The ingathering of (non-human) exiles: The creation of the Tel Aviv Zoological Garden animal collection, 1938–1948

2016 ◽  
Vol 35 (1) ◽  
pp. 57-74 ◽  
Author(s):  
Elia Etkin
2021 ◽  
Vol 36 (1) ◽  
pp. 128-143
Author(s):  
Leah Gilula

The Cameri Theatre of Tel Aviv has always presented itself as the first repertory theater in the Yishuv that represented the sabras, creating the impression that its actors and artists were themselves mainly sabras and Hebrew their native language. However, this image, based chiefly on the successful performance of the play He Walked through the Fields, does not reflect reality. The article questions the myth by exploring the actual number of sabra theater artists and actors in the troupe, their place and measure of influence. Exposing this image sheds light on The Cameri Theatre at its beginning as well as on the creation of the image of the sabra, as presented by the character of Uri, and embraced by Hebrew culture.


2009 ◽  
Vol 38 (3) ◽  
pp. 54-63
Author(s):  
Hisham Naffa‘‘

Operation Cast Lead in Gaza did not come as a surprise to the Palestinians living within Israel's 1948 borders, but the severity of the onslaught sparked widespread popular protests, the most sustained and among the largest ever witnessed in the Arab community in Israel since the creation of the state. Protesters gathered daily, both spontaneously and under direction from the Higher Follow-Up Committee for the Arab Citizens of Israel, in rallies that took place from Sakhnin to Tel Aviv. These demonstrations——and the organizers behind them——were treated as hostile by both the Israeli media and the state security apparatus.


2001 ◽  
Vol 17 (1) ◽  
pp. 67-73
Author(s):  
Corina Shoef

Accurately tracing the process leading to the creation of a theatre within most western societies is an endeavour usually fraught with hazards, since so much needful information has been lost or remains conjectural. But the Jewish theatre arrived far later than most, due to a combination of the prohibitions against theatricality in Jewish laws and the problems of preserving a performative tradition during the long period of the Diaspora. The eventual emergence of a Jewish theatre little over a century ago thus offers a unique opportunity not only to investigate the subsequent development of that specific theatre, but also potentially to illuminate questions concerning the social, economic, and demographic variants which determine the cultural distinctiveness of other national theatres. The author, Corina Shoef, is a researcher based in Tel-Aviv who has already published several articles on related themes, and is currently working on a project to create a research database of the Jewish and Hebrew theatre.


2015 ◽  
Vol 1 (1-2) ◽  
pp. 19-37 ◽  
Author(s):  
Eliezer Ben-Rafael ◽  
Miriam Ben-Rafael

This paper focuses on linguistic landscapes in present-day urban settings. These spaces consist of numberless establishments riddled with versatile texts or ‘LL items’. They are foci of both the development of globalization that conquers the world through commercial globe-encompassing networks, and of massive migrations from underprivileged countries to privileged ones. In each such city, one distinguishes major ‘downtowns’ and secondary ones in neighbourhoods, whose variety reflects a complex composition. LL investigations help understand how far and in what ways dissonant cleavages divide the public space. Chaos is the rule in this urban landscape, but where it illustrates some permanence and recurrence, it becomes familiar and the feeling of disorder may leave room for a notion of gestalt. Turning from here to the empirical investigation of LLs in Brussels, Berlin, and Tel-Aviv, we ask, as far as LLs can say: (1) if globalization causes the weakening of allegiances to all-societal symbols in favour of supra-national ones; (2) if migratory movements toward megapolises express themselves in the creation of segregated LLs or, on the contrary, indicate some ‘melting’ tendencies of the new populations into society’s mainstream; and (3) to what extent these questions elicit the same answers in different places or contribute to different configurations.


2020 ◽  
Vol 43 ◽  
Author(s):  
Stefen Beeler-Duden ◽  
Meltem Yucel ◽  
Amrisha Vaish

Abstract Tomasello offers a compelling account of the emergence of humans’ sense of obligation. We suggest that more needs to be said about the role of affect in the creation of obligations. We also argue that positive emotions such as gratitude evolved to encourage individuals to fulfill cooperative obligations without the negative quality that Tomasello proposes is inherent in obligations.


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