Libraries Around Australia Planning for success; a brief history of the State Library of Queensland's New Building

1989 ◽  
Vol 38 (4) ◽  
pp. 333-339
Author(s):  
Carol Keliher
Keyword(s):  
Author(s):  
Alexander Y. Samarin

The article presents the analysis of the new book of the famous bibliophile, researcher and populariser of rare books and bibliophilism, the Chairman of the National Union of Bibliophiles M.V. Seslavinsky about the history of creation, specific aspects of publishing and art design of the famous bibliophilic edition “Cantata” by A.A. Sidorov (Moscow, 1921). Comic verses of the future famous bibliologist and art critic, corresponding member of the Academy of Sciences of the USSR became the text for the first edition of the Russian society of the friends of books (1920—1929), the largest Association of booklovers of the 1920s. Two small runs totalled only 20 copies. The study is based primarily on the copies of “Cantata” preserved in the state collections (the Russian State Library, the State Tretyakov Gallery) and private collections, including the M.V. Seslavinsky’s one. The discovery of new documents on the history of the publication allowed restoring the list of owners of the autographed copies. Using the copy-by-copy method, the researcher succeeded in describing the numerous design options of the rarity of bibliophile publishing. The use of art-historical methods allowed to finally establish that the prototype for the image on the engraving “Bibliophile in 1920” (artist N.B. Baklanov, engraver I.N. Pavlov) was A.N. Benoit, the famous painter. The author introduces into circulation the handwritten poetic epistles of A.A. Sidorov to the owners of the autographed copies and other unique materials about preparation for printing, distribution and provenance of “Cantata”. In general, it can be concluded that M.V. Seslavinsky’s approaches to the analysis of “Cantata” can become basic in the study of bibliophile book as a special cultural phenomenon and trend in book publishing.


Author(s):  
Vladimir P. Bogdanov

The article is devoted to the history of acquisition of the municipal and state repositories with early printed Cyrillic monuments in the 19th — 21st centuries. The aim of the research is to show the process of acquisition of the collections of state museums, archives and libraries of Russia. The author uses descriptions of the books from the catalogues published with the participation or under the guidance of experts in archaeography of the Moscow State University (MSU) named after M.V. Lomonosov. They cover the collections of the MSU Scientific Library, as well as the collections of museums, archives and libraries of Tver, Yaroslavl and Perm Regions, as well as the State Historical, Architectural and Ethnographic Museum-Reserve “Kizhi”.As a total there are involved 3953 descriptions containing information about the date and source of acquisition of the books to the repositories. The author concluded that archaeographic expeditions made a great contribution to the replenishment of the collections of the early printed Cyrillic monuments (860 books), but this contribution was not decisive. The most part of the unique monuments got into repositories as private donations or were purchased in old book shops, or during the expropriation of Church valuables. Only in the 1920s there were obtained 1068 books from the Church libraries.Significant event in the life of repositories in the twentieth century was more or less permanent redistribution of stocks between the major collections. The most part of the early printed Cyrillic books (almost half of them already introduced into scientific discourse), preserved now in the Scientific Library of the Moscow State University, was obtained not in the course of expeditionary work, but as a result of transfer of the books from the V.I. Lenin State Library of the USSR, the State Public Historical Library of Russia, the State Historical Museum and the Moscow Kremlin Museums.


2021 ◽  
pp. 181-191
Author(s):  
Alexei F. Losev ◽  
Elena A. Takho-Godi

The publication covers an obscure episode from the scientific biography of the great Russian philosopher Alexei Losev related to his work in the 1920s at the State Academy of Artistic Sciences (GAKhN). For the first time, Losev’s thirteen articles from Research Department of manuscripts of the Russian State Library [f. 81 (State Academy of art studies), inv. 26, item 1] are put into scientific circulation: “Antiquity”, “Apollinism”, “Harmony”, “Dionysism”, “Callistics”, “Calocagathia”, “Catharsis”, “Cosmic feeling”, “Cosmos”, “Logos”, “Mania”, “Mathematics and art”, “Melos”. This articles were written in the second half of the 1920s and were intended for a publishing project of the State Academy of Artistic Sciences – the first volume of the multi-volume “Encyclopedia of Artistic Sciences”, conceived in 1922 as a “Dictionary of Artistic Terminology”. The project was never realized. The topics of the articles reflect the range of the scientific problems that interested Losev in the 1920s as well as his special attention to the study of terminology, which found its full implementation in the 1970 – 1980s during the work on “The History of Classical Aesthetics”.


