How You Watch Television News Matters: A Panel Analysis of Second Screening and Political Learning from the News

Author(s):  
Masahiro Yamamoto ◽  
Weina Ran ◽  
Shan Xu
Author(s):  
Elliot E. Slotnick ◽  
Jennifer A. Segal

1991 ◽  
Vol 36 (8) ◽  
pp. 730-731
Author(s):  
No authorship indicated
Keyword(s):  

2013 ◽  
Vol 10 (3) ◽  
pp. 635-649 ◽  
Author(s):  
Gillian Murray

This article uses an extant collection of television news inserts and other television ephemera to examine women's employment at Midlands ATV. Focusing on the years between the first Midlands News broadcasts in 1956 until major contract changes across the ITV network in 1968, it examines the jobs women did during this formative period and their chances for promotion. In particular it suggests that contemporary ideas of glamour and their influence in screen culture maintained a significant influence in shaping women's employment. This connection between glamorous television aesthetics and female employees as the embodiment of glamour, especially on screen, did leave women vulnerable to redundancy as ‘frivolity’ in television was increasingly criticised in the mid-1960s. However, this article argues that the precarious status of women in the industry should not undermine historical appreciation of the value of their work in the establishing of television in Britain. Setting this study of Midlands ATV within the growing number of studies into women's employment in television, there are certain points of comparison with women's experience at the BBC and in networked ITV current affairs programmes. However, while the historical contours of television production are broadly comparable, there are clear distinctions, such as the employment of a female newscaster, Pat Cox, between 1956 and 1965. Such distinctions also suggest that regional news teams were experimenting with the development of a vernacular television news style that requires further study.


Think India ◽  
2019 ◽  
Vol 22 (3) ◽  
pp. 1758-1769
Author(s):  
Vidisha Madonna D’Souza

Television News has been a resorted platform for Indian viewers over the past decades. A majority of Indian viewers are known to trust this platform for its highly expected one-stop, credible, professionally opinionated sense of reporting.  News channels have become platforms for celebrity journalists and anchors to exercise their authority. News organisations have become backbones of information and public opinion and journalists and their organisational agenda have taken this forward.  With bold and competitive strategies used to enable news presentations, it is essential to examine and recognize existing Television news narrative conventions and practices that have gained momentum in recent years. Through a qualitative analytical approach taken for this research study, it is clear that narrative conventions exist and modify, thus producing fashionable and modernized forms of presentation techniques during prime time. With a clear organisational norm and genre of discourse shared by Indian English television channels today, the paper highlights persisting organisational norms, unconventional discourses, rhetoric (audio and visual) and music – a contributing element as existing contributors of narrative conventions. 


1983 ◽  
Author(s):  
Aida Khalaf
Keyword(s):  

2019 ◽  
Author(s):  
Yung-I Liu

<p><a>This study investigates the informing effects of communication in political campaigns from a geospatial perspective. The results from analyzing survey data collected during the 2000 and 2004 presidential elections in the U.S. generally suggest that the main forms of traditional </a>communication, i.e., print newspapers and network and cable television news—but with the exception of local TV news—play a significant role in informing citizens about political campaigns. Political discussion also plays a role in this regard. The implications of the respective roles of a number of news forms in a democracy are discussed.</p>


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