The role of aesthetics in learning science in an art-science lesson

Author(s):  
Shelley Hannigan ◽  
Per-Olof Wickman ◽  
Joseph Paul Ferguson ◽  
Vaughan Prain ◽  
Russell Tytler
2002 ◽  
Vol 24 (4) ◽  
pp. 357-368 ◽  
Author(s):  
David F. Treagust ◽  
Gail Chittleborough ◽  
Thapelo L. Mamiala

1991 ◽  
Vol 75 (6) ◽  
pp. 649-672 ◽  
Author(s):  
Reinders Duit
Keyword(s):  

Interchange ◽  
2014 ◽  
Vol 45 (3-4) ◽  
pp. 133-151 ◽  
Author(s):  
Stephen Klassen ◽  
Cathrine Froese Klassen
Keyword(s):  

Author(s):  
Emily Winterburn

The role of technicians and background characters in the historical practice of science is slowly gaining recognition. This paper looks at the collective effort involved in learning science, using as my case study the eighteenth-century musician turned astronomer, William Herschel. Lacking a university education, Herschel, like many contemporaries, presented himself as self-taught, thereby hiding his engagement with a rich network of didactic resources. Placing Herschel's story within the history of pedagogy, I argue that this network, previously discussed only in the context of popular or marketplace science, was an important resource for science education at its highest level.


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