The Ethical Bind of Sentimentalism

2017 ◽  
Author(s):  
Naomi Greyser
Keyword(s):  
African American ◽  
Public Sphere ◽  
African American Woman ◽  
American Woman ◽  
First Century ◽  
Sojourner Truth ◽  
The Public ◽  
Twenty First Century ◽  
The Public Sphere

This chapter maps intimacy in the public sphere and the alternately ethical and exploitative cross-racial bonds sentimentalists have cultivated. The chapter focuses on the challenges Sojourner Truth faced as an African American woman to occupy the position of a civic emoter who channels the nation’s feelings. The chapter examines the writing and editing of the Narrative of Sojourner Truth (1850, 1875, 1884), a process that involved deeply felt and vexed relations between Truth and her white editors that continued through the text’s publication, as well as white women’s sympathy and emotional impositions in the text’s reception into the twenty-first century. Truth models sentimentalism’s ethical capacities, refusing victimization as she expresses compassion toward her former master. Much of her white audience failed to recognize her rhetorical power, yet Truth insisted on taking up space without apology, living out much of her life in her home in Northampton, Massachusetts.

scholarly journals Theology in the Public Sphere in the Twenty-First Century

Horizons ◽  
2016 ◽  
Vol 43 (2) ◽  
pp. 351-356
Author(s):  
Bryan N. Massingale
Keyword(s):  
Public Sphere ◽  
First Century ◽  
Public Theology ◽  
The Public ◽  
Theological Discourse ◽  
Church And Society ◽  
Twenty First Century ◽  
The Public Sphere ◽  
The Church

Several decades ago David Tracy wrote that theologians speak to three publics: the academy, the church, and society. Since then many theologians have exhibited, in Tracy's words, “that drive to publicness which constitutes all good theological discourse[,] … a drive from and to those three publics.”1 Our four roundtable authors discuss how and why theologians engage the public sphere in the twenty-first century. In arguing for the necessity of such engagement, they also draw attention to the promise and perils of doing public theology today.

Introduction

2020 ◽  
pp. 1-14
Author(s):  
Kim T. Gallon
Keyword(s):  
Twentieth Century ◽  
African American ◽  
Public Sphere ◽  
Interwar Period ◽  
Black Press ◽  
The Public ◽  
Introductory Section ◽  
African American Sexuality ◽  
History Of ◽  
The Public Sphere

This introductory section introduces the book’s major arguments and provides an overview of the history of the Black Press in the early twentieth century. The introduction also explores the theoretical conceptualization of the public sphere in relationship to African American life and the scholarship on pleasure and class in African American history. In laying out these terms, the introductory section of the book makes the case that they are useful categories of analysis for a deeper understanding of African American sexuality, pleasure, and the Black Press. Finally, the introduction features a discussion of the significance of the interwar period and its relationship to the history of African American sexuality in the Black Press.

Chick Noir: Surveilling Femininity and the Affects of Loss in Gone Girl

Noir Affect ◽  
2020 ◽  
pp. 197-221
Author(s):  
Pamela Thoma
Keyword(s):  
Popular Culture ◽  
Public Sphere ◽  
Young Women ◽  
First Century ◽  
Dark Side ◽  
Surveillance Culture ◽  
The Public ◽  
Textual Production ◽  
The Public Sphere ◽  
A Site

This chapter explores a surprising shift that has occurred in postfeminist popular culture and more specifically “chick culture” in the wake of the global economic crisis. Chick noir forms itself in opposition to those two standbys of twenty-first-century U.S culture, chick lit and the chick flick. If these latter genres perform a humorous remodelling of romance as the “happy object” around which young women should orient self-making or self-improvement projects for the promise of a good life and future feelings of happiness, chick noir has emerged across popular culture to chronicle widespread economic hardship and social decline under neoliberalism. Chick noir narratives are driven by negative affect and deal in the dark side of relationships, domesticity, and the public sphere for women. The chapter takes Gone Girl as its focus. This chapter pays particular attention to ways in which both texts shine a light on modern surveillance culture to explore the textual production of empathy and coercion and the ways in which these texts imagine femininity as a site of surveillance. What emerges is a form of noir affect that dramatizes the absolute lack of a stable or noncontradictory space for the contemporary female subject.

scholarly journals Blogging as Popular History Making, Blogs as Public History: The Singapore Case Study

2007 ◽  
Vol 14 ◽  
Author(s):  
Stephanie Ho
Keyword(s):  
Public Sphere ◽  
Case Studies ◽  
Public History ◽  
First Century ◽  
The Internet ◽  
Ordinary People ◽  
Historical Society ◽  
The Public ◽  
The Public Sphere

Blogging is a twenty-first century phenomenon that has heralded an age where ordinary people can make their voices heard in the public sphere of the Internet. This article explores blogging as a form of popular history making; the blog as a public history document; and how blogging is transforming the nature of public history and practice of history making in Singapore. An analysis of two Singapore ‘historical’ blogs illustrates how blogging is building a foundation for a more participatory historical society in the island nation. At the same time, the case studies also demonstrate the limitations of blogging and blogs in challenging official versions of history.

Twerking and Cultural Appropriation: Miley Cyrus' Display of Racial Ignorance

2016 ◽  
Vol 3 (1) ◽  
Author(s):  
Shereen Zink
Keyword(s):  
African American ◽  
Black Women ◽  
Public Sphere ◽  
White Privilege ◽  
American Culture ◽  
Black Culture ◽  
Cultural Appropriation ◽  
African American Culture ◽  
The Public ◽  
The Public Sphere

Miley Cyrus’ recent habit of twerking has sparked debate over whether the pop star is misappropriating African American culture; some even going so far as to accuse her of racism. This paper reviews the literature that exists in the public sphere on the topic, and delves into a scholarly analysis of Cyrus’ actions, statements, and the implications they have. My own post-analysis interpretation of the issue is addressed in the concluding paragraphs. Ultimately, twerking’s political context, and Cyrus’ lack of regard for said context, suggest that she is perpetuating harmful stereotypes about black women while her own white privilege allows her to maintain her integrity. Cyrus may not be intentionally exploiting black culture, but she is certainly communicating more than she may have bargained for.  

The Genteel Tradition and the Emergence of the African American Sonnet

2018 ◽  
pp. 15-38
Author(s):  
Timo Müller
Keyword(s):  
African American ◽  
Civil War ◽  
Public Sphere ◽  
American Literature ◽  
African American Literature ◽  
Racial Stereotypes ◽  
James Weldon Johnson ◽  
Paul Laurence Dunbar ◽  
The Public ◽  
The Public Sphere

This chapter traces the emergence of the sonnet in African American literature to the pervasive influence of genteel conventions. These conventions have widely been regarded as conservative or even stultifying, but they provided black poets with various opportunities for self-assertion in the public sphere. The sonnet was a favourite genre among the genteel establishment, and poets pushed the boundaries of black expression by appropriating the form to subvert racial stereotypes, develop a black poetic subjectivity, and participate in the debate over the memory of the Civil War. In tracing these developments, the chapter repositions the outstanding poets of the period, Paul Laurence Dunbar and James Weldon Johnson, alongside their less-known contemporaries, Samuel Beadle, William Stanley Braithwaite, Joseph Seamon Cotter Jr., T. Thomas Fortune, and Henrietta Cordelia Ray.

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