A Primitivism of the Senses
This chapter examines the aesthetically and conceptually central role of music in the film work of Len Lye. Lye’s first film, Tusalava, exhibits a strong concern with notions of the “primitive”, both visually and musically. While Lye abandoned that film’s African and South Pacific influences in his work of the 1930s, his use of jazz is here understood to continue those same concerns. This is considered both in his direct relationship with the Harlem Renaissance and in that movement’s dissemination internationally, as well as with an underlying conceptualisation of primitive perception. His work is in many ways experimental, while also being entwined with traditions normally excluded or ignored when studying “experimental film”. This chapter’s findings bring into question the very boundaries and definitions of that category.