“Imaginative Power” in “The Yellow Wallpaper”

Author(s):  
Selina Jamil
Keyword(s):  
1999 ◽  
Vol 26 (1) ◽  
pp. 53-72
Author(s):  
Michel Imbert
Keyword(s):  

2019 ◽  
Vol 2 (2) ◽  
pp. 20-25
Author(s):  
Cut Ruby Miranda ◽  
Helmita Helmita

In writing this thesis, the writer discusses the depression of women because of patriarchal traditions, even though they already know about women's rights and freedoms. This patriarchal tradition is that men hold full power over anything and women must always obey the rules of men. The women are required not to do any activities, in terms of education and employment. Women are only allowed to do homework. This applies to all women, both single and married. This began in the 90s, especially in the United States. In writing the thesis, the writer uses psychological and feminist theories according to Sigmund Freud and Maggie Humm, who will explore the psychological side of women who are oppressed by the existence of this patriarchal custom. The purposes of this paper are: (1) To describe psychological-feminist cases in female characters (2) To analyze psychological-feminists in depressed female characters (3) To explain the psychological-feminist influence with female characters in the short story of The Yellow Wallpaper from Charlotte Perkins Gilman, A Rose For Emily from William Faulkner, The Story Of An Hour by Kate Chopin. The author uses descriptive qualitative methods in processing data. Through analysis of several existing sources and data. Based on available data, the writer discover how the psychology of depressed female characters from their environment is intimidated based on the short story. In fact women can become depressed because their freedom of expression is hampered and prohibited by tradition. With the writing of this thesis, it is hoped that the public can find out what exactly the meaning of women's emancipation is without having to put down women or men.


Author(s):  
Gerardo Rodríguez Salas

Abstract: The focus of this article will be Charlotte Perkins Gilman’s thoroughly anthologized story ‘The Yellow Wallpaper’ (1892). Beyond the patriarchal perception of the narrator as progressively falling into madness, this study aims to prove that, in line with some feminist readings of the story (e.g. Haney-Peritz, 1986), the unnamed female protagonist consciously elaborates a mad language and discourse as part of her strategy to fi ght patriarchy from within. A careful study of this language will break the reader’s initial illusion that the protagonist is mad and will show how she fi nally embraces the rational discourse of medicine to perpetrate her revenge. Resumen: El presente artículo explora uno de los relatos cortos más estudiados de la escritora estadounidense Charlotte Perkins Gilman: ‘The Yellow Wallpaper’ (1892). Más allá de la percepción patriarcal de la narradora como una fi gura que progresivamente cae en la locura más absoluta, este estudio pretende demostrar que, siguiendo algunas lecturas feministas del relato (e.g. Haney-Peritz, 1986), la protagonista sin nombre elabora un lenguaje y discurso psicopatológico como parte de su estrategia de ataque al patriarcado desde dentro del sistema. Un cuidadoso análisis de este lenguaje romperá la percepción inicial del lector sobre la protagonista y mostrará cómo este personaje se apodera del discurso racional de la medicina para perpetrar su venganza.


2011 ◽  
Vol 17 (4) ◽  
pp. 265-265
Author(s):  
Charlotte Perkins Gilman
Keyword(s):  

1997 ◽  
Vol 5 (10) ◽  
pp. 29-39 ◽  
Author(s):  
Ann Oakley
Keyword(s):  

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