Dissenting Print Culture

Author(s):  
Tessa Whitehouse

Print culture was expanding rapidly in the eighteenth century. Yet religious literature remained the largest category of printed book and Dissenters were significant contributors to this genre. From 1695 pre-publication censorship disappeared within England so print was an important mechanism through which Dissenting identity was created and sustained. Religious works could be doctrinal, controversial, or practical and it was the latter category that had the largest lay readership. Material related to Scripture, either translated or paraphrased, accounted for much of the printed religious output but life writing and poetry were also influential. Many of the authors were ministerial and male, although the audiences for which they were writing were more varied. While it is easier to trace the uses to which material designed to educate ministers was put, there were also significant examples of Dissenters using print to fashion a wider sense of community, often through the use of non-commercial publishing models.

2017 ◽  
Vol 45 (2) ◽  
pp. 395-412
Author(s):  
Karin Koehler

The custom of celebrating Valentine'sDay dates back to the Middle Ages. The emergence of Valentine's Day as a commercial holiday, exploited above all by the greeting card industry, is more recent. In Britain, Valentine's Day cards emerged in the eighteenth century. As David Vincent writes,The observance of 14 February underwent a metamorphosis during the eighteenth century which was later to befall many other customs. What had begun as an exchange of gifts, with many local variations of obscure origin, was gradually transformed into an exchange of tokens and letters, which in turn began to be replaced by printed messages from the end of the century. (44)Early examples of pre-printed Valentine's Day stationery and manuals for the composition of the perfect valentine reveal that existing folk customs were swiftly adapted by modern print culture and an increasingly literate population. However, it was the 1840 introduction of Rowland Hill's penny post in Britain, alongside concomitant advances in American and European postal infrastructure, which led to a veritable explosion in the exchange of valentines, moulding the practice into a shape still recognisable today (see Golden 222). Hill not only democratised access to written communication by lowering prices, he also anonymised epistolary exchange. Prepaid stamps and pillar post boxes made it possible to correspond with anyone, anywhere, without giving away one's identity. And while sending an anonymous letter would have been perceived as a violation of epistolary decorum during the remainder of the year, on Valentine's Day it was not only acceptable but, as Farmer Boldwood hints in Thomas Hardy'sFar from the Madding Crowd(1874), expected. The opportunity for anonymous correspondence generated an enthusiastic response.


2021 ◽  
pp. 1-25
Author(s):  
ASTRID HAAS

The article studies African American narratives of indigenous captivity from its emergence in the mid-eighteenth century to the mid-nineteenth. Taking accounts by Briton Hammon, John Marrant, Henry Bibb, and James Beckwourth as examples, the essay charts the development of this body of writings, its distinction from white-authored narratives, and its contribution to North American autobiography. In so doing, the article argues that the black-authored texts strategically employed only certain elements of the Indian captivity narrative and that they blended these with aspects of other types of Western autobiography to claim black people's agency and discursive authority in white-dominated print culture.


Terminus ◽  
2019 ◽  
Vol 21 (Special Issue 1) ◽  
pp. 107-138
Author(s):  
Iwona Słomak

This paper was inspired by the lack of studies that would show examples of military-erotic symbols in religious literature associated with the emblem tradition. The works discussed here, namely prayer books by Andrzej Gabriel Kasperowicz, anonymous Atak niebieskiej twierdzy [The attack of the heavens or The attack into the fortress of heavens] and Wojsko serdecznych afektów [The army of heartfelt affections] by Hieronim Falęcki, retain high formal and semantic discipline; as a result, they are examples of interesting phenomena of Baroque culture. In the first part of the study, Słomak presents three prayer books in which the concept is based on an analogy with the organisation of the army of Christ. In the second part, she presents a book in which the theme of war is combined with the theme of “holy erotica”. In part three, she discusses a print whose composition refers to the structure of military detachments. It is conceived as a collection of “affections” whose task is “to conquer” heaven and the hearts of readers. Characteristically, the formula of the discussed books will be understandable only if we reconstruct their reference to the popular allegorical images (to be found in the collections of emblems, in many treatises on religious themes or in descriptions of the great ceremonies of that era); therefore, it is necessary to take into account the emblematic model that clearly influenced their final shape.


Author(s):  
Warren Boutcher

Chapter 2.5 begins with Pierre Huet’s early eighteenth-century description of the school of Montaigne, which he says has been flourishing for more than a century. He denounces the Essais as ‘the breviary of urbane loafers and ignorant pseudointellectuals’, of undisciplined, over-free literates who do not want to pursue proper scholarship and knowledge. The chapter goes on to offer two further case-studies of the life-writing of such free literates in early modern France (Jean Maillefer and Pierre de L’Estoile), as well as a coda on Pierre Coste and John Locke. Both read Montaigne’s work while writing manuscript journals to domestic and private ends; both combined reading and writing in books with the keeping and reviewing of personal records. L’Estoile reveals the significance of Montaigne’s references to the Essais as a registre––both institutional and personal registers were ubiquitous in this period.


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