A Primitivism of the Senses

Author(s):  
Malcolm Cook

This chapter examines the aesthetically and conceptually central role of music in the film work of Len Lye. Lye’s first film, Tusalava, exhibits a strong concern with notions of the “primitive”, both visually and musically. While Lye abandoned that film’s African and South Pacific influences in his work of the 1930s, his use of jazz is here understood to continue those same concerns. This is considered both in his direct relationship with the Harlem Renaissance and in that movement’s dissemination internationally, as well as with an underlying conceptualisation of primitive perception. His work is in many ways experimental, while also being entwined with traditions normally excluded or ignored when studying “experimental film”. This chapter’s findings bring into question the very boundaries and definitions of that category.

Slavic Review ◽  
2017 ◽  
Vol 76 (3) ◽  
pp. 637-646
Author(s):  
Jennifer Wilson

In Langston Hughes's 1934 essay “Boy Dancers of Uzbekistan,” (published inTravelmagazine), the author writes mournfully about the Soviet reforms that put an end to the practice of effeminized male dancers,bachi, performing in the teahouses of Central Asia for exclusively male audiences; in doing so, Hughes expresses an enthusiasm for the queer contours of thebachitradition. This article connects that enthusiasm with Hughes's earlier involvement in cultural efforts aimed at increasing queer visibility within the black community during the Harlem Renaissance. By situating “Boy Dancers” in this context, the underexplored role of the Russian Revolution in fostering queer solidarity among global communities of color is highlighted.


2020 ◽  
pp. 159-203
Author(s):  
Beugre Zouankouan Stéphane

This paper aims to show and analyze how through “an outstanding poetic creation”, Claude McKay describes clearly the context, role, philosophy and objective of the Harlem Renaissance literary productions while describing his own role and vocation as an African American writer. Indeed by describing his own role as a pioneer of the Harlem Renaissance Movement, “this assertive poem” is actually a précis and paradigm of the motives and chart gathering all those black pioneer writers engaged in this literary movement. This paper provides, through the hermeneutic study of this symptomatic sonnet about the Negro’s tragedy; an analysis of the context in which the Harlem Renaissance literary productions had been produced, the role of those literary productions, the main philosophy surrounding the literary productions of this Black Movement and finally the objective targeted by those literary productions. The hermeneutic approach is sustained by the socio-criticism, African American criticisms and stylistics theories to better characterize the semantic and social scope of this poem.  


2020 ◽  
Vol 3 (3) ◽  
pp. 12-22
Author(s):  
Mehreen Fatima ◽  
Zeeshan Izhar ◽  
Zaheer Abbas Kazmi

Purpose- The primary purpose of the study is to determine the impact of organizational justice (OJ) on employee sustainability. Along with that, it also describes how organizational commitment mediates this direct relationship. This study includes all dimensions of OJ which are distributive, procedural and interactional (interpersonal & informational) within the context of a developing country (Pakistan). Design/Methodology- This study has considered employees working in the banking sector of Pakistan. Two hundred ten questionnaires were received back from employees. Regression analysis was used to analyze direct relationships between variables, while smart partial least squares (PLS) were used for mediation analysis. Findings- Results demonstrated that all hypothesis were accepted and it was also confirmed that organizational commitment (OC) mediates the direct relationship between OJ and employee sustainability (ES). Originality/value- Multidimensional construct of organizational justice was tested in this study, in the context of a developing country (Pakistan), to address the research gap.


Author(s):  
Eva-Marie Kröller

This chapter discusses national literary histories in Australia, Canada, New Zealand, and the South Pacific and summarises the book's main findings regarding the construction and revision of narratives of national identity since 1950. In colonial and postcolonial cultures, literary history is often based on a paradox that says much about their evolving sense of collective identity, but perhaps even more about the strains within it. The chapter considers the complications typical of postcolonial literary history by focusing on the conflict between collective celebration and its refutation. It examines three issues relating to the histories of English-language fiction in Australia, Canada, New Zealand, and the South Pacific: problems of chronology and beginnings, with a special emphasis on Indigenous peoples; the role of the cultural elite and the history wars in the Australian context; and the influence of postcolonial networks on historical methodology.


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