The Chemical Philosophy of Robert Boyle: Mechanism, Chymical Atoms, and Emergence, by Marina Paola Banchetti-Robino

Author(s):  
William Eaton
Author(s):  
Marina Paola Banchetti-Robino

This book examines the way in which Robert Boyle seeks to accommodate his complex chemical philosophy within the framework of a mechanistic theory of matter. More specifically, the book proposes that Boyle regards chemical qualities as properties that emerge from the mechanistic structure of chymical atoms. Within Boyle’s chemical ontology, chymical atoms are structured concretions of particles that Boyle regards as chemically elementary entities, that is, as chemical wholes that resist experimental analysis. Although this interpretation of Boyle’s chemical philosophy has already been suggested by other Boyle scholars, the present book provides a sustained philosophical argument to demonstrate that, for Boyle, chemical properties are dispositional, relational, emergent, and supervenient properties. This argument is strengthened by a detailed mereological analysis of Boylean chymical atoms that establishes the kind of theory of wholes and parts that is most consistent with his emergentist conception of chemical properties. The emergentist position that is being attributed to Boyle supports his view that chemical reactions resist direct explanation in terms of the mechanistic properties of fundamental particles, as well as his position regarding the scientific autonomy of chemistry from mechanics and physics.


Author(s):  
Victor Nuovo

Boyle gave the vocation of a Christian virtuoso its name and exemplified its character in his life. Following Bacon, he affirmed the priority of natural philosophy, and, like Bacon, he prescribed that it be practiced through experimental methods and that it found its explanations either directly upon perceived causes or upon causal hypotheses inferred from experimental practice or trials of nature, chief among them the mechanical or ‘atomicall’ philosophy. In his book The Christian Virtuoso, he prescribed that the study of nature was complemented and completed by the study of Holy Scripture, and he imagined a form of intellectual life in which the scope of natural reason was enlarged by revelation, which in turn was confirmed through trials or experiments of faith.


Author(s):  
Victor Nuovo

Although the vocation of Christian virtuoso was invented and named by Robert Boyle, Francis Bacon provided the archtype. A Christian virtuoso is an experimental natural philosopher who professes Christianity, who endeavors to unite empiricism and supernatural belief in an intellectual life. In his program for the renewal of the learning Bacon prescribed that the empirical study of nature be the basis of all the sciences, including not only the study of physical things, but of human society, and literature. He insisted that natural causes only be used to explain natural events and proposed not to mix theology with natural philosophy. This became a rule of the Royal Society of London, of which Boyle was a principal founder. Bacon’s rule also had a theological use, to preserve the purity and the divine authority of revelation. In the mind of the Christian virtuoso, nature and divine revelation were separate but complementary sources of truth.


Author(s):  
Emily Thomas

This chapter considers early British reactions to absolutism between the start of Barrow’s pertinent lectures in 1664, and the publication of Newton’s Principia in 1687. Although the amount of discussion absolutism received in Britain during this period was much less than it would receive later, it was already capturing the attention of some important thinkers. The reactions to absolutism were mixed. Different kinds of absolutism about space or time was adopted by thinkers such as Samuel Parker, Robert Boyle, and John Turner. In contrast, absolutism was rejected by philosophers such as Margaret Cavendish, Ralph Cudworth, Nathaniel Fairfax, and Anne Conway.


Author(s):  
Erin Webster

The Curious Eye explores early modern debates over two related questions: what are the limits of human vision, and to what extent can these limits be overcome by technological enhancement? Today, in our everyday lives we rely on optical technology to provide us with information about visually remote spaces even as we question the efficacy and ethics of such pursuits. But the debates surrounding the subject of technologically mediated vision have their roots in a much older literary tradition in which the ability to see beyond the limits of natural human vision is associated with philosophical and spiritual insight as well as social and political control. The Curious Eye provides insight into the subject of optically mediated vision by returning to the literature of the seventeenth century, the historical moment in which human visual capacity in the West was first extended through the application of optical technologies to the eye. Bringing imaginative literary works by Francis Bacon, John Milton, Margaret Cavendish, and Aphra Behn together with optical and philosophical treatises by Johannes Kepler, René Descartes, Robert Hooke, Robert Boyle, and Isaac Newton, The Curious Eye explores the social and intellectual impact of the new optical technologies of the seventeenth century on its literature. At the same time, it demonstrates that social, political, and literary concerns are not peripheral to the optical science of the period but rather an integral part of it, the legacy of which we continue to experience.


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