2020 ◽  
pp. 38-56
Author(s):  
Tomasz Makowski

Thesis/Objective – This article describes the situation of the National Library of Poland (BNP) during the first nine months of the COVID-19 pandemic. The BNP played multiple roles at the same time: as the biggest library in Poland it provided readers with safe access to its unique collections; it acted as the central body for cataloguing the latest publications for libraries in Poland; and as the country’s central state library it issued recommendations for the 30,000+ libraries across Poland. Results/Conclusions – A paramount concern was ensuring the safety of the employees and readers of the BNP and other Polish libraries, as well as issuing instructions on what libraries should be doing during the pandemic. The BNP offered support for institutions which found themselves at a loss under these extraordinary circumstances. The BNP maintained its key activities during the period, especially cataloguing the legal deposit intake of new publications.


2021 ◽  
pp. 173-180
Author(s):  
Elena A. Takho-Godi ◽  

The publication covers an obscure episode from the scientific biography of the great Russian philosopher Alexei Losev related to his work in the 1920s at the State Academy of Artistic Sciences (GAKhN). For the first time, Losev’s thirteen articles from Research Department of manuscripts of the Russian State Library [f. 81 (State Academy of art studies), inv. 26, item 1] are put into scientific circulation: “Antiquity”, “Apollinism”, “Harmony”, “Dionysism”, “Callistics”, “Calocagathia”, “Catharsis”, “Cosmic feeling”, “Cosmos”, “Logos”, “Mania”, “Mathematics and art”, “Melos”. This articles were written in the second half of the 1920s and were intended for a publishing project of the State Academy of Artistic Sciences – the first volume of the multi-volume “Encyclopedia of Artistic Sciences”, conceived in 1922 as a “Dictionary of Artistic Terminology”. The project was never realized. The topics of the articles reflect the range of the scientific problems that interested Losev in the 1920s as well as his special attention to the study of terminology, which found its full implementation in the 1970 – 1980s during the work on “The History of Classical Aesthetics”.


2014 ◽  
Vol 20 (1) ◽  
Author(s):  
Rowan Wilken

In 2001, the State Library of Victoria in Melbourne built on its holdings of Australian literary manuscripts by acquiring all the papers, drafts and other items associated with Peter Carey’s Booker Prize-winning novel, True History of the Kelly Gang. The centrepiece of this acquisition, and the focus of this article, is Carey’s Apple Mac Classic laptop computer. The argument that is developed in this article is that Carey’s laptop is a technological artefact that operates, especially at the time of its acquisition, as an important talisman in three interrelated senses. First, it was viewed by library staff as a key means of gaining access to the ‘true history’ of Carey’s own creative drive or creative unconscious. Second, its public display alongside other textual objects (mostly books) served to reinforce a reconstructed corporate image that endeavoured to reposition the library as a vital contemporary cultural site and key player in Melbourne’s institutional gallery scene. Third, it was a crucial symbolic acquisition insofar as it spoke to certain desires within library management at that time, and which responded to similar moves at major libraries elsewhere around the world, to embrace collection digitisation as the path forward.


Museum Worlds ◽  
2018 ◽  
Vol 6 (1) ◽  
pp. 94-111
Author(s):  
Andrea Witcomb ◽  
Alistair Patterson

The discovery of five photographs in 2018 in the State Library of Western Australia led us to the existence of a forgotten private museum housing the collection of Captain Matthew McVicker Smyth in early-twentieth-century Perth. Captain Smyth was responsible for the selling of Nobel explosives used in the agriculture and mining industries. The museum contained mineral specimens in cases alongside extensive, aesthetically organized displays of Australian Aboriginal artifacts amid a wide variety of ornaments and decorative paintings. The museum reflects a moment in the history of colonialism that reminds us today of forms of dispossession, of how Aboriginal people were categorized in Australia by Western worldviews, and of the ways that collectors operated. Our re-creation brings back into existence a significant Western Australian museum and opens up a new discussion about how such private collections came into existence and indeed, in this instance, about how they eventually end.


2018 ◽  
Vol 60 (4) ◽  
pp. 402-439
Author(s):  
Alexander Weiß

Abstract The State Library Berlin and the University Library Heidelberg hold a number of letters which Adolf von Harnack received from the Scottish classicist Sir William Mitchell Ramsay. The correspondence between these two outstanding scholars is of great importance for the history of the disciplines concerned, Classics and History of the Early Church, as well as for the biographies of the two correspondents. In this article Ramsay’s letters are edited with introduction and commentary.


Author(s):  
Evgenia A. Tatarinova

The problem of preservation of cultural values during wars and local military conflicts is a little studied now. However equally important is the promotion of book heritage and literary culture in times of hostilities. Book exhibition activities of the State Library of the USSR after V.I. Lenin in days of the Great Patriotic War of 1941—1945 is described in the article.


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