Epilogue

2018 ◽  
Author(s):  
Matthew D. C. Larsen
Keyword(s):  
Eighteenth Century ◽  
Cultural History ◽  
Future Study ◽  
Digital Humanities ◽  
Methodological Framework ◽  
Folk Tales ◽  
Literary Structure ◽  
Early Christian

Approaching the Gospel according to Mark as unfinished notes, the author argues that literary critics do not “find” nuanced literary structure in the text. They produce it—not unlike what the Gospel according to Matthew does with the Gospel according to Mark. The author proposes a new methodological framework for future study of early Christian gospels. He points to an example from cultural history (Robert Darnton’s work on eighteenth-century French folk tales) and to possible projects in the digital humanities in order to begin to think about how to reconceptualize the process of gospel writing.

Lord Dacre and the Politics of the Scottish Enlightenment

2005 ◽  
Vol 84 (2) ◽  
pp. 202-220 ◽  
Author(s):  
Colin Kidd
Keyword(s):  
Political Economy ◽  
Eighteenth Century ◽  
Cultural History ◽  
Economic Transformation ◽  
Scottish Enlightenment ◽  
North East ◽  
The Social ◽  
Romantic Movement ◽  
Scottish History

Hugh Trevor-Roper (Lord Dacre) made several iconoclastic interventions in the field of Scottish history. These earned him a notoriety in Scottish circles which, while not undeserved, has led to the reductive dismissal of Trevor-Roper's ideas, particularly his controversial interpretation of the Scottish Enlightenment, as the product of Scotophobia. In their indignation Scottish historians have missed the wider issues which prompted Trevor-Roper's investigation of the Scottish Enlightenment as a fascinating case study in European cultural history. Notably, Trevor-Roper used the example of Scotland to challenge Weberian-inspired notions of Puritan progressivism, arguing instead that the Arminian culture of north-east Scotland had played a disproportionate role in the rise of the Scottish Enlightenment. Indeed, working on the assumption that the essence of Enlightenment was its assault on clerical bigotry, Trevor-Roper sought the roots of the Scottish Enlightenment in Jacobitism, the counter-cultural alternative to post-1690 Scotland's Calvinist Kirk establishment. Though easily misconstrued as a dogmatic conservative, Trevor-Roper flirted with Marxisant sociology, not least in his account of the social underpinnings of the Scottish Enlightenment. Trevor-Roper argued that it was the rapidity of eighteenth-century Scotland's social and economic transformation which had produced in one generation a remarkable body of political economy conceptualising social change, and in the next a romantic movement whose powers of nostalgic enchantment were felt across the breadth of Europe.

Gospels before the Book

2018 ◽  
Author(s):  
Matthew D. C. Larsen
Keyword(s):  
Fluid Collection ◽  
Printing Press ◽  
Methodological Framework ◽  
Reading Practices ◽  
Early Christian ◽  
Textual Tradition ◽  
Textual Culture ◽  
Early Christian Studies ◽  
The Way

What does it mean to read the gospels “before the book”? For centuries, the way people have talked about the gospels has been shaped by ideas that have more to do with the printing press and modern notions of the author than they do with ancient writing and reading practices. Gospels Before the Book challenges several subtle yet problematic assumptions about authors, books, and publication at work in early Christian studies. The author explores a host of underappreciated elements of ancient textual culture, such as unfinished texts, accidental publication, postpublication revision, and multiple authorized versions of the same work. Turning to the gospels, he argues the earliest readers and users of the text we now call the Gospel according to Mark treated it not as a book published by an author but as an unfinished, open, and fluid collection of notes (hypomnēmata). The Gospel according to Matthew, then, would not be regarded as a separate book published by a different author but, rather, as a continuation of the same unfinished gospel tradition. Similarly, it is not the case that, of the five different endings in the textual tradition, one is “right” and the others are “wrong.” Rather, each ending represents its own effort to fill in what some perceived to be lacking in the Gospel according to Mark. The text of the Gospel according to Mark is better understood when approached as unfinished notes than as a book published by an author. Larsen also offers a new methodological framework for future scholarship on early Christian gospels.

scholarly journals Christian Antiquity and the Anglican Reception of John Locke’s Paraphrase and Notes on the Epistles of St Paul, 1707–1730

Locke Studies ◽  
2021 ◽  
Vol 20 ◽  
pp. 1-36
Author(s):  
Jacob Donald Chatterjee
Keyword(s):  
Eighteenth Century ◽  
Church Of England ◽  
Historical Research ◽  
Christian Church ◽  
Primary Motivation ◽  
Early Christian ◽  
Early Eighteenth Century ◽  
Theological Thought

