Epilogue

Author(s):  
Lucia Dacome

The Epilogue traces a shift in attitude towards anatomical modelling. In the mid-eighteenth century anatomical models had been praised for their capacity to defy time in the sense that they both resisted the body’s physical decay and promised to provide lasting and timeless sources of corporeal knowledge. However, by the end of the century changing attitudes towards notions of authenticity and techniques of production caused some to doubt earlier anatomical models’ capacity to produce and mediate knowledge about the body. Anatomical modelling continued to be regarded as a useful and promising medical technique. Yet, by the end of the eighteenth century the very models that only a few decades earlier had fuelled much interest among both practitioners and lay audiences, had already started to slip into obsolescence.

Author(s):  
Lucia Dacome

Chapter 7 furthers the analysis of the role of anatomical models as cultural currencies capable of transferring value. It does so by expanding the investigation of the early stages of anatomical modelling to include a new setting. In particular, it follows the journey of the Palermitan anatomist and modeller Giuseppe Salerno and his anatomical ‘skeleton’—a specimen that represented the body’s complex web of blood vessels and was presented as the result of anatomical injections. Although Salerno was headed towards Bologna, a major centre of anatomical modelling, he ended his journey in Naples after the nobleman Raimondo di Sangro purchased the skeleton for his own cabinet of curiosities. This chapter considers the creation and viewing of an anatomical display in di Sangro’s Neapolitan Palace from a comparative perspective that highlights how geography and locality played an important part in shaping the culture of mid-eighteenth-century anatomical modelling.


Author(s):  
Anastasia Chamberlen

This chapter sketches the broader context of the study presented in this book. It starts with a historical account of imprisonment, focusing particularly on women’s imprisonment, and attempts to trace the centrality of prisoner bodies in the delivery of punishment via the prison since the eighteenth century. Through this brief historiography, it examines how the body has been the object and subject of punishment and, since the start, has been part and parcel of the delivery of imprisonment. More specifically, the chapter argues that, since its establishment, women’s imprisonment has been gendered and embodied. The second half of the chapter looks at more contemporary research on women’s experiences in prison, and unpacks the punishment–body relation by connecting the study’s objectives to extant research on women’s prisons.


Nuncius ◽  
2011 ◽  
Vol 26 (1) ◽  
pp. 21-49
Author(s):  
Dario De Santis

AbstractThe scientific debate which developed during the eighteenth century, proposed and diffused new theories on the generation not only within the scientific community. Microscopic investigation and various experimental campaigns fostered daring models attempting to unveil the natural phenomena from which life originates. Besides the famous scientific and philosophical works that marked the age, in the second part of the century two pamphlets appeared that well represent the importance of the querelle about embryological systems defining the concept of generation as a voyage within the human body. Lucina sine concubitu and Juno abortans, respectively published in England and in Germany between 1750 and 1760, narrate the odd and imaginary adventures of two doctors who are trying to interrupt and modify the embryos' journey towards the body of the mother.


