Hermeneutic Dissection in the Lyric
This chapter charts developments in anatomy in the wake of the French Revolution, and shows how Romantic lyrics model a reading practice informed by anatomical medicine. Surgical tropes from the advances in morbid anatomy, for example, inform William Wordsworth’s most important poems. Referring to medical advances in battlefield dissection and autopsy that occurred during the French Revolution, Wordsworth turns from social analysis to self-critique as he performs his retrospective analyses of the “growth of the poet’s mind” and the “spots of time.” Responding to Wordsworth’s model of interpretation, the critic Francis Jeffrey and the poet John Keats developed a practice of dissective reading, an influential protocol that crossed between literature and medicine in the Romantic period. Dissective reading anticipates symptomatic close reading through a segmentation of surface and underlying structures, and invokes dismemberment as a tool for converting critical reading into authorial auto-exegesis. Examples drawn from Wordsworth and Keats reveal how Romantic lyrics offer up the poet’s own body as the subject of surgical (and critical) analysis, treating critical readings as diagnoses of the poets themselves.