Conclusion

2021 ◽  
pp. 289-302
Author(s):  
Steven Casey

The Japanese surrender in Tokyo Bay in September 1945 exemplified so much about the Pacific War and how it had been reported, from the large number of reporters who were finally in the theater to MacArthur’s effort to dominate the show. For once, the army and navy stood side by side without too much tension, but during the war competition between them had often shaped how the home front had received news from the battlefield. Tension had emerged between the services and the reporters as well, while veteran reporters had often evinced a deep disdain for those they considered dilettante interlopers. Conflict was therefore a hallmark of media-military relations during the Pacific War, but in the final analysis the media invariably acted as an important unifying voice, creating a shared narrative about the war that was rarely questioned by partisan politicians.

2021 ◽  
pp. 266-288
Author(s):  
Steven Casey

Okinawa received much more media attention from mid-May, after the German surrender. The censors also relaxed restrictions on reporting the kamikaze story, which reinforced the growing sense on the home front that the Pacific War was particularly brutal and bloody. As Harry Truman, the new president, looked for ways to end it, attention shifted to the air war. The air force happily publicized its incendiary bombing of Tokyo, followed by the destruction of the five largest cities in Japan. Even before the atomic bombs were dropped on Hiroshima and Nagasaki, such carnage drew little protest across America.


Author(s):  
Steven Casey

From Pearl Harbor to Hiroshima and Nagasaki, a group of highly courageous correspondents covered America’s war against Japan. Based on a wealth of previously untapped primary sources, War Beat, Pacific provides the first comprehensive account of what these reporters witnessed, what they were allowed to publish, and how their reports shaped the home front’s perception of some of the most pivotal battles in American history. In a dramatic and fast-paced narrative, the book takes us from MacArthur’s doomed defense on the Philippines and the navy’s overly strict censorship policy at the time of Midway through the bloody battles on Guadalcanal, New Guinea, Tarawa, Saipan, Leyte and Luzon, Iwo Jima and Okinawa, detailing the cooperation, as well as conflict, between the media and the military as they grappled with the enduring problem of limiting a free press during a period of extreme crisis. At the heart of this book are the brave, sometimes tragic stories of reporters like Clark Lee and Vern Haugland of the Associated Press, Byron Darnton and Tillman Durdin of the New York Times, Stanley Johnston and Al Noderer of the Chicago Tribune, George Weller of the Chicago Daily News, Keith Wheeler of the Chicago Times, and Robert Sherrod of Time magazine. Twenty-three correspondents died while reporting on the Pacific War. Many more sustained serious wounds. War Beat, Pacific shows how both the casualties and the survivors deserve to be remembered as America’s golden generation of journalists.


2021 ◽  
pp. 1-8
Author(s):  
Steven Casey

The Pacific War was particularly difficult for the media to cover. The long distances, the terrible weather, the tendency of Douglas MacArthur and Ernest King to prioritize operational security, especially during the defeats of 1941 and 1942, and media bosses in the United States who focused more on Europe than Asia all meant that the fighting in the Pacific was often shrouded from the American public. The situation did not start to improve until 1943 and 1944, as US forces took the offensive, and the army and navy engaged in a dynamic rivalry to grab the biggest share of the headlines. But while the war continued in Europe, even major battles like those fought on Saipan and Okinawa were often buried on the inside pages.


1973 ◽  
Vol 28 (2) ◽  
pp. 238
Author(s):  
Stephen S. Large ◽  
Leonid N. Kutakov ◽  
George Alexander Lensen ◽  
George Alexander Lensen

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