Studies in Coptic Culture: Transmission and Interaction. Edited by Mariam Ayad

2017 ◽  
Vol 68 (2) ◽  
pp. 817-819
Author(s):  
Janet Timbie
Keyword(s):  
2016 ◽  
Vol 6 (2) ◽  
pp. 93-106 ◽  
Author(s):  
V.A. Chernushevich ◽  
E.A. Kupriyanova ◽  
E.I. Bobryshova

The best carriers of playing culture are children, who possess and enjoy it. Destroyed social kids’ structures, territorial kids’ associations (family, yard, village, street communities of children) interrupted generally the process of culture transmission, reproduction and passing of communication tradition. And there is a need in social-state “revivification” (recovering folk games list and its’ players, enough for folk games reproduction process). Folk game includes particular properties of relations on the levels of physical and emotional, vocal interaction, imagery-symbolic filling, special features of clothes (all aspects of communication that constitute features of national culture of the nation and make from the nation the community of people very special and different from other communities and nations). Studying of correctional possibilities of folk games within the frames of playing agendas showed that their psychological and emotional resources provide the conditions for adoption by children the norms of communication.


2001 ◽  
Vol 11 (1) ◽  
pp. 150
Author(s):  
Michel Melot
Keyword(s):  

Author(s):  
Esailama G. A. Diouf

Esailama Diouf delves deep into history and genealogy to detail the significant politico-cultural figures, dance artists, institutions, and cultural nationalist positions that allowed for a reclaimed connection between African diasporic dance forms and spirit knowing. Dismantling still lingering European and North American notions of Africa and African dance and drumming, which permeate the early history of dance in the Americas, Diouf points to restoring notions of genetic birthrights and culture transmission for African Americans through a renaissance of West African dance and music on the West Coast, specifically in California. Her findings give dancers more awareness and understanding and thereby, the chance to embody their claim to spirit through communal African dance and music


Author(s):  
Şermin METİN ◽  
Yazar Adı Yazar Soyadı ◽  
Selvinaz SAÇAN ◽  
Yazar Adı Yazar Soyadı ◽  
Yazar Adı Yazar Soyadı
Keyword(s):  

2011 ◽  
Vol 331 ◽  
pp. 582-585
Author(s):  
Gai Hang Li ◽  
Rui Shi ◽  
Guo Lian Liu

As a combination of materiality and spirituality, costume is not just a practical thing to protect us but also the identification tag of social roles and the carrier of culture transmission. In fashion design, we should integrate with the international trend and pay more attention to the national culture.In order to inherit and propagate the local culture, this article analyzes the innovative application of traditional Chinese element in fashion design, try to promote the development of Chinese costume enterprises.


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