scholarly journals Is science like a crossword puzzle? Foundherentist conceptions of scientific warrant

2016 ◽  
Vol 46 (1) ◽  
pp. 82-101
Author(s):  
Rik Peels

AbstractThis paper argues that the crossword puzzle analogy is great for scientific rationality, but not scientific warrant. It provides a critical analysis of foundherentist conceptions of scientific warrant, especially that of Susan Haack, and closely related positions, such as non-doxastic coherentism. Foundherentism takes the middle ground between foundationalism and coherentism. The main idea is that warrant, including that of scientific theories, is like warrant of crossword entries: the degree to which a theory is warranted depends on one’s observations, the extent to which it coheres with one’s other scientific theories and whether one’s evidence includes a sufficiently large portion of the relevant evidence. I identify three problems for a foundherentist conception of scientific warrant, two of which are also problems for the image of science as a crossword puzzle. First, Haack’s conceptions of personal and social warrant of scientific theories are incompatible. Second, the notion of warrant defeaters is crucial to any account of warrant, but foundherentism cannot accommodate certain warrant defeaters. Third, Haack’s treatment of inconsistent evidence renders her account of social warrant for scientific theories implausible. Finally, I suggest that switching from the objective notion of warrant to the subjective notion of rationality might save foundherentism about scientific theories and the image of science as a crossword puzzle. I also draw lessons for social epistemology generally by applying the distinction between warrant and rationality to non-doxastic coherentism and Paul Faulkner’s hybrid theory of testimonial warrant.

1993 ◽  
Vol 25 (75) ◽  
pp. 3-29
Author(s):  
Ambrosio Velasco Gómez

This work belongs to the discussion between historians and science philosophers on methodological matters in the study of the nature and development of scientific theories. Notably, this paper seeks to state some fundamental steps towards the interpretation and reconstruction of political theories. In order to achieve this, Leo Strauss’s philosophical view, as well as Quentin Skinner’s historical approach, are critically examined, pointing out their most significant progresses as well as their main problems and weaknesses. On the grounds of this critical analysis, the need to seriously consider the history and philosophy of political theory as being mutually complementary is stated. Within this comprehensive approach, this paper considers the proposal of Alasdair MacIntyre which seeks to recover, through the concept of “research tradition”', significant philosophical and historical studies within political theory. Notwithstanding, MacIntyre, Strauss and Skinner do not take contemporary hermeneutic theories seriously when they formulate their interpretative perspectives. Beginning with contemporary hermeneutic philosophers (Gadamer, Ricoeur), the most significant contributions by Strauss, Skinner and MacIntyre are looked at in order to develop a historical and philosophical approach to study change and evolution in political theories. [Traducción: Gabriela Montes de Oca V.]


Author(s):  
Adrián Bertorello

ResumenEl trabajo se propone, por un lado, presentar los argumentos que M. Shapiro y J. M. Schaffer hicieron contra la interpretación heideggeriana del cuadro de van Gogh. Y, por otro, someter a un análisis crítico cada una de las objeciones. La idea central es presentar la polémica que produjo la recepción del texto de Heidegger Der Ursprung des Kusntwerkes y mostrar que dicha recepción se funda en un desconocimiento del pensamiento heideggeriano -tal como sucede en el caso de M. Shapiro- y en una incorrecta descripción de la producción del sentido –tal es el caso de J. M. Schaffer-.Conceptos Clave:Significado, Referente, Obra de Arte, EstéticaAbstract The study aims, on one hand, at submitting the objections that M. Shapiro and J.M: Schaffer made against Heidegger´s interpretation of Van Gogh´s painting, and, on the other hand, at making a critical analysis of every objection. The main idea consists in presenting the controversy created by the reception of Heidegger´s Der Ursprung des Kusntwerkes and showing that said reception is based on the ignorance of Heidegger´s thought – as in the case of M. Shapiro – and on the improper description of the production of meaning – as in the case of J.M. Schaffer.Key concepts:Meaning, Referent, Work of Art, Aesthetics


2007 ◽  
Vol 177 (4S) ◽  
pp. 126-126
Author(s):  
Matthew E. Nielsen ◽  
Danil V. Makarov ◽  
Elizabeth B. Humphreys ◽  
Leslie A. Mangold ◽  
Alan W. Partin ◽  
...  

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