Introduction

Author(s):  
Kim T. Gallon

This introductory section introduces the book’s major arguments and provides an overview of the history of the Black Press in the early twentieth century. The introduction also explores the theoretical conceptualization of the public sphere in relationship to African American life and the scholarship on pleasure and class in African American history. In laying out these terms, the introductory section of the book makes the case that they are useful categories of analysis for a deeper understanding of African American sexuality, pleasure, and the Black Press. Finally, the introduction features a discussion of the significance of the interwar period and its relationship to the history of African American sexuality in the Black Press.

2019 ◽  
pp. 215-220
Author(s):  
Teresa Pepe

The chapter sumps up the main themes and findings presented in the book. It concludes that blogging has led to emergence of a new literary genre, as well as has allowed young Egyptians to reshape their identity, connect to each other and rebel against the authorities. Placing blogs in the larger history of Arabic autobiographical genre, it argues that the autofictional blog, in some ways, continues the role played by the autobiographical novel or novelised autobiography in the twentieth century. In addition, the interactivity afforded by blogging has helped intellectuals to re-establish connections with the public sphere and to communicate with their readers, a connection that was lost in recent decades, particularly the 1990s. Finally, the chapter advocates for further studies on Arabic digital expression, as well for trans-historical studies on the impact of media on Arabic culture.


Religions ◽  
2021 ◽  
Vol 12 (6) ◽  
pp. 410
Author(s):  
Ian A. Morrison

Towards the end of the twentieth century, religion re-emerged as a topic of pressing concern in a number of the most self-consciously secularized states of the global north. From disputes over the wearing of headscarves in schools to debates over accommodations for religious practices in the public sphere, religion, particularly the ‘foreign’ religiosity of migrants and other minority religious subjects, appeared on the scene as a phenomenon whose proper place and role in society required both urgent and careful deliberation. This article argues that in order to account for the affective potency produced by the immanence of the figure of the ‘foreign’ religious subject, it is necessary to understand secularization as fantasy. It is within the fantasy of secularization that the secular emerges as an object of desire—as something that, if attained, appears as a solution to the problem of ‘foreign’ religiosity—and figures of inassimilable religiosity assume the role of scapegoats for the failure to resolve these concerns. In this sense, within this fantasy scene, the secular promises to provide ‘us’ with something that we are lacking. However, this promise has been undermined by the apparent persistence of religious difference. As such, as a result of their continued religiosity, ‘they’ appear to be taking something from ‘us’.


Çédille ◽  
2021 ◽  
pp. 103-128
Author(s):  
Isabel Clúa Gines ◽  

"The aim of this work is to reflect on the construction of the woman writer as a public figure based on the case of Lucie Delarue-Mardrus and her projection in Spain, placing her in the framework of the tensions that surround the female condition at the beginning of the twentieth century. Although her work is translated and reviewed, it is her public figure the element that focuses the attention of the critics, as confirmed by the various references by prominent chroniclers (Enrique Gómez Carrillo, Isabel Oyarzábal, María Luz Morales or Teresa de Escoriaza). This phenomenon allows us to see the key elements of the feminine authorial construction, as the incorporation of strategies of the emerging idea of celebrity and its use as an essential mechanism to deal with the difficulty of being a woman in the public sphere"


Author(s):  
Halyna Chumak

Inspired by the interdisciplinary studies undertaken by Michael North and Rochelle Rives, this article examines conspicuous representations of the modern female face in Virginia Woolf’s Mrs Dalloway (1925) and Katherine Mansfield’s ‘Bliss’ (1918), ‘Pictures’ (1920), and ‘The Garden Party’ (1922). If writers and artists of the early twentieth century dispelled facile assumptions about a mimetic relationship between face and character, why are two modernist women writers so invested in highlighting the female face? I approach this query and the lexical visages Mansfield and Woolf craft by situating their work within a cultural-historical framework that constellates nineteenth-century physiognomy, a growing female presence in the public sphere, and the rise of modern visual technologies. Physiognomy had lost its cultural traction by the fin de siècle, but it left an indelible influence on cultural assumptions about women who crossed domestic thresholds. I demonstrate that Woolf and Mansfield convey a salient interest in the inscrutable female visage that resists being read as what Rives calls a ‘text for analysis and interpretation’. Both writers reveal concerns about the modern woman’s visual identification, but of the two, it is Mansfield who fashions corrective images and extricates the modern woman from her physiognomic past.


Ambix ◽  
2017 ◽  
Vol 64 (2) ◽  
pp. 199-200
Author(s):  
Bernadette Bensaude-Vincent

This book addresses the role of media, particularly periodicals, in the American women’s suffrage movement, and in public understandings of the campaign for a Constitutional amendment enfranchising women. Chapters deal with the rhetoric of pro- and antisuffrage activists as covered in the mainstream regional and national press; several chapters deal with suffragists’ own periodicals, as well as with other non-mainstream periodicals, including the black press and socialist and radical periodicals. These new studies offer fresh perspectives on relatively familiar suffrage narratives while exploring lesser-known aspects of the roles of journalism, publicity, visual communication, and external alliances with organizations and individuals. Taken collectively, the chapters clarify intersections of suffrage ideas with other social and political movements as well as differences by geography and culture. The essays are marked by attention to the movement’s long-term implications; to contemporary concepts such as social movement and countermovement strategies, status conflict, and the public sphere; and by sensitivity to race, class, and regional politics. As the historiography offered here makes clear, these issues were largely ignored in the first wave of suffrage research.


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