El Duende One-Canvas Art Making and the Significance of an Interim Period

Art Therapy ◽  
2021 ◽  
pp. 1-10
Author(s):  
Abbe Miller
Keyword(s):  
Art Making ◽  
Interim Period

Presale Handgun Checks, the Brady Interim Period, 1994-98

1999 ◽  
Author(s):  
Donald A. Manson ◽  
Darrell K. Gilliard ◽  
Gene Lauver
Keyword(s):  
Interim Period

The Power of Art to Cope With Trauma: Psychosocial Intervention After the Tsunami in Japan

2020 ◽  
pp. 002216782098214
Author(s):  
Tami Gavron
Keyword(s):  
Natural Disasters ◽  
Psychosocial Intervention ◽  
Cultural Context ◽  
Psychosocial Interventions ◽  
Kindergarten Teachers ◽  
Japanese Culture ◽  
Art Making ◽  
Cultural Expression ◽  
The Arts

This article describes the significance of an art-based psychosocial intervention with a group of 9 head kindergarten teachers in Japan after the 2011 tsunami, as co-constructed by Japanese therapists and an Israeli arts therapist. Six core themes emerged from the analysis of a group case study: (1) mutual playfulness and joy, (2) rejuvenation and regaining control, (3) containment of a multiplicity of feelings, (4) encouragement of verbal sharing, (5) mutual closeness and support, and (6) the need to support cultural expression. These findings suggest that art making can enable coping with the aftermath of natural disasters. The co-construction underscores the value of integrating the local Japanese culture when implementing Western arts therapy approaches. It is suggested that art-based psychosocial interventions can elicit and nurture coping and resilience in a specific cultural context and that the arts and creativity can serve as a powerful humanistic form of posttraumatic care.

Biopsychosocial characteristics associated with engagement in art making among older adults

2021 ◽  
Vol 42 (3) ◽  
pp. 727-733
Author(s):  
Kyung Soo Kim ◽  
Kristine L. Kwekkeboom ◽  
Tonya Roberts ◽  
Earlise Ward
Keyword(s):  
Older Adults ◽  
Art Making

Visual Art Making for Therapist Growth and Self-Care

2007 ◽  
Vol 20 (2) ◽  
pp. 167-182 ◽  
Author(s):  
Stephanie Lewis Harter
Keyword(s):  
Visual Art ◽  
Self Care ◽  
Art Making

Digital Art Making as a Representational Process

2013 ◽  
Vol 22 (1) ◽  
pp. 121-162 ◽  
Author(s):  
Erica Rosenfeld Halverson
Keyword(s):  
Digital Art ◽  
Art Making

Making the unfamiliar personal: arts-based ethnographies as public-engaged ethnographies

2013 ◽  
Vol 13 (4) ◽  
pp. 402-413 ◽  
Author(s):  
Lydia N Degarrod
Keyword(s):  
Social Justice ◽  
Embodied Knowledge ◽  
Art Making ◽  
The Public ◽  
New Thinking ◽  
Public Exhibition ◽  
Forms Of Knowledge

I present the installation Geographies of the Imagination, an arts-based ethnography about long-term exile, as a form of public ethnography that unveils the acquisition and transmission of ethnographic knowledge as interactive, emergent, and creative. I will show how the methods of collaboration and art making created bodily forms of knowledge among the participants and the audience at the exhibition of the installation that have the potential for stimulating new thinking. The use of these methods advanced the acquisition of ethnographic knowledge, and heightened the development of empathy among the participants and the researcher. Furthermore, the public exhibition of this installation allowed the participants to exercise social justice, and created a setting for socially experiencing embodied knowledge.

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