Cultural embeddedness in vernacular architecture

2008 ◽  
Vol 36 (3) ◽  
pp. 301-304 ◽  
Author(s):  
Elizabeth Cromley
Author(s):  
Catrin Heite ◽  
Veronika Magyar-Haas

Analogously to the works in the field of new social studies of childhood, this contribution deals with the concept of childhood as a social construction, in which children are considered as social actors in their own living environment, engaged in interpretive reproduction of the social. In this perspective the concept of agency is strongly stressed, and the vulnerability of children is not sufficiently taken into account. But in combining vulnerability and agency lies the possibility to consider the perspective of the subjects in the context of their social, political and cultural embeddedness. In this paper we show that what children say, what is important to them in general and for their well-being, is shaped by the care experiences within the family and by their social contexts. The argumentation for the intertwining of vulnerability and agency is exemplified by the expressions of an interviewed girl about her birth and by reference to philosophical concepts about birth and natality.


2020 ◽  
Author(s):  
Ajibade Adeyemo ◽  
Yakubu Olanrewaju Hassan ◽  
Opeyemi Omolara Philips

2020 ◽  
Vol 14 (1) ◽  
pp. 1-21
Author(s):  
Mohamed Amine Zouaoui ◽  
Boualem Djebri ◽  
Antonio Capsoni

2021 ◽  
Vol 13 (9) ◽  
pp. 4974
Author(s):  
Obafemi A. P. Olukoya

While a growing number of researchers have provided series of tough critiques of the typology-led heritage value assessment over the recent years, the impacts have been constrained by the continued obsession with expanding the list of the predetermined value typologies rather than escaping its limitations. While these sustained debates have provided important insights, this article argues that operationalizing these predetermined ‘one-size-fits-all’ value typologies is symptomatic of a number of shortcomings, especially in the context of capturing the pluralities of values in contextualized heritage such as vernacular architecture. It also often undermines inclusivity and participation in the valuing processes. However, rather than simply rejecting the values-based paradigm, this article proposes a conceptual value assessment framework that is informed by the theorization of vernacular architecture as a contextualized heritage. The proposed Vernacular Value Model (VVM) puts forward the ‘when(s)’ and ‘how(s)’ of amalgamating both technical and normative processes to capture the range of contextual values present in built vernacular heritage. To this end, this article posits that by drawing on such a proposed flexible framework, the conservation strategy for built vernacular heritage can be propagated as an inclusive and participatory process which captures the wide range of values for a more sustainable practices for conservation.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Juan María Songel

PurposeThe aim of this paper is to explore the relationship between vernacular architecture and Frei Otto's work, searching for shared principles and specific singularities, and testing whether lightness and sustainability can be identified as a common goal.Design/methodology/approachThe study is focused on tents and yurts, as archetypal examples of traditional architecture, and membrane structures and gridshells, as two types of light structures developed by Frei Otto. A comparative analysis of their behavior, form, elements, types, materials and strength has been carried out.FindingsThe survey carried out shows that Frei Otto's innovative tents and gridshells were not based on form imitation of vernacular architecture, but rather on a thorough understanding of physical form-generating processes, driving specific materials to optimal form, like his experiments with soap film models to generate tensioned minimal surfaces or his experiments with hanging chain net models to generate compressive antifunicular lattice shells.Originality/valueThis paper highlights how Frei Otto's endeavor to get the maximum with the minimum, to achieve a lot from a little, is also a key target of lightness and sustainability, and an essential feature of vernacular architecture.


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