National consciousness and literary cosmopolitics: postcolonial literature in a global moment

2014 ◽  
Vol 50 (4) ◽  
pp. 495-496
Author(s):  
Dougal McNeill
2020 ◽  
Vol 102 ◽  
pp. 613-620
Author(s):  
Igor N. Tyapin

The author of the article uses the works of L.A. Tikhomirov as the basis when examining the problem of criticism of the conditions of the state and society in monarchic Russia during the last decade of its existence from the part of the conservative figures who not only advocated the necessity to preserve the autocracy but also substantially contributed to the working out of the main principles of Russian social development. In particular, the “creative conservators” managed to accomplish the deep philosophic conceptualization of Russian history while trying to find the previously lost ideal of social organization. Tikhomirov’s relevant concepts of the mutual conditionality of Russian national consciousness underdevelopment and state degradation, as well as of the necessity to realize the model of the moral state of justice on the basis of the national idea, were not accepted by the bureaucratic system that resulted before long in the collapse of Russian monarchic state.


Author(s):  
Anthony Kaldellis

This chapter describes how the timeline of Byzantine historical writing can be divided into three 140-year periods: first, from AD 500–640, the end of late antiquity, when historiography flourished in many genres; second, from 640–780, when Byzantium struggled to resist Arab conquest and few surviving texts were produced; and finally, from 780–920, an age of recovery for the state and literature, when older traditions were resynthesized and the foundations for new developments were laid. Primarily, the society of the Eastern Empire was mostly Greek speaking, Christian, and specifically Roman in its political or national consciousness. The ‘usable past’ available to historians was therefore complex, consisting of incommensurate components that defined different sites of the culture.


2014 ◽  
Vol 50 (5) ◽  
pp. 622-623
Author(s):  
David Callahan

2020 ◽  
Vol 16 (2) ◽  
pp. 203-215
Author(s):  
Somaye Sharify ◽  
Nasser Maleki

AbstractThe present study intends to examine the link between clothes and cultural identities in Jhumpa Lahiri’s “Hema and Kaushik” (2008). It will argue that Lahiri explores her protagonists’ cultural displacement through their items of clothing. We want to suggest that the protagonists’ clothes are employed in each narrative as signifiers for the characters’ cultural identities. The study will further show that each item of clothing could be loaded with the ideological signification of two separate cultures. In other words, it aims to demonstrate how ideology imposes its values, beliefs, and consequently its dominance through the dress codes each defines for its subjects. Moreover, it intends to suggest that the link between clothing and identity is most visible and intense in the case of female immigrant characters rather than men. Drawing on Luptan’s structure of the Cinderella line, we will explore Lahiri’s protagonists’ cultural transformation from simple ethnic girls to stylish American ladies through their items of clothing. The study will conclude that the “Cinderella line” does not work in Lahiri’s realistic stories the way it does in fairy tales and romance fiction.


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