Symbols of Power: Statues in Nineteenth-Century Provincial France

1989 ◽  
Vol 31 (3) ◽  
pp. 491-513 ◽  
Author(s):  
William Cohen
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Historical Study ◽  
North Americans ◽  
The Republic ◽  
Political Iconography ◽  
The Many ◽  
The French Revolution

Maurice Agulhon, in his classic French historical study, revealed how the changing political fortunes of Republicanism were reflected in the many metamorphoses that statues of the Republic had undergone in the century after the French Revolution. This study and a number of important works by North Americans, like those of James Leith and Lynn Hunt, are also important in making us understand French political iconography.

Ninety Years Ago

Antiquity ◽  
1949 ◽  
Vol 23 (91) ◽  
pp. 115-125 ◽  
Author(s):  
Joan Evans
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
French Revolution ◽  
Historical Societies ◽  
Learned Societies ◽  
The Many ◽  
The French Revolution ◽  
The Revolution

No one, so far as I know, has as yet made any particular study of the many local learned societies that were founded up and down France in the years after the French Revolution, and of their effect upon contemporary thought. These Sociétés d’Émulation differed from the local archaeological and historical societies of England in being more all-embracing ; they included in their scope pure literature, philosophy and science as well as the history and antiquities of the district, and often developed a philanthropic side as well. At the time of their foundation they were often of a free-thinking colour ; but as the balance of French life came to be restored after the Revolution this element was forgotten, and the more learned priests of the neighbourhood were often included among their members.These societies fostered a peculiar polymathic quality among those who regularly attended their frequent meetings. They were to a great extent self-supporting in the provision of papers and communications, and it would have been pure selfishness for any member with any claim to versatility to specialize too deeply. Their standards, too, were not those of the Metropolis, where a new professionalism was bringing higher and more exact criteria into every branch of knowledge and speculation. Rather, we can see in the Sociétés d’Émulation of the nineteenth century the continuance of the amateur spirit that in the eighteenth century had flourished in the aristocratic circles of Court and château : a spirit surviving in a less polished form among the lesser gentry of the provincial towns.

The Glut of Doctors in Mid-Nineteenth-Century France

1977 ◽  
Vol 19 (3) ◽  
pp. 287-304 ◽  
Author(s):  
George D. Sussman
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Professional Services ◽  
Success Story ◽  
The West ◽  
Professional Careers ◽  
Nineteenth Century France ◽  
History Of ◽  
Great Attraction ◽  
The French Revolution

The history of the professions in the West since the French Revolution is a success story, a triumph, but not always an easy one. From the beginning of the nineteenth century in continental Europe the professions had a great attraction as careers presumably open to talent, but the demand for professional services developed more slowly than interest in professional careers and more slowly than the schools that supplied the market. Lenore O'Boyle has drawn attention to this discrepancy and the revolutionary potential of the frustrated careerists produced by it.

The Opium Wars

Jazz in China ◽  
2018 ◽  
pp. 14-20
Author(s):  
Eugene Marlow
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Eastern Coast ◽  
Republic Of China ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Unrestricted Access ◽  
The Republic ◽  
The Many ◽  
Opium Wars

In the late 1910s, 1920s, and even into the 1930s, “jazz” was the music of the age in the Republic of China, especially and primarily in Shanghai on China's east coast. It was enjoyed equally by sophisticated Chinese gentry and upper-class people in the many dance halls dotting various parts of Shanghai, and by the many Europeans, Russians, and Americans living and working in the so-called “Paris of the East.” These same foreigners also owned pieces of Shanghai, literally. This chapter asks how several foreign nations came to own sections of Shanghai, and have unrestricted access to numerous key ports throughout China's eastern coast? The answer to these questions can be found in a conflict initially between the British (and ultimately the French, Russians, and Americans) and the Chinese in the mid-nineteenth century: the Opium Wars, two wars that had roots in late eighteenth-century China.

The Abominables

2019 ◽  
pp. 27-52
Author(s):  
Marco Pinfari
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Late Nineteenth Century ◽  
Irish Nationalism ◽  
Late Eighteenth ◽  
Rule Breaking ◽  
Late Nineteenth ◽  
Eighteenth And Nineteenth Centuries ◽  
The Many ◽  
Reign Of Terror

This chapter explores the use of monster metaphors in framing “terrorist” actors since the French Revolution. While acknowledging that these metaphors effectively present the “terrorist” as an abject “other,” it argues that the main purpose of the use of monster imagery in framing “terrorists” is to highlight their unmanageability, which may be instrumental in securing popular backing for specific types of rule-breaking behavior in counterterrorism. It presents these arguments while reviewing examples drawn from the origins of modern terrorism in the late eighteenth and nineteenth centuries. These include the gorgon Medusa, which appears for instance in relation to Robespierre’s “Reign of Terror,” and the many-headed hydra—one of the oldest metaphors for representing unruly behavior that proves unmanageable. It then introduces another type of unmanageable monster that would become particularly popular to frame terrorists—Frankenstein’s monster—and its use in the late nineteenth century to frame Irish nationalism.

James Mill's ‘The History of British India’ and Utilitarianism as a Rhetoric of Reform

1990 ◽  
Vol 24 (2) ◽  
pp. 209-224 ◽  
Author(s):  
J. Majeed
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Cultural Identities ◽  
Jeremy Bentham ◽  
British India ◽  
Early Nineteenth Century ◽  
Late Eighteenth ◽  
History Of ◽  
The French Revolution

This paper is about the emergence of new political idioms in the late eighteenth and early nineteenth centuries in Britain, and how this was closely involved with the complexities of British imperial experience in India. In particular, I shall concentrate on the radical rhetoric of Utilitarianism expressed by Jeremy Bentham, and especially by James Mill. This rhetoric was an attack on the revitalized conservatism of the early nineteenth century, which had emerged in response to the threat of the French revolution; but the arena for the struggle between this conservatism and Utilitarianism increasingly became defined in relation to a set of conflicting attitudes towards British involvement in India. These new political languages also involved the formulation of aesthetic attitudes, which were an important component of British views on India. I shall try to show how these attitudes, or what we might call the politics of the imagination, had a lot to do with the defining of cultural identities, with which both political languages were preoccupied.

“Children of Liberty”: Idealist Historiography in Staël, Shelley, and Sand

PMLA ◽  
2003 ◽  
Vol 118 (3) ◽  
pp. 502-520 ◽  
Author(s):  
Kari Lokke
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Mary Shelley ◽  
George Sand ◽  
The Past ◽  
The Future ◽  
Spirit World ◽  
Historical Agency ◽  
The French Revolution

This essay explores the contributions of a tradition of nineteenth-century Künstlerromane by Germaine de Staël, Mary Shelley, and George Sand to European idealist historiography as exemplified in Kant's writings on perfectibility. Corinne, Valperga, and Consuelo represent the historical agency of the intellectual and artist as communication with a spirit world inhabited by ghosts of the past so that their secrets and wisdom can be transmitted to the future. In canonical Romanticism, contact with these phantasms provokes crippling guilt over the failure of past projects of perfectibility like the French Revolution (doomed by violence and bloodshed), guilt that is figured in the interdependent tropes of the titanic hero and Romantic melancholy. The novels discussed here perform an explicit critique of masculinist individualism in the name of women and humanity as a whole, replacing melancholy with enthusiasm and deploying spirits aesthetically, as sublime signs of future historical potentiality.

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