Class Consciousness and Ideology in the Communist Manifesto

Critique ◽  
2021 ◽  
Vol 49 (1-2) ◽  
pp. 31-46
Author(s):  
Renzo Llorente
Author(s):  
R. R. Palmer

This chapter considers the prevailing notion in the eighteenth century that nobility was a necessary bulwark of political freedom. Whether in the interest of a more open nobility or of a more closed and impenetrable nobility, the view was the same. Nobility as such, nobility as an institution, was necessary to the maintenance of a free constitution. There was also a general consensus that parliaments or ruling councils were autonomous, self-empowered, or empowered by history, heredity, social utility, or God; that they were in an important sense irresponsible, free to oppose the King (where there was one), and certainly owing no accounting to the “people.” The remainder of the chapter deals with the uses and abuses of social rank and the problems of administration, recruitment, taxation, and class consciousness.


Cultura ◽  
2018 ◽  
Vol 15 (2) ◽  
pp. 173-178
Author(s):  
Nan WANG

Abstract There are many Chinese versions of The Communist Manifesto and all of them had problems with the translation of foreign concepts and words, which triggered debates for years. One of the most interesting questions in the debates on the translation of the Manifesto is how to translate (Ger.) Assoziation / “association” and how Marx understood this concept.


Author(s):  
Connal Parr

St John Ervine and Thomas Carnduff were born in working-class Protestant parts of Belfast in the 1880s, though Ervine would escape to an eventually prosperous existence in England. Orangeism, the politics of early twentieth-century Ireland, the militancy of the age—and the involvement of these writers in it—along with Ervine’s journey from ardent Fabian to reactionary Unionist, via his pivotal experiences managing the Abbey Theatre and losing a leg in the First World War, are all discussed. Carnduff’s own tumultuous life is reflected through his complicated Orange affiliation, gut class-consciousness, poetry, unpublished work, contempt for the local (and gentrified) Ulster artistic scene, and veneration of socially conscious United Irishman James Hope. It concludes with an assessment of their respective legacies and continuing import.


1963 ◽  
Vol 68 (6) ◽  
pp. 682-692 ◽  
Author(s):  
John C. Leggett

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