The study of John Locke’s theological thought has yet to be combined with emerging historical research, pioneered by Jean-Louis Quantin, into the apologetic uses of Christian antiquity in the Restoration Church of England. This article will address this historiographical lacuna by making two related arguments. First, I will contend that Locke’s Paraphrase and Notes on the Epistles of St. Paul (1705–1707) marked a definitive shift in his critique of the appeal to Christian antiquity. Prior to 1700, Locke had largely contested these references to the precedent of the early Christian Church by making a narrowly philosophical case against arguments from authority in general. However, the controversial reception of Locke’s theological writings in the 1690s, compelled him to develop historical and methodological arguments in the Paraphrase against the witness of Christian antiquity. Secondly, I will argue that Locke’s repudiation of the witness of Christian antiquity was the primary motivation for the diverse responses to the Paraphrase by early eighteenth-century Anglican writers, such as Robert Jenkin, Daniel Whitby, William Whiston, Winch Holdsworth and Catharine Cockburn.  

scholarly journals Ricerche sul teatro classico spagnolo in Italia e oltralpe (secoli XVI-XVIII)

2020 ◽  
Keyword(s):  
Eighteenth Century ◽  
Iberian Peninsula ◽  
Cultural History ◽  
Multidisciplinary Approach ◽  
Complex Phenomenon ◽  
Italian History ◽  
History Of ◽  
History Of Europe ◽  
European Theatre ◽  
Theatrical Companies

At the height of its development and up to the eighteenth century, the Spanish classical theatre significantly contributed to the formation of the modern European theatre. Theatre texts and theatrical companies were in fact circulating outside the Iberian peninsula and the Spanish experience of theatre triggered literary debates and reflections that played a central role to the cultural history of Europe, from Neoclassicism to the beginnings of Romanticism. It is a complex phenomenon crossing linguistically and culturally diversified territories, and which therefore needs an inter- and multidisciplinary approach. We tried to respond to this need by involving scholars and researchers in the fields of Hispanic, French, Italian, history of entertainment and musicology for the drafting of this volume.

Reviews: The Logic of History: Putting Postmodernism in Perspective, on the Future of History: The Postmodernist Challenge and its Aftermath, Modernism and the Ideology of History: Literature, Politics, and the Past, Postmodernism in History: Fear or Freedom?, Quoting Shakespeare: Form and Culture in Early Modern Drama, Early Modern Civil Discourses, ‘A moving Rhetoricke’: Gender and Silence in Early Modern England, Society and Culture in Early Modern England, the English Radical Imagination: Culture, Religion and Revolution, 1630–1660, An Age of Wonders: Prodigies, Politics and Providence in England, 1657–1727, Luxury in the Eighteenth Century: Debates, Desires, and Delectable Goods, Antiquaries: The Discovery of the Past in Eighteenth-Century Britain, the French Revolution and the London Stage, 1789–1805, Nationalism, Imperialism and Identity in Late Victorian Culture, Modernism, Male Friendship and the First World War, Bloody Good: Chivalry, Sacrifice, and the Great War, Manliness and the Boy's Story Paper in Britain: A Cultural History, 1855–1940McCullaghC. Behan, The Logic of History: Putting Postmodernism in Perspective , Routledge, 2004, pp. viii + 212, £18.99 pbBreisachE., On the Future of History: The Postmodernist Challenge and its Aftermath , University of Chicago Press, 2003, pp. vii + 236, $16.00 pb.WilliamsL. Blakeney, Modernism and the Ideology of History: Literature, Politics, and the Past , Cambridge University Press, 2002, pp. 265, £40.SouthgateBeverley, Postmodernism in History: Fear or Freedom? Routledge, 2003, pp. xi + 211, £55, £16.99 pb.BrusterDouglas, Quoting Shakespeare: Form and Culture in Early Modern Drama , University of Nebraska Press, 2001, pp. 288, £35.50.RichardsJennifer (ed.), Early Modern Civil Discourses , Palgrave Macmillan, 2003, pp. 206, $65.00.LuckyjChristina, ‘A moving Rhetoricke‘: Gender and Silence in Early Modern England , Manchester University Press, 2002, pp. viii + 198, £40.CressyDavid, Society and Culture in Early Modern England , Variorum Collected Studies Series, Ashgate, 2003, pp. xii + 344, £57.50.McDowellNicholas, The English Radical Imagination: Culture, Religion and Revolution, 1630–1660 , Clarendon Press, 2003, pp. x + 219, £45.BurnsWilliam E., An Age of Wonders: Prodigies, Politics and Providence in England, 1657–1727 , Manchester University Press, 2002, pp. 218, £45.BergMaxine and EgerElizabeth (eds), Luxury in the Eighteenth Century: Debates, Desires, and Delectable Goods , Palgrave Macmillan, 2003, pp. xii + 259, 41 plates, £55.SweetRosemary, Antiquaries: The Discovery of the Past in Eighteenth-Century Britain , Hambledon & London, 2004, pp. xxi + 473, £25.TaylorGeorge, The French Revolution and the London Stage, 1789–1805 , Cambridge University Press, 2002, pp. x + 263, £45.AttridgeSteve, Nationalism, Imperialism and Identity in Late Victorian Culture , Palgrave Macmillan, 2003, pp. 229, £45.ColeSarah, Modernism, Male Friendship and the First World War , Cambridge University Press, 2003, pp. 297, £40FrantzenAllen J., Bloody Good: Chivalry, Sacrifice, and the Great War , University of Chicago Press, 2004, pp. 335, £24.50.BoydKelly, Manliness and the Boy's Story Paper in Britain: A Cultural History, 1855–1940 , Palgrave Macmillan, 2003, pp. x + 273, £60.

