Representation

2021 ◽  
pp. 167-182
Author(s):  
Stephen R. Shaver

Chapter 6 presents the motif of representation: the idea that the eucharistic bread and wine are symbols (or signs, figures, antitypes, etc.) of the body and blood of Christ. Using a definition of symbol as a blend involving a “material anchor” (Edwin Hutchins), the author argues that “The bread is the symbol of the body of Christ” is not, as some Swiss Reformers believed, a literal equivalent for the figurative “The bread is the body of Christ.” Rather, it is a prompt for a more complex (“Y-squared”) blending network. In this blend a vital relation of Representation is created between bread and the body of Christ. The Representation relation can coexist with Identity, Change, and other vital relations. Thus, the identity and representation motifs are not mutually exclusive but complementary.

Author(s):  
Jean-Robert Armogathe

The Catholic doctrine of the Eucharist (the transformation of the whole substance of the bread in the body of Christ) was a stumbling block for Cartesian physics, which denied any accidents. Descartes worried about this and proposed several solutions in order to solve the difficulty and assert his orthodoxy. Despite this, the problem stirred up fierce discussions among his followers and brought him official condemnation from the Catholic church. This chapter shows how this debate is not only a theological debate concerning transubstantiation—Descartes has had to bring a theological discussion into philosophy. The true issue in this discussion is not the explanation of the dogma, but the definition of the body.


2016 ◽  
Vol 50 (1) ◽  
Author(s):  
Brian A. DeVries

This article examines the use of spiritual gifts for church growth, particularly in relation to the sovereign work of the Holy Spirit. The article begins with a definition of spiritual gifts and by highlighting their purpose for growing the church. This is followed by two practical considerations: How should Christian believers use spiritual gifts for church growth, and how should church leaders motivate gift use for this purpose? Since the Holy Spirit works though believers to build up the body of Christ, advocates of biblical church growth should seek to employ his means to motivate spiritual giftedness in the church.


1958 ◽  
Vol 11 (3) ◽  
pp. 271-286 ◽  
Author(s):  
Dan O. Via

Although it is evident to every student of the New Testament that Matthew has a special interest in the Church, the use of the term ‘body of Christ’ to describe the Church has been peculiarly associated with Paul. For this reason it seems well to begin by discussing briefly what Paul meant by the concept of body in order to have a working definition of it. We will then endeavour to ascertain whether this idea is also present in Matthew.


Derrida Today ◽  
2013 ◽  
Vol 6 (1) ◽  
pp. 97-114 ◽  
Author(s):  
Christopher Morris

Over the past thirty years, academic debate over pornography in the discourses of feminism and cultural studies has foundered on questions of the performative and of the word's definition. In the polylogue of Droit de regards, pornography is defined as la mise en vente that is taking place in the act of exegesis in progress. (Wills's idiomatic English translation includes an ‘it’ that is absent in the French original). The definition in Droit de regards alludes to the word's etymology (writing by or about prostitutes) but leaves the referent of the ‘sale’ suspended. Pornography as la mise en vente boldly restates the necessary iterability of the sign and anticipates two of Derrida's late arguments: that there is no ‘the’ body and that performatives may be powerless. Deriving a definition of pornography from a truncated etymology exemplifies the prosthesis of origin and challenges other critical discourses to explain how pornography can be understood as anything more than ‘putting (it) up for sale’.


2013 ◽  
Vol 3 (2) ◽  
pp. 59-96
Author(s):  
Sørina Higgins

In his unfinished cycle of Arthurian poems, Charles Williams developed a totalizing mythology in which he fictionalized the Medieval. First, he employed chronological conflation, juxtaposing events and cultural references from a millennium of European history and aligning each with his doctrinal system. Second, following the Biblical metaphor of the body of Christ, Blake’s symbolism, and Rosicrucian sacramentalism, he embodied theology in the Medieval landscape via a superimposed female figure. Finally, Williams worked to show the validity of two Scholastic approaches to spirituality: the kataphatic and apophatic paths. His attempts to balance via negativa and via positiva led Williams to practical misapplication—but also to creation of a landmark work of twentieth century poetry. . . . the two great vocations, the Rejection of all images before the unimaged, the Affirmation of all images before the all-imaged, the Rejection affirming, the Affirmation rejecting. . . —from ‘The Departure of Dindrane’ —O Blessed, pardon affirmation!— —O Blessed, pardon negation!— —from ‘The Prayers of the Pope’


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