Interference by linguistic processes in the occurrence of lyrics in involuntary musical imagery

Author(s):  
Ikuo Suzuki
Keyword(s):  
Author(s):  
Freya Bailes

Freya Bailes deals with the topic of musical imagery, and she uses embodied cognition as a framework to argue that musical imagery is a multimodal experience. Existing empirical studies of musical imagery are reviewed and Bailes points to future directions for the study of musical imagery as an embodied-cognition phenomenon. Arguing that musical imagery can never be fully disembodied, Bailes moves beyond the idea of auditory imagery as merely a simulation of auditory experience by “the mind’s ear.” Instead, she outlines how imagining sounds involves kinesthetic imagery and she concludes that sound and music are always connected to sensory motor processing.


2012 ◽  
Vol 16 (2) ◽  
pp. 217-234 ◽  
Author(s):  
Lassi A. Liikkanen

2019 ◽  
Author(s):  
Katherine Cotter ◽  
Paul Silvia

Mental control of musical imagery is a complex but understudied process that consists of two components: initiation—whether the musical imagery experience began voluntarily or involuntarily—and management—whether instances of control occur after the experience has begun (e.g., changing the song). The present research examined these two components using 11 lab tasks measuring both initiation and management abilities in a sample of 203 undergraduate students. The tasks varied in stimuli composition: 7 tasks used tones and tonal sequences frequently used as stimuli in auditory imagery research, and 4 tasks used stimuli resembling the contents of everyday musical imagery (i.e., song excerpts). Initiation and management abilities were closely related, and people with greater musical expertise showed a smaller difference between initiation and management ability. Similarly, performance on tasks using tones or tonal sequences and tasks using song stimuli were closely related, and people didn’t differ in performance as a function of stimulus type. The present research demonstrates that people’s ability to initiate and to manage musical imagery are strongly linked and that people are equally good at controlling relatively simple musical imagery and imagery of well-known songs.


2019 ◽  
Vol 3 (2) ◽  
Author(s):  
Antoaneta Ancheva ◽  
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There are topics in art that always sound contemporary, so we often come back to them. One of them is Belles lettres and Painting. There are two perhaps even three different theses for this problem. The first is that fiction and fine arts are too far apart from each other as a type of art. The second thesis is that the arts have not only their major and significant differences, but also their undeniable similarities. Such is the perception of the French and German romantics. According to them, in the different historical eras, aesthetic trends and directions (genres) form close artistic styles, criteria and tastes as well as similar literary, plastic and musical imagery. And the third thesis is neutral. It seeks to harmonize the first two – different in expressive means, but similar in ideological and emotional impact respectively to the reader, viewer or listener.


Author(s):  
Daniel Müllensiefen ◽  
Joshua Fry ◽  
Rhiannon Jones ◽  
Sagar Jilka ◽  
Lauren Stewart ◽  
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Keyword(s):  

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