Numinous Experiences With Museum Objects

2013 ◽  
Vol 16 (1) ◽  
pp. 3-20 ◽  
Author(s):  
Kiersten F. Latham
2017 ◽  
Author(s):  
Madlyn Runburg ◽  
◽  
Carrie Levitt-Bussian

Polymers ◽  
2021 ◽  
Vol 13 (7) ◽  
pp. 1052
Author(s):  
Ida Kraševec ◽  
Nataša Nemeček ◽  
Maja Lozar Štamcar ◽  
Irena Kralj Cigić ◽  
Helena Prosen

Wood is a natural polymeric material that is an important constituent of many heritage collections. Because of its susceptibility to biodegradation, it is often chemically treated with substances that can be harmful to human health. One of the most widely used wood preservatives was pentachlorophenol (PCP), which is still present in museum objects today, although its use has been restricted for about forty years. The development of non-destructive methods for its determination, suitable for the analysis of valuable objects, is therefore of great importance. In this work, two non-destructive solid-phase microextraction (SPME) methods were developed and optimized, using either headspace or contact mode. They were compared with a destructive solvent extraction method and found to be suitable for quantification in the range of 7.5 to 75 mg PCP/kg wood at room temperature. The developed semi-quantitative methods were applied in the wooden furniture depot of National Museum of Slovenia. PCP was detected inside two furniture objects using headspace mode. The pesticide lindane was also detected in one object. The indoor air of the depot with furniture was also sampled with HS SPME, and traces of PCP were found. According to the results, SPME methods are suitable for the detection of PCP residues in museum objects and in the environment.


1967 ◽  
Vol 12 (sup1) ◽  
pp. 139-149 ◽  
Author(s):  
N.S. Brommelle
Keyword(s):  

2013 ◽  
Vol 21 (1) ◽  
pp. 27-47
Author(s):  
Dominique Poulot

The history of museums could get inspired on the procedures of material studies and of Anthropology in order to take a new stand and move away from the institutional approach and consider the approach of objects traditionally labelled as museum objects. The so-called "museum pieces" are supposed to have a number of characteristics, particularly some great historical and artistic qualities, sometimes an heritage quality, but above all the ability to make "friends" around the community or around the world. In all these respects, it is proposed here a number of research procedures that may supplement or enrich the directions usually assigned to the history of institutions.


2016 ◽  
Vol 2 (1) ◽  
pp. 62 ◽  
Author(s):  
Lise Camilla Ruud

<div><p>The article discusses how a malformed set of twins turned into a museum object at the late eighteenth-century el Real Gabinete de Historia Natural in Madrid. Foregrounding the practices through which the twins transformed, it is made clear how museum objects result from de-centered processes. Two different enactments are discussed. The first encompasses the process by which the malformed set of twins transformed into a specimen of interest to the learned. The second enactment addresses how the twins were transported to Madrid through practices of charity. These two versions differed radically, yet they were intimately intertwined, and dependent upon one another.</p><div> </div></div>


1991 ◽  
Vol 36 (2) ◽  
pp. 111 ◽  
Author(s):  
Mihran S. Agbabian ◽  
William S. Ginell ◽  
Sami F. Masri ◽  
Robert L. Nigbor

2021 ◽  
Author(s):  
A.A. Bartsev ◽  
A.A. Bartseva

The method for estimating the illuminance distribution in the vertical plane of museum objects (paintings) using a digital imaging luminance meters (ILMD) is considered. In order to pass from the luminance distribution to the illuminance distribution, a screen with reflective properties close to diffuse (Lambert) reflection is used. The theoretical and experimental uncertainty estimation of the measurement method done.


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