scholarly journals Digital restoration of the Last Supper by Leonardo Da Vinci and multimedia tools to experience edutainment

2018 ◽  
Vol 364 ◽  
pp. 012034
Author(s):  
Dott. Mario Taddei
Keyword(s):  
Da Vinci ◽  
Leonardo Da Vinci ◽  
Multimedia Tools ◽  
Last Supper ◽  
Digital Restoration

Leonardo da Vinci: 'The last supper

1904 ◽  
Vol s10-I (2) ◽  
pp. 25-25
Author(s):  
Richard Edgcumbe
Keyword(s):  
Da Vinci ◽  
Leonardo Da Vinci ◽  
Last Supper

Leonardo da vinci: 'The last Supper.'

1895 ◽  
Vol s8-VIII (190) ◽  
pp. 136-136
Author(s):  
Richard Edgcumee
Keyword(s):  
Da Vinci ◽  
Leonardo Da Vinci ◽  
Last Supper

Leonardo da vinci: 'The last Supper.'

1895 ◽  
Vol s8-VII (182) ◽  
pp. 488-488
Author(s):  
W. E. Layton
Keyword(s):  
Da Vinci ◽  
Leonardo Da Vinci ◽  
Last Supper

scholarly journals The Comparison of the Baroque and Renaissance Aesthetics Paintings of “The Last Supper” by Caravaggio and Leonardo da Vinci

Panggung ◽  
2017 ◽  
Vol 27 (4) ◽  
Author(s):  
I Wayan Kun Adnyana
Keyword(s):  
Comparative Study ◽  
Da Vinci ◽  
Leonardo Da Vinci ◽  
Psychic Distance ◽  
Last Supper ◽  
Line Form ◽  
Art Works ◽  
The Aesthetic ◽  
Renaissance Man ◽  
Aesthetic Characteristics

Abstract The paintings of Caravaggio’s and Leonardo da Vinci’s “The Last Supper” are two iconic art works from two maestros in different era. Caravaggio is one of the fame Baroque’s artists and da Vinci is the most famous Renaissance man, who created the same theme of painting: The Last Supper. The theme represents the story of Christ’s supper. Through an inductive view, this comparative study analyzes the aesthetic structures of both paintings, by using Feldman’s perspective (Art as Image and Idea (1967). The analysis includes visual structures: line, form, darkness-lightness; elements of organization: unity, balance, rhythm, and proportion; and elements of perception and aesthetic: empathy and a psychic distance. The result of this research discovers two different perspectives of aesthetic characteristics of Baroque and Renaissance pantings.Key words: Baroque, Caravaggio, Leonardo da Vinci, Renaissance, The Last Supper.

scholarly journals Georg Simmel e il Cenacolo di Leonardo: frammenti (fortuna) di un discorso critico originale

2020 ◽  
Vol 1 ◽  
pp. 261-269
Author(s):  
Simone Ferrari
Keyword(s):  
Critical Point ◽  
Da Vinci ◽  
Leonardo Da Vinci ◽  
Point Of View ◽  
Mural Painting ◽  
Georg Simmel ◽  
Last Supper ◽  
Long Time ◽  
German Philosopher ◽  
Further Development

The paper analyzes the famous masterpiece by Leonardo starting with the peculiar perspective of Georg Simmel, a great German philosopher whose reputation in Italy has been disregarded for a long time enough. His thoughtful paper on the Last Supper, published in 1905 and recently reminded by Pedretti and Marani had set a milestone for the further development of a critical point of view on the mural painting. His original statement about the Leonardo’s invention of a new “Shape of Time”, related to a different iconography and to a dazzling psychological purpose, was a topic promptly received and appreciated by Guido Lodovico Luzzatto in 1913 in a review soon forgotten in the critical debate. During a period marked by controversial positions on Leonardo da Vinci, it arises, by contrast, the possible relationship between Simmel and Wölfflin.

Replication of Internal Biological Surfaces

1972 ◽  
Vol 30 ◽  
pp. 308-309
Author(s):  
J. A. Nowell ◽  
J. Pangborn ◽  
W. S. Tyler
Keyword(s):  
Da Vinci ◽  
Leonardo Da Vinci ◽  
Rat Lung ◽  
Tubular Structures ◽  
Cerebral Ventricles ◽  
Internal Surfaces ◽  
Biological Surfaces ◽  
Dog Kidney ◽  
Lung And Kidney ◽  
Scanning Electron

Leonardo da Vinci in the 16th century, used injection replica techniques to study internal surfaces of the cerebral ventricles. Developments in replicating media have made it possible for modern morphologists to examine injection replicas of lung and kidney with the scanning electron microscope (SEM). Deeply concave surfaces and interrelationships to tubular structures are difficult to examine with the SEM. Injection replicas convert concavities to convexities and tubes to rods, overcoming these difficulties.Batson's plastic was injected into the renal artery of a horse kidney. Latex was injected into the pulmonary artery and cementex in the trachea of a cat. Following polymerization the tissues were removed by digestion in concentrated HCl. Slices of dog kidney were aldehyde fixed by immersion. Rat lung was aldehyde fixed by perfusion via the trachea at 30 cm H2O. Pieces of tissue 10 x 10 x 2 mm were critical point dried using CO2. Selected areas of replicas and tissues were coated with silver and gold and examined with the SEM.

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