tommaso campanella
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2021 ◽  
pp. 197-218
Author(s):  
Christine Jackson

Highly educated seventeenth-century noblemen and gentlemen frequently studied theology, history, and philosophy privately for pleasure; wrote verse; and acquired libraries, but rarely wrote books and treatises. Chapter 9 builds upon the literary, philosophical, and theological interests identified in earlier chapters and provides the intellectual context for Herbert’s emergence as a respected gentleman scholar and published academic writer. It introduces the scholarly circles with which he was associated in London and Paris, his membership of the European Republic of Letters, and his links with scholarly irenicism. It establishes his scholarly connections with John Selden, William Camden, Sir Robert Cotton, Hugo Grotius, Marin Mersenne, René Descartes, Pierre Gassendi, Thomas Hobbes, Tommaso Campanella, Fortunio Liceti, Gerard Vossius, John Comenius, and others. It examines Herbert’s scholarly practices and rebuffs claims that he was a dilettante. It browses the collection of books he accumulated in his substantial libraries in London and Montgomery, which ranged across the academic spectrum from theology, history, politics, literature, and philology through the various philosophical and mathematical disciplines to the natural and physical sciences, jurisprudence, and medicine, but also included works on architecture, warfare, manners, music, and sorcery and anthologies of poetry and books of romance literature. It suggests that Herbert’s scholarship was motivated as much by intellectual curiosity and the need to reduce religious conflict as by a desire to secure personal recognition and approval.


2021 ◽  
pp. 151-176
Author(s):  
Hiro Hirai

Along with the revival of Platonism, Renaissance Europe saw a surprising proliferation of writings on the world soul, shaping one of the most impressive eras in the history of this perennial theme. The current chapter focuses on key figures such as Marsilio Ficino, Agostino Steuco, Giordano Bruno, Tommaso Campanella, and Justus Lipsius. Presenting their major arguments, it shows the features of their interpretations and eventual interconnections. Starting from fifteenth-century Florence, it examines some important attempts to reconcile the doctrine of the world soul with Christianity. More than 100 years later, these attempts culminated in the work that revived Stoicism with a strong Platonic flavor. A clue to understanding all this evolution is the belief in “ancient theology” (prisca theologia) promoted by Ficino and developed in the stream of Renaissance Platonism.


Author(s):  
Fernando Morato
Keyword(s):  

O trabalho procura identificar os problemas que envolvem a tradução poética no caso específico da poesia do filósofo italiano Tommaso Campanella, cuja teoria literária não se desvincula de uma concepção muito clara de mundo e de conhecimento. As questões levantadas pela filosofia campanelliana repercutem nas opções estilísticas adotadas pelo autor (língua, construção poética, uso de figuras), o que exige, de qualquer esforço de tradução, uma ponderação grande quanto a quanto é necessário ser infiel à letra do texto para preservar toda a gama de construções intelectuais expressas na forma.


2020 ◽  
Vol 22 (44) ◽  
pp. 135-145
Author(s):  
Ángel Emilio Muñoz Cardona ◽  
Helmer Quintero Núñez

El fin último de las utopías es el ideario reflexivo de un mundo mejor; más solidario y menos egoísta. Es la búsqueda incesante de un orden social abierto a la simpatía moral, un lugar donde no prevalece la explotación del hombre por el hombre. El objetivo del presente ensayo de investigación es mostrar cuál es la relación y cuáles son los aportes sociales que subyacen en los planteamientos éticos de Thomas More, Tommaso Campanella, Paul Lafargue, Aldous Huxley y Yuval Noah Harari, en el debate contemporáneo de las administraciones de ciudad. Siguiendo un análisis cronológico, lógico-deductivo, el ensayo concluye que no hay una utopía que sea utópica. Existen nuevos esfuerzos sociales, tal vez utópicos pero no imposibles, que buscan construir una ética pública en el diseño de ciudades del aprendizaje, del conocimiento y de la innovación.


2019 ◽  
Vol 2 ◽  
pp. 1-6
Author(s):  
Cosimo Palagiano

<p><strong>Abstract.</strong> The importance of cities becomes ever greater not only for the modification of the landscape, but also for the distribution of social classes. Poets, philosophers and artists have imagined ideal cities that could satisfy the need for a good quality of life for citizens.</p><p> Since the most ancient civilizations poets and philosophers have imagined ideal cities, with road plots corresponding to the various social classes. In the final text I will describe some examples of ideal cities presented by Homer, especially in the description of the shield of Achilles, from Plato in the description of his Atlantis, etc.</p><p> Atlantis (Ἀτλαντὶς νῆσος, "island of Atlas") is a fictional island mentioned in Plato's works <i>Timaeus</i> and <i>Critias</i>, where Plato represents the ideal state imagined in <i>The Republic</i>.</p><p> The city depicted in the Homeric shield of Achilles, as an ideal form, centred and circular, competes with the other city scheme based on an orthogonal plan and linear structures. The form of the Homeric city has exerted a paradigmatic function for other cities in Greece and Rome.</p><p> Among the best known images of ideal cities I will consider the <i>Città del Sole</i> (<i>City of the Sun</i>) by Tommaso Campanella and Utopia by Thomas More.</p><p> There are many books of collection of paintings of cities (G Braun and F Hogenberg, 1966).The most complete and interesting is that of Caspar van Wittel or Gaspar van Wittel (1652 or 1653, Amersfoort &amp;ndash; September 13, 1736, Rome). He was a Dutch painter who played a remarkable role in the development of the <i>veduta</i>. He is credited with turning city topography into a painterly specialism in Italian art (G Briganti, 1996).</p><p> A rich collection of maps of Rome in the books by Amato Pietro Frutaz.</p><p> The city "liquid dimension" represents the complexities and contradictions of civic communities increasingly characterized by fragmentation and social unease.</p>


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