American Archias: Cicero and The Souls of Black Folk

Author(s):  
David Withun

Abstract While scholars have long noted the classical influences apparent in the style and thought of W. E. B. Du Bois, there has been little sustained discussion of the nature of these influences and their manifestations in his writings. This article seeks to correct that absence through an examination of the influence of Cicero’s Pro Archia poeta on Du Bois’s most well-known work, The Souls of Black Folk. Though Du Bois mentions many other authors in Souls, the Pro Archia is the only work of another author mentioned by name as a source for Du Bois’s thought. Extrapolating from this explicit reference to the Pro Archia as well as numerous other references to and influences by Cicero’s works throughout Du Bois’s oeuvre, I posit a two-fold influence of the Pro Archia on Souls as Du Bois draws upon the dual argument in Cicero’s work. First, Du Bois seeks to defend the civil rights of African Americans, drawing on Cicero’s argument for the legal status and citizenship rights of the poet Archias. Both Cicero and Du Bois go beyond mere legal argumentation, however, to provide a defence of the necessity of the liberal arts and a celebration of poets and their work.

Author(s):  
Ira Dworkin

This chapter examines the work of APCM missionary Edmiston, a Fisk University graduate and skilled linguist, who in the first decades of the twentieth century controversially wrote the first dictionary and grammar of the Bushong (Bakuba) language. Shortly after her fellow Fisk alumni Du Bois used African American spirituals as signposts for his groundbreaking tour through U.S. history and culture in The Souls of Black Folk, she also contributed to the APCM’s effort to translate religious hymns into Tshiluba by adding African American spirituals such as “Swing Low, Sweet Chariot” to the Presbyterian hymnal. The translations by Edmiston and her colleagues insured that Tshiluba developed not only as the language of the colonial state, but also as a language that was shaped by the sacred texts of postbellum African American culture.


2014 ◽  
Vol 101 (1) ◽  
pp. 286-287
Author(s):  
A. R. Schafer

2011 ◽  
Vol 8 (2) ◽  
pp. 379-382 ◽  
Author(s):  
Jack Turner

Political theory is catching up to Du Bois. More than a century after the publication of The Souls of Black Folk ([1903] 1997), political theorists have begun to realize that “the problem of the color-line” (pp. 45, 61) is constitutive of modernity. That it has taken this long for political theorists to recognize what Du Bois saw so clearly more than a century ago reflects the field's all-too-frequent parochialism. At the same time, the field is home to dissenting voices which insist that we cannot understand modern politics without confronting the White supremacist character of the modern West.


2019 ◽  
Vol 12 (1) ◽  
pp. 116-125
Author(s):  
L.E. Walker

In The Souls of Black Folk, W.E.B. Du Bois introduces double consciousness as a result of racial prejudice and oppression. Explained as a state of confliction felt by black Americans, Du Bois presents double consciousness as integral to understanding the black experience. Later philosophers question the importance of double consciousness to current race discussions, but this paper contends that double consciousness provides valuable insights into black and white relations. To do this, I will utilize the modern slang term, “Oreo,” to highlight how a perceived incompatibility between blacks and whites could prevent America from achieving a greater unity.


2003 ◽  
Vol 69 (3) ◽  
pp. 728
Author(s):  
Sarah Judson ◽  
Chester J. Fontenot ◽  
Mary Alice Morgan ◽  
Sarah Gardner

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