2021 ◽  
Author(s):  
◽  
Evgeniya Kryssova

<p>The press was at the centre of the reform of the meaning of insanity, during its evolution from an equivocal eighteenth-century concept of melancholia to a medicalised Victorian notion of ‘lunacy’. During the late Georgian era newspapers provided a public forum for the opinion of newly emerging psychiatric practitioners and fostered the fears and concerns about mental illness and its supposed increase. The press was also the main source of news on crime, providing readers with reports on criminal insanity and suicide. In the first half of the nineteenth century, newspaper contents included official legal reports, as well as editorial commentary and excerpts from other publications, and newspaper articles can rarely be traced to one single author. Historians of British insanity avoid consulting periodical literature, choosing to use asylum records and coroners’ reports, as these sources are more straightforward than newspapers. However, Rab Houston’s recent study of the coverage of suicide in the north of Britain shows that the provincial press has been unjustly overlooked and can offer the material for a unique social analysis. Asylum records and coroners’ records do not contain the same detail provided in the press. Newspaper commentary can arguably reveal contemporary attitudes towards insanity and, moreover, sources such as asylum records only deal with the lower-class patients, as the middle- and upper-class insane were usually privately detained.  This thesis examines the press coverage of insanity in Leeds newspapers, and expands on previous research by looking at the way insanity was portrayed in the two most popular publications in the industrial region of Yorkshire: the Leeds Intelligencer and the Leeds Mercury. Chapter one focuses on legal cases that featured a verdict of insanity and explores the language used by the press in the reports of, mainly, violent domestic crime. Chapter two looks at reports of suicide and considers how contemporary views on financial and moral despondency influenced the portrayal of self-murder. Chapter three considers editorial articles that cannot be described as either crime or suicide reports. This chapter uncovers the presence of surprisingly humorous and entertaining articles on insanity found in editorials and the ‘Miscellany’ sections of the newspapers. Ultimately, this thesis argues that the reportage of insanity in the Leeds press was sensational, moralistic and selectively sympathetic; furthermore, such portrayal of insanity was reinforced throughout the body of the paper. Leeds newspapers segregated the insane by adopting a moralising tone and by choosing to use class-specific language towards the insane of different social ranks.</p>


2006 ◽  
Vol 39 (3) ◽  
pp. 319-339 ◽  
Author(s):  
TOBIAS CHEUNG

This paper retraces the occurrence of the word ‘organism’ in writings of different authors from the seventeenth to the nineteenth centuries. It seeks to clarify chronological and conceptual shifts in the usage and meaning of the word. After earlier uses of the word in medieval sources, the Latin word organismus appeared in 1684 in Stahl's medico-physiological writings. Around 1700 it can be found in French (organisme), English (organism), Italian (organismo) and later also in German (Organismus). During the eighteenth century the word ‘organism’ generally referred to a specific principle or form of order that could be applied to plants, animals or the entire world. At the end of the eighteenth century the term became a generic name for individual living entities. From around 1830 the word ‘organism’ replaced the expressions ‘organic’ or ‘organized body’ as a recurrent technical term in the emerging biological disciplines.


2021 ◽  
Vol 65 (1) ◽  
pp. 81-106
Author(s):  
Alison Stevens

Abstract Dance in general and the contredanse in particular have long been recognized as important to eighteenth-century European music. But music theorists have tended to understate the contredanse's unique contribution, when they haven't overlooked it entirely: dances are more often treated as musical styles or topics than as movement patterns, and the minuet, with more explicit connections to art music, has received more attention than the contredanse. This article analyzes the choreography as well as the music of eighteenth-century contredanses to show how this dance supported the development of hypermetrical hearing. The contredanse had surpassed the minuet in popularity by the second half of the eighteenth century, probably in part because of its participatory rather than performative nature. More important, it was the first dance in which alignment of choreography and music consistently extended to multiple hypermetric levels. In addressing the importance of contredanse choreography to eighteenth-century hypermeter, this article makes a broader appeal for incorporation of dance and the body into the study of meter.


2019 ◽  
pp. 101-123
Author(s):  
S. Elizabeth Penry

By the eighteenth century, the town-based cofradía and cabildo offices had merged to form what scholars call the fiesta-cargo system, a series of linked posts that created affective ties to the town and legitimated authority within it. Andeans now defined themselves as comuneros, members of the común, the body of commoners that excluded caciques. To become a leader of the común, one served the saints by holding cofradía office. Comuneros had made cofradías and saints Andean: service to the saints rotated among the town’s ayllus and saints’ celebrations included llama sacrifice, pouring libations, and shamanistic practices. During their time as officeholders, comuneros were exempt from tribute and mita, making them a de facto nobility. Caciques saw these officeholders as threats to cacical rule and worked to undercut them. That fear coincided with Spanish policies that also sought to reduce cofradía officers so as to increase tribute payments and mita labor.


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