2005 ◽  
Vol 14 (1) ◽  
pp. 81-100
Author(s):  
Christopher Parker ◽  
David Watson ◽  
Alan Armstrong ◽  
Ben Lowe ◽  
Carrie Hintz ◽  
...  
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Cultural History ◽  
French Revolution ◽  
Early Modern England ◽  
Modern Drama ◽  
Victorian Culture ◽  
Cambridge University ◽  
The Past ◽  
The First World War

Kese and Tellak: Cultural Framings of Body Treatments in the ‘Turkish Bath’

2016 ◽  
Vol 24 (3) ◽  
pp. 462-469
Author(s):  
Kornelia Hahn
Keyword(s):  
Eighteenth Century ◽  
Cultural History ◽  
Present State ◽  
Temporal Order ◽  
Western Culture ◽  
Steam Bath ◽  
Cultural Practice ◽  
Islamic Culture ◽  
History Of ◽  
Specific Culture

Using water for body treatments has an especially long tradition in many cultures and, is deeply intertwined with Roman and Ottoman culture. However, it is clear that today it is not possible to attribute bathing – not even a specific type of bathing, such as the hammam steam bath – to one particular culture (ignoring the obvious problems associated with trying to delineate clearly between such blurred constructs as a specific culture or as a discrete entity). Thus, the ‘Turkish bath’ is a widely used term introduced to Europe in the eighteenth century or applied to various different manifestations. The term reflects the European perception of Turkish bathing culture, primarily connected with bathing within a hammam complex or – as the Turkish term goes – a hammami. Bathing in the hammam-style is rather a Roman cultural practice, an element adapted and integrated in Ottoman culture and readapted thereafter into modern Western culture. It is often believed that these practices are rooted in the cultural history of the present state of Turkey (although ancient ‘Turkish bath’ architecture famously exists in Greece or Albania, too1). Furthermore, the geographical or architectural nexus between mosques and hammams and, also, the temporal order of Islamic culture (in which visiting a hammam before various ritual occasions is required) have often suggested seeing the Turkish bath as a religious custom.

Historical Research and Cultural History in Nineteenth-Century Austria: The Archivist Joseph Chmel (1798–1858)

2014 ◽  
Vol 45 ◽  
pp. 115-133 ◽  
Author(s):  
Christine Ottner
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Cultural History ◽  
Historical Research ◽  
The Other ◽  
Academic World ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Cultural Science ◽  
The One

During the nineteenth century, history developed into an independent discipline with important cultural and intellectual functions in both the academic world, as well as in society at large. Specific circumstances contributed to the rise in importance of this discipline: On the one hand, the emergence of an educated bourgeoisie and rising nationalist movements influenced the study of history; whereas on the other hand, public demands for assurances of continuity, as well as conservative efforts for restoration, also played an important role in history's growth in importance. Historicism, which began to establish itself in late-eighteenth-century Germany, had its forerunners in research approaches that grew out of the late Enlightenment. Concepts of cultural science [Kulturwissenschaft] developed by scholars of the late Enlightenment paved the way for the rise of the historical discipline during the first half of the nineteenth century.

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