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Author(s):  
Paula Trzaskawka ◽  
Joanna Kic-Drgas

AbstractMarch 2020 has become a moment of change in communication mode and quality. Previously, the media paid attention to the current affairs, however, never earlier the journalistic discourse has been so influentially affected by the ongoing phenomenon as in the case of COVID-19. Almost overnight the new terminological phenomena with specific legal or medical reference were introduced into everyday language mainly via mass media and become an important part of a pandemic related narration. The strong influence on the shape of the mentioned linguistic changes has mainly the adoption of new legal regulations due to the unexpected outbreak of the pandemic. The aim of the following paper is to investigate how COVID-19 pandemic affected the specialisation of the journalistic discourse and how different domains (law, medicine) are being influenced by new terminology and in other way round, how for example law and medicine influence new “COVID language”. In order to take the interdisciplinary nature of the issue into account, the degree of hybridity of the selected texts will be examined by means of selected material analysis. The methodology applied in the paper uses an empirical approach and comparative analysis. The material used for the analysis comes from the selected Polish quality and boulevard press. The paper concerns the linguistic influence of the “invisible enemy” on the language presented in press. The main findings reveal the intense use of neologisms, borrowings, and it shows that the discourse was changed linguistically thanks to Student’s t-test.


Author(s):  
Francisco LINARES ALÉS

Se explora en este trabajo las posibilidades de que la disciplina semiótica elabore el concepto actualidad explicando e integrando en su corpus teórico y analítico el uso corriente del término. Depende en buena medida del concepto lingüístico y semiótico de actualización discursiva, y en razón de él es concebible hablar con rigor de semióticas actuales, o sea, discursos actuales. Al constituirse estas de manera jerárquica y cambiante en sus momentos de vigencia, se ve preciso que la Semiótica, en diálogo con otras disciplinas, diseccione críticamente el devenir histórico de sus actualidades. Así, desde un plano teórico analítico más general, se propone una explicación del carácter de los discursos contemporáneos y se ejemplifica en la forma en que en ellos queda involucrado el cuerpo humano. Con las conclusiones se pone de relieve que esta es una vía, entre otras posibles, por la que la Semiótica alcanza actualidad.  Abstract: This paper explores the possibilities for the Semiotic to elaborate the concept of current affairs by explaining and integrating the common use of the term into its theoretical and analytical corpus. It depends to a large extent on the linguistic and semiotic concept of actualization, and because of this it is conceivable to speak rigorously of current semiotics, that is, current discourse. As these are constituted in a hierarchical and changing manner in their moments of validity, it is necessary for Semiotics, in dialogue with other disciplines, to critically dissect the historical development of their current discourse. Thus, from a more general analytical theoretical level, an explanation of the character of contemporary discourses is proposed and the way in which the human body is involved in them is exemplified. The conclusions highlight the fact that this is one way, among others, by which Semiotics can achieve actuality.


2021 ◽  
Vol 4 (6) ◽  
Author(s):  
Victor Hugo Ferrante Maia Athayde ◽  
Tâmila Moreira de Alencar Bezerra Lima ◽  
Guilherme Morais Andrade ◽  
Marcella Motão Ribeiro ◽  
Júlia Souza Gonçalves ◽  
...  

Author(s):  
Mario S Staller ◽  
Benjamin Zaiser ◽  
Swen Koerner

Cognitive biases have been identified as drivers of the excessive use of force, which has determined current affairs across the globe. In this article, we argue that the police are facing serious challenges in combating these biases. These challenges stem from the nature of cognitive biases, their sources and the fallacies that mislead police professionals in the way they think about them. Based on a framework of expert decision-making fallacies and biases, we argue that these fallacies limit the impact of efforts to mitigate cognitive biases in police conflict management. In order to achieve a systemic understanding of cognitive biases and their detrimental effects, the article concludes that implementing reflexive structures within the police is a crucial prerequisite to effectively reflect on external influences and to limit bias and fallacies from further unfolding in a self-referential loop.


2021 ◽  
Vol 12 ◽  
Author(s):  
Kai Wang ◽  
Kejun Lin ◽  
Shixin Yang ◽  
Sang-Gyun Na

In the age of digitalization, social media has played a significant role in quickly spreading the news about current affairs. From December 2019 to now, coronavirus disease 2019 (COVID-19), with its several mutated shapes, has more transmissible potential catastrophe and has become a severe phenomenon issue worldwide. The international spread of the epidemic has created fear among people, especially employees working physically in different organizations. The present research aimed to measure the impact of social media on its users in the China. The social media users more often were influenced by shocking news instructively and destructively. The research analysis was based on service sector employees and data collected from 630 respondents via a structured questionnaire. This research was confirmed the negative impact of fear on social media on the performance of employees. This research was also confirmed the moderation impact of the COVID-19 vaccine on the relationship between social media fear and employee performance. This research recommends that the China Censor Board checked the news and its validity to reduce the fear of COVID-19 among employees. This research will become a roadmap for organizations and media controllers to understand the impact of social media during an intense situation. The telecommunication sector will reduce psychological disease and enhance the work capability of employees by controlling unnecessary and unapproved material about sensitive issues.


