narratives that emerge from this process, focusing on their Indigenous significance, and using the example of an enigmatic cardboard panel held by the Pitt Rivers Museum in Oxford on which are mounted thirteen photographs from South Australia. For Indigenous descendants of the people recorded in these photographs, their physical form is less important than the way they embody missing relatives, lost through invasion and assimilation. This process is slow and often awkward, but the rewards are great, in challenging foundational national histories, re-connecting family networks, and telling the truth of Indigenous experience.


Author(s):  
Sergei M. Mironov ◽  
Vladimir B. Rushailo ◽  
Andrei E. Busygin

The International research conference “Rumyantsev readings–2009” held on April 21-23, 2009 in the Russian state library was attended by over 290 people from various cities and regions of Russia and from the state-participants CIS. The theme of Conference of this year was “Historical and cultural traditions and innovative transformations of Russia. Educational responsibility of libraries”. The conference presented a unique book project on the occasion of the 300th anniversary of M.V. Lomonosov – “Lomonosovskaya Library”.


Author(s):  
Valery P. Leonov ◽  
Tamara M. Gudima ◽  
Tamara I. Vilegzhanina

The International research conference “Rumyantsev readings— 2009” held on April 21—23, 2009 in the Russian State Library was attended by over 290 people from various cities and regions of Russia and from the state-participants CIS. The theme of Conference of this year was “Historical and cultural traditions and innovative transformations of Russia. Educational responsibility of libraries”. In the proceeding publication of materials of the Conference are presented the following themes: “On studying the connection between printed and digital books”, “The cultural potential of modern society and the possibility of its realization”, “Public Library of Ukraine in the information space”


1978 ◽  
Vol 6 (2) ◽  
pp. 35-36
Author(s):  
G. Jaunay

Oodnadatta Aboriginal School has for a considerable time involved the community in its activities. From this liaison has grown several services to the community by the school which have become an indispensable part of the way of life in this most northern town in South Australia. Apart from comprehensive self-improvement and recreational courses offered through the Department of Further Education, the school offers a library service to the town and district.Early in 1976, I, an avid reader myself, set about to overcome the void created by a total lack of community library facilities other than the Country Lending service. The school already had a comprehensive library available and the obvious move was to establish a community library. A committee was formed, representing the school staff, the school council and the local Progress Association. However, it was felt that to establish a library along the guidelines set out, would not suit this community, mainly because of its very small size (about 300) and the short length of residence of most citizens. An alternative scheme was adopted, whereby the school takes out bulk loans from the Schools Library Board, the State Library and the Port Augusta Public Library. These stocks are periodically rotated so that there is always a new range of material available. (An important factor that could not be achieved if we purchased our own book stock, or even followed the guidelines of a 10% turnover per annum, as indicated in the School Community Library plan.)


Author(s):  
Alexander Y. Samarin

The article presents the analysis of the new book of the famous bibliophile, researcher and populariser of rare books and bibliophilism, the Chairman of the National Union of Bibliophiles M.V. Seslavinsky about the history of creation, specific aspects of publishing and art design of the famous bibliophilic edition “Cantata” by A.A. Sidorov (Moscow, 1921). Comic verses of the future famous bibliologist and art critic, corresponding member of the Academy of Sciences of the USSR became the text for the first edition of the Russian society of the friends of books (1920—1929), the largest Association of booklovers of the 1920s. Two small runs totalled only 20 copies. The study is based primarily on the copies of “Cantata” preserved in the state collections (the Russian State Library, the State Tretyakov Gallery) and private collections, including the M.V. Seslavinsky’s one. The discovery of new documents on the history of the publication allowed restoring the list of owners of the autographed copies. Using the copy-by-copy method, the researcher succeeded in describing the numerous design options of the rarity of bibliophile publishing. The use of art-historical methods allowed to finally establish that the prototype for the image on the engraving “Bibliophile in 1920” (artist N.B. Baklanov, engraver I.N. Pavlov) was A.N. Benoit, the famous painter. The author introduces into circulation the handwritten poetic epistles of A.A. Sidorov to the owners of the autographed copies and other unique materials about preparation for printing, distribution and provenance of “Cantata”. In general, it can be concluded that M.V. Seslavinsky’s approaches to the analysis of “Cantata” can become basic in the study of bibliophile book as a special cultural phenomenon and trend in book publishing.


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