Book Review: Recovering the Voice in Our Techno-Social World: On the Phone

2021 ◽  
Author(s):  
Kelly Errera

Abstract Recovering the Voice in Our Techno-Social World: On the Phone serves as an exemplar and timely work that calls attention to several consequences of our techno-social world, most notably, the loss of voice. Eicher-Catt argues that the field of human communication study is largely preoccupied with the textual and visual realms of communication, and thereby neglects the vibrant medium of the voice. Upon review, Recovering the Voice proves to be an innovative and detailed call of attention to the auditory, sonorous voice in a world of technology, new media, and cyberspace. The book’s clear and persuasive exigency points to a re-enchantment with the voice in a world that seems to be becoming more and more voiceless.

2011 ◽  
Vol 121-126 ◽  
pp. 4362-4366
Author(s):  
Ru Shan Yan

New media technology changes our communication way and communication object, and also every aspect of our life, including communication, study, working, etc.. Visual language is a part of these aspects. Visual language, especially visual language of graphic design relies heavily on technology development. From petroglyph to the invention of printing, then to the application of computer, Internet, and satcom technologies, for human communication, each technology has revolutionary significance. This paper mainly discusses influence and meaning of new media on visual language of graphic design, as well as consideration of future development.


Author(s):  
Marta Mitrovic
Keyword(s):  

Fenton, Natalie, ed. New Media, Old News: Journalism and Democracy in the Digital Age. University of London, UK: Goldsmiths, 2010, p. 232.


Author(s):  
Bingjuan Xiong

The development of new media transforms human communication experiences in ways that are socially, culturally, and politically meaningful. This study investigates the Chinese government's use of new media in response to an international communication crisis, the Ai Weiwei case, in 2011. Through a discourse analysis of China's official online news website, China Daily, as well as Twitter posts, most salient media frames in China's online media discourse are identified. The results suggest that online contestation of media framing in China's official media discourse contributes to the formation of new cultural expectations and norms in Chinese society and challenges the government's ability to tell its own stories without dispute. The author argues that new media foster online discussion and stimulate public debate of China's accountability and transparency in interacting with domestic and global audiences during crisis communication.


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