scholarly journals British Public Service Broadcasting, the EU and Brexit

2021 ◽  
pp. 1-21
Author(s):  
Mike Berry ◽  
Karin Wahl-Jorgensen ◽  
Inaki Garcia-Blanco ◽  
Lucy Bennett ◽  
Joe Cable
Keyword(s):  
Public Service ◽  
Public Service Broadcasting ◽  
The Eu

scholarly journals The EU, the member states and the future of public broadcasting

2005 ◽  
pp. 231-237 ◽  
Author(s):  
Christina Holtz- Bacha
Keyword(s):  
Public Service ◽  
Active Role ◽  
Public Broadcasting ◽  
Member States ◽  
Public Service Broadcasting ◽  
Special Circumstances ◽  
Considerable Pressure ◽  
Eu Commission ◽  
State Aids ◽  
The Eu

Public service broadcasting (PSB) has come under considerable pressure by the EU Commission. This is due to the fact that the Commission treats broadcasting as a service as any other and therefore applies the competition regulation of the EC Treaty to broadcasting stations, independent of their commercial interests or public service mission. Against this background, the financing of public broadcasting is regarded as being state aids that are only allowed under special circumstances. In recent years, several commercial broadcasters from different member states filed complaints and claimed distortion of competition through state aids for public service broadcasting. At first, the Commission remained reluctant but has meanwhile adopting an active role, finally pushing aside the member states although, according to the Amsterdam Protocol, they have the competence to define the remit of PSB and to decide about its funding. This battle is about to change the broadcasting systems of the European countries where PSB has been a defining feature for more than 50.

EU Media Policies in the Context of Media Pluralism and Turkey's Consistency

2020 ◽  
pp. 500-509
Author(s):  
Vedat Çakır ◽  
Sibel Ozkan
Keyword(s):  
Cultural Diversity ◽  
Public Service ◽  
The Other ◽  
Basic Principles ◽  
Public Service Broadcasting ◽  
Media Pluralism ◽  
The Media ◽  
The Eu

Media pluralism is one of the basic principles of EU media policies, which enables the protection of cultural diversity and the representation of different voices in the media. One aim of media pluralism is to provide a cultural flow between all member and candidate countries that make up the Union, giving right of representation to each component, while the other is to ensure that the different voices in the countries are heard. However, this economy-centered audio-visual policy, which is based on the free circulation of television broadcasts within the Union, has been criticized for increasing the commercialization, not supporting public service broadcasting enough, and for being inadequate against the concentration in the sector. This chapter examines steps taken when reviewing the legislation on media pluralism in the EU and the reflection of Turkey's media policies and media pluralism in the application of these policies.

‘Terrible things happen’: Peter Bowker's Occupation and the Representation of the Iraq War in British Television Drama

2013 ◽  
Vol 10 (1) ◽  
pp. 206-223 ◽  
Author(s):  
Stephen Harper
Keyword(s):  
Public Service ◽  
Iraq War ◽  
Television Drama ◽  
Narrative Space ◽  
Public Service Broadcasting ◽  
Military Involvement ◽  
British Military ◽  
Discursive Strategy ◽  
Historically Situated ◽  
Invasion Of Iraq

Peter Bowker and Laurie Borg's three-part television drama Occupation (2009) chronicles the experiences of three British soldiers involved in the 2003 invasion of Iraq. By means of an historically situated textual analysis, this article assesses how far the drama succeeds in presenting a progressive critique of the British military involvement in Iraq. It is argued that although Occupation devotes some narrative space to subaltern perspectives on Britain's military involvement in Iraq, the production – in contrast to some other British television dramas about the Iraq war – tends to privilege pro-war perspectives, elide Iraqi experiences of suffering, and, through the discursive strategy of ‘de-agentification’, obfuscate the extent of Western responsibility for the damage the war inflicted on Iraq and its population. Appearing six years after the beginning of a war whose prosecution provoked widespread public dissent, Occupation's political silences perhaps illustrate the BBC's difficulty in creating contestatory drama in what some have argued to be the conservative moment of post-Hutton public service broadcasting.

scholarly journals The platformisation of public service broadcasting in Germany: The network ‘funk’ and the case of Druck/Skam Germany

2021 ◽  
Vol 16 (2) ◽  
pp. 126-144
Author(s):  
Sven Stollfuß
Keyword(s):  
Social Media ◽  
Public Service ◽  
Third Party ◽  
Mobile Media ◽  
Media Environment ◽  
The Public ◽  
Public Service Broadcasting ◽  
Web Series ◽  
Production And Distribution ◽  
German Adaptation

This article investigates how platformisation changes the practices of content production and distribution through the case of the web series, Druck (tr. Pressure (2018–), for the public service content network ‘funk’ (ARD and ZDF). An analysis of the German adaptation of the Norwegian television and web series Skam (tr. Shame) (NRK3, 2015–2017) shows how public service broadcasting (PSB) in Germany is changing due to the influence of social media. To reach a younger audience, PSB has to meet them on third-party platforms. Consequently, PSB must provide content that fits the mobile media environment of social media.

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