Remembering my memories: Black feminist memory work as a visual research method of inquiry

Author(s):  
Esther O. Ohito
2019 ◽  
Vol 18 ◽  
pp. 160940691985163 ◽  
Author(s):  
Beaudin Bennett ◽  
Marion Maar ◽  
Darrel Manitowabi ◽  
Taima Moeke-Pickering ◽  
Doreen Trudeau-Peltier ◽  
...  

Photovoice is a community-based participatory visual research method often described as accessible to vulnerable or marginalized groups and culturally appropriate for research with Indigenous peoples. Academic researchers report adapting the photovoice method to the sociocultural context of Indigenous participants and communities with whom they are working. However, detailed descriptions on cultural frameworks for transforming photovoice in order for it to better reflect Indigenous methodologies are lacking, and descriptions of outcomes that occur as a result of photovoice are rare. We address the paucity of published methodological details on the participant-directed Indigenization of photovoice. We conducted 13 visual research group sessions with participants from three First Nations communities in Northern Ontario, Canada. Our intent was to privilege the voice of participants in a mindful exploration aimed at cocreating a transformation of the photovoice method, in order to meet participants’ cultural values. Gaataa’aabing is the Indigenized, culturally safe visual research method created through this process. Gaataa’aabing represents an Indigenous approach to visual research methods and a renewed commitment to engage Indigenous participants in meaningful and productive ways, from the design of research questions and the Indigenization of research methods, to knowledge translation and relevant policy change. Although Gaataa’aabing was developed in collaboration with Anishinaabek people in Ontario, Canada, its principles will, we hope, resonate with many Indigenous groups due to the method’s focus on (1) integration of cultural values of the respective Indigenous community(ies) with whom researchers are collaborating and (2) placing focus on concrete community outcomes as a requirement of the research process.


2017 ◽  
Vol 21 (2) ◽  
pp. 202-220 ◽  
Author(s):  
Michele C. Everett

This article reports on an exploratory study that investigated the use of student drawings as a visual research method to understand the first-year experience. A total of 31 undeclared students enrolled in a first-year seminar participated in the study. Data generated from pre- and postdrawings of students’ first semester paths were analyzed to identify emergent themes and understand experience at the group and individual levels. Findings provide novel insights about the first-year experience from the student’s perspective. These new understandings have important implications that may help institutions shape and strengthen retention efforts at the student, classroom, and program levels.


2017 ◽  
Vol 1 (50) ◽  
Author(s):  
Nicolás Lorite García

Este artigo descreve as primeiras evidências de um método próprio de pesquisa audiovisual (aplicada) obtidas a partir de observação casual (mas não rasa) mediatizada por câmera no Grupo de Pesquisa sobre Indústrias Culturais e Informatização Social da Universidade de Quebec, Canadá, e no Instituto Tecnológico e de Estudos Superiores de Monterrey, México, em 1999.ABSTRACTIn this paper I describe the first evidences of an own (applied) audio-visual research method obtained after a camera mediatised casual (though not shallow) observation in the GRICIS-UQAM (Montreal) during 1996 and 1997 and in the TEC Monterrey (Mexico DF) in 1999.


2016 ◽  
Vol 188 (3) ◽  
pp. 359-374 ◽  
Author(s):  
Jennifer Fane ◽  
Colin MacDougall ◽  
Jessie Jovanovic ◽  
Gerry Redmond ◽  
Lisa Gibbs

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