scholarly journals Double Consciousness in Today's Black America

2019 ◽  
Vol 12 (1) ◽  
pp. 116-125
Author(s):  
L.E. Walker

In The Souls of Black Folk, W.E.B. Du Bois introduces double consciousness as a result of racial prejudice and oppression. Explained as a state of confliction felt by black Americans, Du Bois presents double consciousness as integral to understanding the black experience. Later philosophers question the importance of double consciousness to current race discussions, but this paper contends that double consciousness provides valuable insights into black and white relations. To do this, I will utilize the modern slang term, “Oreo,” to highlight how a perceived incompatibility between blacks and whites could prevent America from achieving a greater unity.

2019 ◽  
Vol 12 ◽  
pp. 116-124
Author(s):  
L.E. Walker ◽  

In The Souls of Black Folk, W.E.B. Du Bois introduces double consciousness as a result of racial prejudice and oppression. Explained as a state of confliction felt by black Americans, Du Bois presents double consciousness as integral to understanding the black experience. Later philosophers question the importance of double consciousness to current race discussions, but this paper contends that double consciousness provides valuable insights into black and white relations. To do this, I will utilize the modern slang term, “Oreo,” to highlight how a perceived incompatibility between blacks and whites could prevent America from achieving a greater unity.


Author(s):  
Gregory Laski

This chapter constructs a conceptual grammar for untimely democracy by pairing Thomas Jefferson’s Notes on the State of Virginia and W. E. B. Du Bois’s The Souls of Black Folk. Jefferson’s vision of an ever-progressing polity rests on his principle of generational autonomy: the notion that each cohort of citizens is free from the burdens of its ancestors. Slavery stands as the limit for such a model. For Jefferson, blackness signifies a future haunted by bondage; thus Africans can have no place in American democracy. Jefferson’s future is what Du Bois terms the “present-past.” With this phrase, Du Bois reorders linear time—positioning the past after, not before, the present—and posits intergenerational responsibility as a democratic value alongside equality and liberty. And yet, even as he advocates a temporal double consciousness that blurs past and present, Du Bois worries that emphasizing slavery’s seemingly eternal return might paralyze political action.


PMLA ◽  
2013 ◽  
Vol 128 (3) ◽  
pp. 590-607 ◽  
Author(s):  
Michelle H. Phillips

In The Souls of Black Folk (1903) W. E. B. Du Bois suggests that the history of double consciousness lies in childhood as the crisis that brings an end to the “days of rollicking boyhood.” Yet in his children's literature, written in the teens and twenties, Du Bois returns to the scene of double consciousness in an effort to transform this experience. In the children's numbers of the Crisis and in the Brownies' Book, Du Bois confronts a new problem for the twentieth century: how to raise black children in the face of disillusionment and despair. Collectively, Du Bois's works for children respond to this problem by crossing the line that separates youth and age. The systematic dualities of innocence and violence in these writings represent a revised effort to guide the black child's entry into double consciousness and to repurpose double consciousness as a model for a resilient black subjectivity beginning in childhood.


Author(s):  
Ira Dworkin

This chapter examines the work of APCM missionary Edmiston, a Fisk University graduate and skilled linguist, who in the first decades of the twentieth century controversially wrote the first dictionary and grammar of the Bushong (Bakuba) language. Shortly after her fellow Fisk alumni Du Bois used African American spirituals as signposts for his groundbreaking tour through U.S. history and culture in The Souls of Black Folk, she also contributed to the APCM’s effort to translate religious hymns into Tshiluba by adding African American spirituals such as “Swing Low, Sweet Chariot” to the Presbyterian hymnal. The translations by Edmiston and her colleagues insured that Tshiluba developed not only as the language of the colonial state, but also as a language that was shaped by the sacred texts of postbellum African American culture.


2014 ◽  
Vol 101 (1) ◽  
pp. 286-287
Author(s):  
A. R. Schafer

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