Effect of productive discussion on written argumentation in earth science classrooms

2020 ◽  
Vol 113 (1) ◽  
pp. 46-58
Author(s):  
Rachel A. Short ◽  
Marina Y. Van der Eb ◽  
Susan R. McKay
Author(s):  
Reece Mills ◽  
Louisa Tomas Engel ◽  
Brian Lewthwaite

It is well known that students arrive in science classrooms with pre-instructional ideas about science phenomena, and that often students’ ideas are not scientifically accurate representations of these phenomena. This research project will engage Year 9 Science students in the creation of a slowmation to represent an Earth Science concept that has been misrepresented in popular culture, in an effort to support their conceptual change towards an accepted scientific understanding. A slowmation representation is a form of stop-motion animation. During the process of creating a slowmation representation, students will manipulate and photograph a range of materials to represent an Earth Science concept, and display the photographs in quick succession to create an animation. Students will then add their own narration that explains the concept. This research aims to determine: (1) Does the process of creating a slowmation representation have a significant effect on students’ conceptual development in Earth Science? (2) How does the process of creating a slowmation representation influence students’ conceptual development? and (3) To what extent does students’ interest generated by the project influence their conceptual development? The project responds to calls for more in-depth research into the value of student-generated animation in science education (Hoban, Loughran, & Nielsen, 2011; Hoban & Nielsen, 2012), and contributes to the few studies that investigate the relationship between interest and conceptual change (Sinatra & Mason, 2013; Treagust & Duit, 2008).


Author(s):  
Phoebe A. Cohen ◽  
Rowan Lockwood ◽  
Shanan Peters

2017 ◽  
Vol 7 (3) ◽  
pp. 195-209
Author(s):  
Rachel Fountain Eames

Charles Kingsley's lifelong interest in geology is well documented – from the gentleman geologists of his early novels and his membership of the Geological Society, to his introduction to earth science for children, Madam How and Lady Why (1870) – but the influence of geological ideas in The Water-Babies (1863) has been largely overlooked. Instead, academics have broadly categorised the novel as an ‘evolutionary parable’, emphasising Darwinian influences to the exclusion of contemporary geology. I propose that there is a distinct geological subtext underpinning The Water-Babies. Acknowledging both its scientific and religious contexts, I argue that Kingsley integrates elements of his geological studies into clear stratigraphic forms in the novel; that these ideas recur in the novel's surface geography and are informed by his reading of contemporary geologists; and that The Water-Babies is part of a longstanding generic tradition of Christian geological katabasis that can be traced back to Dante's Divine Comedy (1555).


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