2021 ◽  
Author(s):  
◽  
Elyse Katherine Robêrt

<p>As New Zealand’s favoured satirical television show 7 Days reconstitutes the week’s current affairs and offers up a valuable counter narrative to traditional news media through its remixing of the conventions of news and the panel quiz show. Whilst many academics have studied satirical television in the US and UK contexts very little attention has been paid to the collection of New Zealand television satire and local audiences’ preference for satire over other local comedy forms. In comparing the three television systems several characteristics emerge as unique to 7 Days and New Zealand’s satiric tradition; an affinity for self-deprecating humour, the targeting of hubris, and the assailing of tall poppy syndrome; the hailing and sustenance of public feeling, and thereby the nourishment of nationalism and a communal ‘Kiwi’ identity.  Television satire dealing in news and review is a well-established practice but is often referred to in academia and popular culture as simply a ‘genre’ when it rather operates as somewhere between a discourse and a genre. Television satire is born of a strong literary tradition but literary criticisms fail to adequately address the functions of contemporary satire; its affective powers, the limits of its uptake, and the ideological footing of its critiques. Examples from US and UK television are considered as precursors to New Zealand satire, and a close analysis of 7 Days reveals that it is not only the conventions of genre that limit satire’s incarnations but also an unstable broadcasting history and an uncertain future.</p>


2021 ◽  
Author(s):  
◽  
Elyse Katherine Robêrt

<p>As New Zealand’s favoured satirical television show 7 Days reconstitutes the week’s current affairs and offers up a valuable counter narrative to traditional news media through its remixing of the conventions of news and the panel quiz show. Whilst many academics have studied satirical television in the US and UK contexts very little attention has been paid to the collection of New Zealand television satire and local audiences’ preference for satire over other local comedy forms. In comparing the three television systems several characteristics emerge as unique to 7 Days and New Zealand’s satiric tradition; an affinity for self-deprecating humour, the targeting of hubris, and the assailing of tall poppy syndrome; the hailing and sustenance of public feeling, and thereby the nourishment of nationalism and a communal ‘Kiwi’ identity.  Television satire dealing in news and review is a well-established practice but is often referred to in academia and popular culture as simply a ‘genre’ when it rather operates as somewhere between a discourse and a genre. Television satire is born of a strong literary tradition but literary criticisms fail to adequately address the functions of contemporary satire; its affective powers, the limits of its uptake, and the ideological footing of its critiques. Examples from US and UK television are considered as precursors to New Zealand satire, and a close analysis of 7 Days reveals that it is not only the conventions of genre that limit satire’s incarnations but also an unstable broadcasting history and an uncertain future.</p>


2021 ◽  
Author(s):  
Sandra Iturrieta Olivares

The effects of massification, fragmentation and segmentation in higher education have been exacerbated by the state of current affairs. Latin America has been especially shaken, due to e.g., political changes resulting from massive expressions of social discontent following 2019; or the arrival of COVID-19, its interruption of the quotidian, and its impetus for technology to burst into professional work. In this context, three major crossroads for higher education – resulting from bibliographical and document analysis and integration – are presented in the paper, “Rethinking undergraduate training in social sciences from the imaginaries of the future about professional work”. The paper discusses development in the current context, the future of professional work, and subjective well-being in professionals. To face these challenges, the conclusions propose the exercise of prognostic intelligence as an alternative. Prognostic intelligence is a professional skill that can be developed during higher education. Its practice would eschew the presentism characteristic of our turbulent times in favor of expanding the possibilities of outlining the future of higher education on the basis of relevance, quality, and stability.


2021 ◽  
Vol 18 (2) ◽  
pp. 189-208
Author(s):  
Dragan Lakićević

In the course of the forty years of his literary work, the writer, novelist and playwright Jovan Radulović gave a large number of interviews – to the most renowned newspapers and magazines of his time, in which he answered questions from journalists and writers ‒ about himself, his biography, literary space and work. These conversations were either poetic or had to do with current affairs, depending on the time and occasion of the interview. At the same time, the occasions were a chronicle of contemporary Serbian literary scene. This paper systematizes the thematic fields of Radulović’s interviews.


2021 ◽  
Vol 14 (2) ◽  
pp. 189-220 ◽  
Author(s):  
Noureddine Miladi ◽  
Moez Ben Messaoud ◽  
Jamel Zran

This research sought to study the contents of Al-Rayyan TV programmes and their relationship to the construction of national identity in Qatar, a task this channel has taken as an editorial line since its inception in 2012. In this article, we present findings of an audience-based exploration of Al-Rayyan TV’s viewership. Fieldwork data was gathered via a base of 720 survey questionnaires from a sample of Qatari society as well as fifteen interviews conducted with experts and social media activists. The aim was to find out respondents’ views about the role of the channel in promoting Qatari identity and culture. Research questionnaires were managed at intervals between August and November 2020. Fieldwork results showed that the surveyed viewers believe that the channel plays a significant role in preserving Qatari national culture and heritage. However, when it comes to rating Qatari TV channels in order of importance, respondents’ favourite TV broadcaster in terms of news and current affairs programmes was Al Jazeera, followed by beIN Sports, Qatar TV, Al-Rayyan TV and finally Al Kass. Research findings also reveal an evident trend among young Qataris and professionals who find social media networks the most convenient platforms to view and share content from Al-Rayyan TV. People watch video clips from the most popular programmes, such as Al-Sabah Rabah, Umm Rashid, Taraheeb and In the Shadows of Doha, among others, which they receive via Twitter, Instagram and Facebook. However, concerns via-à-vis Al-Rayyan TV’s repetitive content and a programme schedule that does not include much entertainment content cannot be missed from viewers’ responses. The dwindling popularity of the channel among Qatari youth is perceived as one such result of its inability to transform itself in the age of digital explosion.


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