Expressive Performance

2021 ◽  
pp. 113-137
Author(s):  
Paola Savvidou

This chapter addresses the expressive component of performance as it relates to healthy physical alignment and effective communication using Laban Movement Analysis (LMA). The point of departure for the presentation of the LMA system is the visual element of musical performance and its importance in communicating to the audience. LMA is presented incrementally with movement activities geared toward re-patterning neuromuscular connections. This approach also aims to cultivate a wider movement vocabulary. Exercises and applications of the movements in musical performance are provided for each of the new concepts. At the end of the chapter, a toolkit is provided with two self-observation exercises.

2014 ◽  
Vol 494-495 ◽  
pp. 1170-1174
Author(s):  
Qing Ji Gao ◽  
Meng Li ◽  
Dan Dan Hu ◽  
Wei Hao

The non-humanoid robots can express emotion by imitating the humans body language with different paths. The movement parameters effecting the Laban Effort Factors can be got by parameterizing the trajectory with using Laban Movement Analysis (LMA) Theory. Then, the emotion expressing model based on the trajectory of aerial robot is established by mapping the Effort Factors to the PAD emotion space. The simulation demonstrates the validity of the model.


PLoS ONE ◽  
2019 ◽  
Vol 14 (6) ◽  
pp. e0218179
Author(s):  
Ulysses Bernardet ◽  
Sarah Fdili Alaoui ◽  
Karen Studd ◽  
Karen Bradley ◽  
Philippe Pasquier ◽  
...  

Leonardo ◽  
2018 ◽  
Vol 51 (3) ◽  
pp. 282-283
Author(s):  
Kai-Han Chung ◽  
June-Hao Hou

A dance notation system is usually regarded as a representation tool rather than a creative tool. This paper uses the indeterminacy approach as a creativity method to assist body-based limb exercise and development. The movement notation system is constructed based on the effort action from Laban Movement Analysis. In-depth interviews provide a comprehensive insight into the choreographer’s perspective. The findings show that the notation system and body-based improvisation training are not mutually exclusive. Therefore, the use of a notation system gives dancers a better understanding of how movements interact with various stimuli, in relation to internal and external environments.


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