Beyond the Cold War: Isaiah Berlin for the Twenty-First Century

2021 ◽  
pp. 1-24
Author(s):  
George Crowder
Author(s):  
Alex J. Bellamy

Until recently, East Asia was a boiling pot of massacre and blood-letting. Yet, almost unnoticed by the wider world, it has achieved relative peace over the past three decades.1 At the height of the Cold War, East Asia accounted for around 80 percent of the world’s mass atrocities. By the second decade of the twenty-first century, it accounted for less than 5 percent....


2010 ◽  
Vol 11 (3) ◽  
pp. 389-400
Author(s):  
LIU JIANGYONG

AbstractResearch on Sino-Japanese Relations is an important part of the field of Japanese Studies in China. This article offers an overview of research on Sino-Japanese relations over 60 years of PRC history. It focuses on research since the end of the Cold War, and especially on progress in the field since the beginning of the twenty-first century. On the basis of this overview, the author discusses gaps in the literature and directions for future research. The author would also like to express in advance his regret that due to limited space it is not possible to mention every piece of important scholarship in the field.


Author(s):  
Emily Abrams Ansari

The conclusion begins with a consideration of the ways in which Aaron Copland’s sound has become associated with American exceptionalism in its different twenty-first-century articulations. It argues that the Cold War rebranding of Americanist music described in this book, achieved with the willing participation of Copland and many of his colleagues, made this realignment of the meaning of Copland’s music possible. It explains that the Americanists did indeed experience serialism as “tyrannous” during the 1950s, the result of music-stylistic choices becoming politicized and binarized at a time when so many choices were silently interpreted as an ideological “either/or.” In closing, the conclusion considers the larger issues surrounding musical nationalism, culture, politics, and power that the Americanists’ story raises.


2014 ◽  
Vol 9 (2) ◽  
pp. 176-210 ◽  
Author(s):  
Louis Clerc

Summary In October 1988, an ordinance of the Finnish government created the Committee for International Information (Kansainvälisen tiedottamisen neuvottelukunta, or Kantine). Kantine came as the last of a series of Cold War efforts to centrally define an image of Finland fit for foreign consumption, and to establish the communication methods through which state authorities and their partners could use this image as an economic and political asset. Established under the coordination of the Finnish Ministry of Foreign Affairs, Kantine acts as a window into the evolution of Finnish national image management and its state at the end of the Cold War. However, the context of the late 1980s and the desire of Kantine’s members to use the committee as the platform for a ‘wide societal debate on Finland in the twenty-first century’ gave it a broader scope than other ‘national image committees’ that had preceded it since 1945. This article will place Kantine in the evolution of Finland’s national image management and image policy, and will summarize its work and consequences.


2018 ◽  
Vol 15 (3) ◽  
pp. 436-452
Author(s):  
Nick Barnett

This article explores how nostalgia for both the Cold War and the 1970s in general became a key feature of the BBC drama The Game (2014). It argues that the serial situated the Cold War as a more stable era in international relations in which the enemy played by a specific set of rules, thus leading to a danger that was manageable and more predictable than the terror threat of the twenty-first century. Furthermore, the article argues that the serial presents the 1970s as a golden age which was defined by the continuity of consensus politics and communities of class and family. Finally, the article examines how this nostalgia is reinforced by narrative devices which engage with generic features such as the storyline playing out like a game. However, in the re-imagined Cold War of the twenty-first century, the traditional chess trope has been replaced by the more complex game of Alice Chess.


Federalism-E ◽  
2020 ◽  
Vol 21 (2) ◽  
pp. 39-52
Author(s):  
Jean-Nicolas Bordeleau

The recurrence of intelligence operations has grown significantly since the beginning of the twenty-first century. This growing popularity has increased the need for public and legislative oversight as well as intelligence parliamentary review. The purpose of this paper is to critically assess the intelligence accountability framework in Canada. This assessment will argue that the expansion of intelligence capabilities in the late 20th and early 21st century has not been followed by an adequate expansion of the oversight and review framework. In order to support this argument, the paper will conduct a comparative analysis of the Five Eyes (FVEY) members and examine the evolution of Canadian intelligence accountability structures from the Cold War until 2020. The paper will conclude by proposing literature-supported changes to improve the oversight and review process. 


Author(s):  
John Beck ◽  
Ryan Bishop

The central assumption of the essays collected here is that the historically bounded period known as the Cold War (1946–1991) does not fully capture the extent to which the institutional, technological, scientific, aesthetic and cultural forms decisively shaped during that period continue to structure, materially and conceptually, the twenty-first-century world. While it is not our intention to claim that the 1946–1991 period did not constitute a specific and distinctive set of historical, geopolitical and cultural circumstances, we are interested in extending the temporal frame in order to consider the intensifications, reversals and irreversibilities brought about by the politics and culture of the latter half of the twentieth century. In numerous ways, the essays gathered here insist that the infrastructure of the Cold War, its technologies, its attitudes and many of its problems continue to shape and inform contemporary responses to large-scale political and technological issues. The essays also explore the various ways in which the continued influences of the Cold War emerge in aesthetic and conceptual/theoretical engagements with contemporary geopolitical conditions. The introduction provides a theoretical and historical articulation of the notion of a 'long' Cold War that continues to shape the contemporary world.


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