“The grand theatre of political changes”: Marie Antoinette, the republic, and the politics of spectacle in Mary Wollstonecraft'sAn historical and moral view of the French revolution

2000 ◽  
Vol 11 (4) ◽  
pp. 375-392
Author(s):  
Michelle Callander
Author(s):  
Ambrogio Caiani

The important role played by Louis XVI and Marie Antoinette in the radicalization of the early phase of the French Revolution has never been in doubt. Most histories continue to focus on the regal couple’s real, and supposed, role in fomenting counter-revolution at home and especially abroad. This chapter engages with the complex question of the dwindling fortunes of Louis XVI’s monarchy from a more domestic angle. It focuses on that neglected, though crucial, year of 1790 which witnessed the failure to erect a viable constitutional settlement. It became impossible to accommodate both Crown and assembly in a viable working relationship. Essentially, the king’s distrust for the deputies, who had little by little arrogated his remaining powers, proved insurmountable. The monarchy’s passive resistance to the revolution’s early reform programme and political culture became increasingly unpopular. This created a radicalized and tension-filled atmosphere which pushed the revolution into hitherto unexpected directions.


Erard ◽  
2021 ◽  
pp. 19-23
Author(s):  
Robert Adelson

Today the word ‘piano’ connotes a large instrument with a powerful sonority, capable of doing battle with an entire orchestra in a romantic concerto. There are various features of the modern piano responsible for this image, including a case with a long wing shape reinforced by a cast iron frame, and the high degree of string tension that this frame makes possible. None of these features were present on pianos in eighteenth-century France, where the most common model was the rectangular-shaped piano carré (square piano), whose sound was scarcely more powerful than that of a harp. Before the French Revolution, the Erard firm produced square pianos and hybrid piano-organs. During this period, the Erards strengthened their ties with the French court, which resulted in several exceptional instruments made for Marie-Antoinette.


1989 ◽  
Vol 31 (3) ◽  
pp. 491-513 ◽  
Author(s):  
William Cohen

Maurice Agulhon, in his classic French historical study, revealed how the changing political fortunes of Republicanism were reflected in the many metamorphoses that statues of the Republic had undergone in the century after the French Revolution. This study and a number of important works by North Americans, like those of James Leith and Lynn Hunt, are also important in making us understand French political iconography.


1998 ◽  
Vol 41 (1) ◽  
pp. 225-258 ◽  
Author(s):  
GARY SAVAGE

In contrast to the prevailing historiographical consensus, this essay will seek to demonstrate that there was a widespread and persistent concern with foreign policy in the early years of the French Revolution, the product of the interplay between inherited diplomatic assumptions on the one hand and revolutionary politics and values on the other. In particular, it will show how and why public opinion in France after 1789 abandoned its pre-revolutionary concern with Britain, Russia, and the global balance of commercial power in favour of Austria, the émigrés, and the security of the frontiers. In this light, considerable attention will be given to the development of Austrophobia in the period. Rooted in traditional French distrust of the Habsburg dynasty and reinforced by widespread opposition to the Austrian alliance of 1756, this would find its most virulent expression in the popular myth of a sinister counter-revolutionary ‘Austrian committee’ headed by Marie-Antoinette. The argument of the essay will turn upon the links between the emergence of that myth and the popularization of the ideas of Louis XV's unofficial diplomacy – the secret du roi – and its outspoken apologist Jean-Louis Favier. Adopted by various disciples after his death in 1784, Favier's ideas gained in popularity as the menace of counter-revolutionary invasion – aroused in particular by the emperor's reoccupation of the Austrian Netherlands in July 1790 – began to dominate the popular forums of revolutionary politics. They would ultimately help to generate a political climate in which the Brissotins could engineer an almost universally popular declaration of war against Austria less than two years after the revolutionaries had declared peace and friendship to the entire world. From this perspective, the growth of Austrophobia between 1789 and 1792 and its profound influence on the development of revolutionary foreign policy might usefully be described as the triumph of ‘Favier's heirs’.


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