Leopold H. Haimson, editor. The Mensheviks: From the Revolution of 1917 to the Second World War. Translated by Gertrude Vakar. (Hoover Institution Publications, number 117.) Chicago: University of Chicago Press. 1975. Pp. xxiii, 476. $22.50

1976 ◽  
Keyword(s):  
Second World War ◽  
University Of Chicago ◽  
World War ◽  
Hoover Institution ◽  
Second World ◽  
University Of Chicago Press ◽  
The Revolution

Vichy Specificities: Repositioning the French Past

2000 ◽  
Vol 9 (3) ◽  
pp. 475-488 ◽  
Author(s):  
K. H. Adler
Keyword(s):  
New York ◽  
World War Ii ◽  
Second World War ◽  
University Of Chicago ◽  
World War ◽  
Popular Protest ◽  
Northern France ◽  
Jean Paul ◽  
Second World ◽  
University Of Chicago Press

Michèle and Jean-Paul Cointet, eds., Dictionnaire historique de la France sous l'Occupation (Paris: Tallandier, 2000), 732pp., FF 290, ISBN 2-235-02234-0. Hanna Diamond, Women and the Second World War in France 1939–1948: Choices and Constraints (Harlow: Longman, 1999), 231pp., £45.00 (hb), £14.99 (pb), ISBN 0-582-29909-8. Sarah Fishman, Laura Lee Downs, Ioannis Sinanoglou, Leonard V. Smith, Robert Zaretsky, eds., France at War: Vichy and the Historians (Oxford and New York: Berg, 2000), 336pp., £45.00, ISBN 1-859-73299-2. Bertram M. Gordon, ed., Historical Dictionary of World War II France: The Occupation, Vichy, and the Resistance, 1938–1946 (Westport: Greenwood Press, 1998), 433pp., £73.95, ISBN 0-313-29421-6. Miranda Pollard, Reign of Virtue: Mobilizing Gender in Vichy France (Chicago and London: University of Chicago Press, 1998), 285pp., £31.50 (hb), £14.00 (pb), ISBN 0-226-67349-9 and 0-226-67350-2. Lynne Taylor, Between Resistance and Collaboration: Popular Protest in Northern France, 1940–45 (Basingstoke: Macmillan; New York: St. Martin's Press, 2000), 195pp., £40.00, ISBN 0-333-73640-0.

ABCs of the Revolution

2020 ◽  
Vol 17 (3) ◽  
pp. 278-291
Author(s):  
Egor A. Yesyunin
Keyword(s):  
Civil War ◽  
Second World War ◽  
World War ◽  
Special Significance ◽  
Development History ◽  
The People ◽  
Red Army ◽  
History Of ◽  
Second World ◽  
The Revolution

The article is devoted to the satirical agitation ABCs that appeared during the Civil War, which have never previously been identified by researchers as a separate type of agitation art. The ABCs, which used to have the narrow purpose of teaching children to read and write before, became a form of agitation art in the hands of artists and writers. This was facilitated by the fact that ABCs, in contrast to primers, are less loaded with educational material and, accordingly, they have more space for illustrations. The article presents the development history of the agitation ABCs, focusing in detail on four of them: V.V. Mayakovsky’s “Soviet ABC”, D.S. Moor’s “Red Army Soldier’s ABC”, A.I. Strakhov’s “ABC of the Revolution”, and M.M. Cheremnykh’s “Anti-Religious ABC”. There is also briefly considered “Our ABC”: the “TASS Posters” created by various artists during the Second World War. The article highlights the special significance of V.V. Mayakovsky’s first agitation ABC, which later became a reference point for many artists. The authors of the first satirical ABCs of the Civil War period consciously used the traditional form of popular prints, as well as ditties and sayings, in order to create images close to the people. The article focuses on the iconographic connections between the ABCs and posters in the works of D.S. Moor and M.M. Cheremnykh, who transferred their solutions from the posters to the ABCs.

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